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Profession: Art Department, Producer, Miscellaneous, Electrical Department, Director, Camera Department, Actor, Writer

Years Experience: 21

Biography: Born in 1974 in Bolinas, CA, Korine is the son of documentary filmmaker Sol Korine. He spent his early years in Nashville, TN, before moving to New York City to live with his grandmother. He studied English at New York University for one semester before dropping out to pursue a career as a professional skateboarder. Korine was skating with friends in Washington Square Park when he caught the eye of photographer Larry Clark. Korine showed Clark a screenplay he had written about a teenager whose father takes him to a prostitute. Impressed, the photographer asked him to compose a script about his everyday life. Within three weeks, Korine wrote 'Kids,' a film about 24 hours in the sex- and drug-filled lives of several Manhattan teenagers. Directed by Clark and starring Leo Fitzpatrick and Korine's on-again-off-again girlfriend Chloe Sevigny, critics called 'Kids' both a brilliant wake-up call to America and a blatant work of teen exploitation.

Korine caused another stir with his directorial debut, 'Gummo'(1997), the story of two friends growing up in a remote Ohio town that cannot recover from a devastating tornado that hit decades earlier. Numerous critics thought his use of hand-held video, Super 8, and Polaroids was genius. Herzog and Bernardo Bertolucci even wrote Korine fan letters after seeing the film. New York Times reviewer Janet Maslin went so far as to label Gummo the worst film of the year, despite the fact that it earned top awards at both the Venice and Rotterdam Film Festivals.

After 'Gummo's' release, Sonic Youth tapped Korine to direct the video for their song 'Sunday.' At the filmmaker's insistence, the video starred Macaulay Culkin and his then-wife Rachel Miner. The work eventually served as a companion piece to Korine's one-man art exhibition at the Taka Ishii Gallery in Tokyo. Barely a year later, Korine further disgusted critics with 'The Diary of Anne Frank (Part Two),' an experimental work that used three movie screens to alternately show such disturbing images as a mentally handicapped man in a soiled diaper and the burying of a dead dog. After completing his first novel, 'A Crackup at the Race Riots', Korine began a project titled 'Fight Harm,' a documentary-style film which followed him as he harassed people on the streets until they beat him up. The director, who often said he would die for the cinema, hoped to make a cross between a Buster Keaton vehicle and a snuff film, but after only six fights, he was hospitalized and forced to abandon the project.

Education: The Tisch School of the Arts at New York University.

Spoken Languages: English

Source: www.harmony-korine.com

Harmony Korine

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