Runtime: 2 hr 14 min
MPAA Rating: R
Director: Spike Lee
Starring: Edward Norton, Philip Seymour Hoffman, Barry Pepper, Rosario Dawson, Brian Cox, Anna Paquin
The small parts are especially well acted.
Review by: SteveRhodes
Added: 8 years ago
Spike Lee's 25TH HOUR, about the last day of freedom for Monty Brogan (Edward Norton), is a rich tapestry of life that contains more memorable performances than you can count. Opening in 2003 in most parts of the country, it is counted for Academy purposes as a 2002 film, and, since it is one of last year's best films, one hopes that it will garner several awards. In addition to Lee's and Norton's work, Oscar consideration should be given to Philip Seymour Hoffman's supporting role and to Terence Blanchard's music.
Without any of his usual racial polemics, Lee weaves a gripping tale about a personable guy, Monty, whom we first meet when he is befriending a nearly dead dog, who bites him in the process. Monty is "going to hell for seven years," after being convicted of drug dealing on schoolyards, no less. Like an addict who couldn't quit, Monty liked the money and the life it gave him, including a beautiful and supportive girlfriend, Naturelle Riviera (Rosario Dawson). In a flashback we see that he met Naturelle when he was dealing drugs at her school. Very careful to ascertain that she was eighteen, Monty apparently worried more about statutory rape charges than he did prosecution for dealing weed.
On Monty's last night before his dad (Brian Cox) has to take him to prison, he goes with his friends to a nightclub owned by some of the Ukrainians who used to be his suppliers. In the party are Jakob Elinsky (Hoffman) and Francis Xavier "Frank" Slaughtery (Barry Pepper), two of Monty's best friends from school, as well as Naturelle and Mary D'Annunzio (Anna Paquin). With sad irony, Monty refers to Jakob, Frank and himself as the "Dead End Kids."
Mary, a year below the age of consent in New York, where the story is set, is at the club because she conned Jakob, her high school English teacher, into letting her join their party. In one of many potentially explosive stories, we learn that Jakob has a serious crush on Mary, something that scares him to death. Paquin is so wonderful in the role that you wish that she had been cast in the remake of LOLITA that was done a few years ago.
Frank has his own story and issues as well. A bachelor with a self-proclaimed ninety-ninth percentile ranking, he reeks overconfidence. When we first meet him, he is a bond trader who is defying his boss's direct orders and putting a hundred million dollars of his company's money at risk with a major contrarian bet on the direction of the week's unemployment numbers. Thinking he has social skills when he has none, Frank's sole claim to fame is his unfailing bravado. He is also the one most willing to stand up and tell the others what they don't want to hear. "Would you go into a Victoria's Secret and ask if they had children's sizes?" he inquires of Jakob in order to put some sense into his head about his infatuation with his student.
The small parts are especially well acted. Isiah Whitlock Jr., Tony Devon and Michael Genet play the three DEA agents who bust Monty. They are funny in an extremely frightening sort of way.
The story ends in a beautiful and hauntingly ambiguous manner. I left the theater wondering what would become of them, not only Monty and Naturelle but everyone. 25TH HOUR is a touching and endearing picture that you won't forget.
25TH HOUR runs 2:14. It is rated R for "strong language and some violence" and would be acceptable for older teenagers.