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31-40 of 83

A most enjoyable blockbuster film.

This review by the all powerful, all mighty, full of the awesome Live for Films…that’s me. Last night my Wife and I went to see X-Men Origins: Wolverine. I’m a long time comic book geek and have always enjoyed the adventures of Marvel’s favourite mutant. We both enjoyed the X-Men films. I thought the second was the best and the third the weakest, ...

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Review by: PhilEdwards

Added: 8 years ago

 

The film was consistently entertaining and the story involving.

Director J.J. Abrams (the co-creator of "Lost") has finally released his much anticipated take on the classic "Star Trek" series, which consists of an almost uncountable number of television episodes as well as numerous movies. Before reviewing STAR TREK, I think it behooves me first to admit where I fall in the fan spectrum. I've probably seen most...

Read more

Review by: SteveRhodes

Added: 8 years ago

Be ready to groan loudly through most of the film's first scenes.

In GHOSTS OF GIRLFRIENDS PAST, Connor Mead (Matthew McConaughey) is forced to see ghosts. This reimagining of A CHRISTMAS CAROL is mainly set in a beautifully snowy season that looks for all intents and purposes like Christmas, but the film is being released in May, which feels weirdly incongruous. The Christmas connection continues, however, ...

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Review by: SteveRhodes

Added: 8 years ago

 

Both over- and underrated.

The Movie Knowing (not to be confused with the 2007 Nicolas Cage flick Next) is one of those rarities: a movie that’s both over- and underrated. Roger Ebert has called it one of the best sci-fi movies ever. It so isn’t, but the movie is also nowhere near as bad as some would have you believe. Ebert is fascinated by the film’s philosophical ...

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Review by: MiamiMovieCritic

Added: 8 years ago

The best horror film I’ve seen since Drag Me to Hell.

Deadgirl is sick. So sick that I almost feel a little ashamed in recommending it. The same thing happened when I saw (and liked) the Hostel films. People looked at me like I had some explaining to do. I maintain that these movies aren’t entirely without redeeming values. They address real social issues, and Deadgirl could be viewed as a metaphor for...

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Review by: MiamiMovieCritic

Added: 8 years ago

 

Clunky dialogue, tepid fight scenes and cartoonish CGI work.

Confession: I don’t really get Wolverine. I know a lot of fanboys say he’s their favorite Marvel character, but I don’t read comic books. And based on the evidence of the X-Men trilogy and the new spinoff movie, X-Men Origins: Wolverine, I honestly don’t see what the attraction is. But if you think Wolverine is lame (and I sure do), wait until you ...

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Review by: MiamiMovieCritic

Added: 8 years ago

Stirring and frankly quite patriotic.

"Our boys got a raw deal when they came back from Vietnam," an aging World War II veteran says in THE WAY WE GET BY, a poignant and lovingly constructed documentary by Aron Gaudet. The documentary, which works successfully on several levels, follows a group of "troop greeters" who do their volunteer work at the Bangor, Maine airport. This airport...

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Review by: SteveRhodes

Added: 8 years ago

 

Fling

Genre: Comedy

A great movie that will entertain.

Fling (2008) is also known as Lie to Me abroad and explores the alternative lifestyle of an open relationship. Samantha (Courtney Ford) and Mason (Steve Sandvoss) are both successful in their work and on the outside appear to be in a loving relationship; and they are. They laugh, go out, live together, and have a strong bond unlike many couples. A...

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Review by: DainBinder

Added: 8 years ago

The ugly truth is that Gerard Butler's fingers-across-the-blackboard performance makes THE UGLY TRUTH painful to endure.

The ugly truth is that Gerard Butler's fingers-across-the-blackboard performance makes THE UGLY TRUTH painful to endure. Butler plays Mike, a scruffy, disheveled guy with a filthy mouth who dishes out lots of scandalous and vulgar advice to women on a public access channel. If Butler was the film's star rather than its costar, the movie would be ...

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Review by: SteveRhodes

Added: 8 years ago

 

The story was bland, the acting was bland, and the filming was bland.

Bart Got a Room (2008) stars Steven J. Kaplan as Danny and is another goofy high school teen type of movie; that is about all I have for you. One thing I do for each review is watch the movie about two days before and only go back to it for little details. Doing it this way ensures the review is not written in the heat of the moment and directly ...

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Review by: DainBinder

Added: 8 years ago

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__domel__body => '&lt;p&gt;This review by the all powerful, all mighty, full of the awesome Live for Films…that’s me.&lt;/p&gt;<br /> &lt;p&gt;Last night my Wife and I went to see X-Men Origins: Wolverine. I’m a long time comic book geek and have always enjoyed the adventures of Marvel’s favourite mutant. We both enjoyed the X-Men films. I thought the second was the best and the third the weakest, but they never really capture Wolverine in his true berserker state that we have seen so many times in the comic.&lt;/p&gt;<br /> &lt;p&gt;How did Wolverine’s solo film manage then? It does have its flaws (some pretty big flaws actually) but is a most enjoyable blockbuster film nonetheless. Apologies if this review skips around a bit, but that’s how I roll and also how the film progresses.&lt;/p&gt;<br /> &lt;p&gt;As it started up we see a young boy ill in bed being tended by his father (the guy who played Shane in Neighbours) while another young lad with bad nails looks on. Bad things happen, claws pop and a howl to the skies puts the young Wolvie and Sabretooth on the run.&lt;/p&gt;<br /> &lt;p&gt;During the build up to the film I had been really excited seeing photos of Hugh Jackman and Liev Schreiber in character during the Civil War, the two World Wars and the Vietnam War. Schreiber is excellent as Sabretooth – menacing, psychotic and just plain nasty. You’ll be pleased to know that his bounding lope type thing you see briefly in the trailer is a lot better and more convincing in the final film.&lt;/p&gt;<br /> &lt;p&gt;I thought they would spend a bit of time developing the relationship between the two feral mutants but instead there is a mad dash through the years during the Watchmen inspired opening credits. Seeing the extras and scale of these war scenes in photos and snippets shows that an awful lot of the budget went into these scenes but they are gone within the first few minutes, yet they have the most realistic feel compared to the rest of the film. Almost as if they blew the cash early on and then went “oops, we better reel it in a bit”.&lt;/p&gt;<br /> &lt;p&gt;This leads to one of the main problems with the film. It all feels studio bound. Even with scenes that are outside it all feels like a set. Plus some dodgy green screen (the bits with Logan and Silver Fox in the van) and CG effects (the claws in the bathroom scene, and the de-aging of a character at the end) really pull you out of the movie. The recent leaking of the film onto the internet a few weeks ago was said to just be a workprint copy with unfinished effects. If that was the case they should have spent a little longer on them.&lt;/p&gt;<br /> &lt;p&gt;As with the dash through the years at the start of the film we are rushed through pretty much everything else. We never really get a chance to savour the moment and wallow in our comic book memories. The most time in one place is up in the Canadian Rockies where Logan spends his time with Kayla Silverfox (Lynn Collins).&lt;/p&gt;<br /> &lt;p&gt;After the credits Wolvie and Sabretooth are inducted into the Weapon X program by Stryker (Danny Huston – who uses the same speech pattern as Brian Cox which adds a nice bit of continuity), then we cut to them on a plane with Wade Wilson (Ryan Reynolds), Bolt (Dominic Monaghan), Wraith (Will.i.am), Agent Zero (Daniel Henney), and Frederick J Dukes (Kevin Durand). Unlike the film I’ll spend a bit more time talking about the pack of Mercs. There is some good banter between them and the mission we see gives them all a chance to shine. All are good although Agent Zero’s actions, along with the later Gambit scenes, have some shoddy wire-work which again pulls you out of the film. Durand and Monaghan do a little but not a lot.&lt;/p&gt;<br /> &lt;p&gt;It is Ryan Reynolds as Wade Wilson who truly shines. He basically does the same schtick he did in Van Wilder and Blade Trinity, but he does it so well and it is ramped all the way up to 11 in this film. He is the best thing in the early scenes and it is a shame we only get to see him and, to a lesser extent, the rest for such a short amount of time. It would have been great to see them on a couple more missions to get a feel for them working as a team.&lt;/p&gt;<br /> &lt;p&gt;It is this rushing through the film that makes me feel the studio had more to say on the matter than the director, Gavin Hood. The whole film could have done with being another 20 or 30 minutes longer.&lt;/p&gt;<br /> &lt;p&gt;However, this is a Wolverine film and Hugh Jackman is great in the role. He’s been doing it for a few years now so he is very comfortable in the skin of Logan. The weird thing is that he doesn’t seem to have aged a day since he first appeared in X-Men back in 2000. Hugh is funny, scary, angry and confused at various points of the film and he acts his socks off. There are a few points in the film where you think he is going to pop a blood vessel as he is so worked up. The one fault with him though is that we once again, never really get to see him go fully berserk and become the scary beast he can be in the comic. I thought we would see this in his escape from the Weapon X compound, but he gets out of the tank (fully naked to the delight of my Wife) kills a couple of guards and is then out and away. I would have liked this to last a little longer and have us follow a few guards or something getting picked off from the shadows. The point I’m getting at is that they never really make Wolverine scary. I know that they are aiming for a younger market, but a few scenes to show just how scary it would be to face him or be to know he is hunting you would have been great.&lt;/p&gt;<br /> &lt;p&gt;Apart from Ryan Reynolds as Deadpool the other big name Mutant in the film is Gambit (Taylor Kitsch). He is okay, but I never really felt he was as cool as the character could sometimes be in the comic and some of the card effects were just not up to scratch. Just before he sits down with Gambit there is a pleasing nod to the comic book cliche of the heroes fighting first before teaming up and those kind of things really float my boat. There are a few others throughout the film – Holding a loved one while screaming “Noooooo!!!” to the heavens and calling people “Old Friend”. If you are a long time comic book reader then you’ll know what I am getting at and I felt they really added to the whole comic bookiness of the whole thing. I also liked the little nod to Superman with the Ma and Pa Kent types helping Logan.&lt;/p&gt;<br /> &lt;p&gt;The final showdown on the Island was good, although I kept saying “Where are all the guards” and it was nice to see lots of familiar Mutants as kids. The final showdown with Deadpool, Logan and Sabretooth doing his best impression of the Millenium Falcon at the end of A New Hope is pretty good, but very short. I still can’t see how they will take the Deadpool from this film and marry it with the Deadpool from the comic if they decide to make a spin-off from the spin-off. I would have loved for the proper Deadpool to have been the one they were fighting with lots of chances for Ryan Reynolds to do his funny dialogue thing he does so well.&lt;/p&gt;<br /> &lt;p&gt;Reading back through this it does sound as if I did not like the film. It’s not a Dark Knight or Iron Man, but I really did enjoy it. Like many of these kind of films you can pull them apart if you look too closely at it, but if you enjoy comic book movies then just sit back and let Hugh do his thing. Well worth seeing on the big screen. Don’t forget to wait through all of the credits for the last little bit – I got the Japan ending (more news on the &lt;a href=&quot;http://liveforfilm.blogspot.com/2009/04/many-endings-of-wolverine-deadpool-and.html&quot;&gt;different endings here&lt;/a&gt;). I give it 7 out of 10 and my Wife would give it 8 as she said she would give Hugh Jackman one……Hold on a minute…&lt;/p&gt;<br /> &lt;p&gt;Have you seen the film? What did you think of it? What post end credit ending did you get?&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Director J.J. Abrams (the co-creator of &amp;quot;Lost&amp;quot;) has finally released his much anticipated take on the classic &amp;quot;Star Trek&amp;quot; series, which consists of an almost uncountable number of television episodes as well as numerous movies. Before reviewing STAR TREK, I think it behooves me first to admit where I fall in the fan spectrum. I've probably seen most of the movies, as well as many of the original &amp;quot;Star Trek&amp;quot; episodes, but, the original series, which I watched decades ago, made such little impression on me that I've long since forgotten it.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;My son Jeffrey, in contrast, is a huge fan who says that he has seen all of the episodes, which he tells me number over seven hundred. Living in a household with such a rabid fan has probably influenced me to be predisposed to like the latest STAR TREK film, which I did, albeit not quite as much as Jeffrey, whose one word review of the film was, &amp;quot;Epic!&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;I certainly agree with my big-fan son that the new STAR TREK film, which is a prequel to the other films, is extremely well cast. Although I thought the movie tried too hard to please non-Trekkies by emphasizing the big action sequences too much, especially in the first half, the film was consistently entertaining and the story involving.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;I found myself easily drawn into the adventure as Captain James T. Kirk (Chris Pine), Spock (Zachary Quinto, Sylar on &amp;quot;Heroes&amp;quot;), Sulu (John Cho), Uhura (Zoe Saldana), Dr. Leonard 'Bones' McCoy (Karl Urban), Scotty (Simon Pegg) and other crew members of the Starship Enterprise fought Nero (Eric Bana), their excellent new villain.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Don't be surprised if you feel just like me when you leave the theater. I was ready and eager to see my newfound friends in their next space adventure. And, probably the best thing that Abrams accomplished with this film was to breathe new life into the STAR TREK franchise, which some had feared was on its last legs.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The movie is being billed as not &amp;quot;your father's STAR TREK.&amp;quot; Well, it certainly was this father's STAR TREK. I found it consistently intriguing, as we meet the young and rebellious James T. Kirk as he enters the Academy. Almost kicked out forever for cheating after he does the impossible by solving Spock's unsolvable problem, Jim eventually makes captain, as people come to realize that he is a risk taker who is smart enough to even outsmart Spock, without the need for cheating.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The movie is best in its moments of character drama and logical reasoning and is least interesting when it only wants to blow something up. Certainly the special effects, as when a planet is transformed into an instant black hole, are spectacular. But, I found I was most drawn into the narrative when the special effects were absent entirely and the characters simply tried to outwit each other. The film is intentionally funny too. In fact, if I had one change to make, I would have included even more of the humor since it is effective.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;STAR TREK runs 2:07. It is rated PG-13 for &amp;quot;sci-fi action and violence, and brief sexual content&amp;quot; and would be acceptable for kids around 7 and up.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;My son Jeffrey, age 20, went gaga over it, giving it a full ****. His funniest comment was that all of the fighting in it sometimes made him think that the movie was like STAR WARS crossed with &amp;quot;The O.C.&amp;quot; He said that he had a blast and was on the edge of his seat the entire time. He remarked that he had not enjoyed a movie this much in a long time. His only reservation was that he wasn't sure how this story fits into the STAR TREK canon. However, he said that he was absolutely enthralled by it.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;In GHOSTS OF GIRLFRIENDS PAST, Connor Mead (Matthew McConaughey) is forced to see ghosts. This reimagining of A CHRISTMAS CAROL is mainly set in a beautifully snowy season that looks for all intents and purposes like Christmas, but the film is being released in May, which feels weirdly incongruous.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The Christmas connection continues, however, since the film's two writers, Jon Lucas and Scott Moore, were last responsible for FOUR CHRISTMASES, a mildly entertaining film that was savaged by most critics. As I did with FOUR CHRISTMASES, I found GHOSTS OF GIRLFRIENDS PAST kind of cute. Working in its favor, this film, directed by FREAKY FRIDAY's Mark Waters, never takes itself too seriously and is filled with deliciously cheesy lines. The best of these comes when Connor discusses the lost art of &amp;quot;spooning&amp;quot; with Vonda Volkom (Anne Archer), the mother of the bride at his brother's wedding. &amp;quot;Spooning is nice,&amp;quot; he tells her with a wicked little twinkle in his eye, &amp;quot;but not as nice as forking.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;We originally meet Connor, a popular magazine cover photographer, in one of the most unpromising openings of the year. Be ready to groan loudly through most of the film's first scenes, as Connor plays an obnoxious, completely unbelievable and utterly clueless playboy. In the movie's worst moment, we are asked to buy that he would breakup with three girls in a simultaneous videoconference. &amp;quot;I had an amazing time with each of you,&amp;quot; he tells them with a big smile. &amp;quot;I wish you all the best.&amp;quot; What a great guy.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Luckily, the film gets much better when Connor reluctantly heads to the wedding of his kid brother Paul (Breckin Meyer). After trying to talk his brother out of acquiring the ball and chain that Connor views marriage as being, Connor starts verbally sparring with Jenny Perotti (Jennifer Garner), his first flame from way back when they were only seven.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Connor gets his comeuppance during his visits from three ghosts -- representing his girlfriends past, present and future. As they show him his life, he is whisked around in the bed of his deceased Uncle Wayne (Michael Douglas). This uncle, who raised Connor after his parents died, taught him everything he knew about girls and how to treat them. Coming back as another ghost in Connor's life, Uncle Wayne explains his presence by noting, &amp;quot;Players never die. They just try their luck at a different table.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Described by &amp;quot;friends&amp;quot; as being &amp;quot;like the Tin Man -- he was born without a heart,&amp;quot; Connor eventually realizes that his life of fast, meaningless relationships has hurt almost everyone he has dated, which appears to include close to half of the planet. Continuing to take a light approach to the material, the movie's best moments, surprisingly turn out to be in the obligatory last act, as it turns bittersweet and downright sappy, yet strangely affecting and sweet as well.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;GHOSTS OF GIRLFRIENDS PAST runs 1:40. It is rated PG-13 for &amp;quot;sexual content throughout, some language and a drug reference&amp;quot; and would be acceptable for kids around 8 and up.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;&lt;b&gt;The Movie&lt;/b&gt;&lt;/p&gt;<br /> &lt;p&gt;Knowing (not to be confused with the 2007 Nicolas Cage flick Next) is one of those rarities: a movie that’s both over- and underrated.&lt;/p&gt;<br /> &lt;p&gt;Roger Ebert has called it one of the best sci-fi movies ever. It so isn’t, but the movie is also nowhere near as bad as some would have you believe. Ebert is fascinated by the film’s philosophical questions; if you go to his blog, you can read a very serious discussion about whether the aliens at the end are actually angels. (“Did you see wings?”) The haters are simply piling on the film because they don’t like Nicolas Cage. While I have some sympathy for that position after seeing Ghost Rider and Bangkok Dangerous, I find The Wicker Man a guilty pleasure, and you can’t deny the brilliant energy he brought to such films as Raising Arizona, Wild at Heart and Adaptation. Never pre-judge a film by this kind of angry-mob Internet buzz, I always say.&lt;/p&gt;<br /> &lt;p&gt;The film turns out to be not great or bad but merely good. It’s refreshing in that it’s a big-budget science-fiction film that’s not a remake or a reboot, and the concept behind it is certainly intriguing.&lt;/p&gt;<br /> &lt;p&gt;It was directed by Alex Proyas, who has yet to top his two triumphs of the 1990s, The Crow and Dark City. His visual sense is every bit as strong as Darren Aronofsky’s, and this is evident in the flashback sequence that opens the film and some spectacular special-effects scenes later on.&lt;/p&gt;<br /> &lt;p&gt;The flashback takes place in 1959. A class of grade-schoolers is asked to draw on pieces of paper what the future might look like in 50 years. Instead of doing a drawing, one of the girls obsessively writes row after row of numbers. The papers are put in a time capsule and buried underground.&lt;/p&gt;<br /> &lt;p&gt;Cut to the present day. Cage plays an MIT professor, John Koestler, who lives with his young son, Caleb (Chandler Canterbury, from The Curious Case of Benjamin Button). Koestler is skeptical of the theory of determinism, and there’s an interesting discussion in which he admits he thinks “shit just happens.” The movie lays it on a bit thick in this regard – he’s a widower, and his father is a devout religious man – but no more so than M. Night Shyamalan did with Mel Gibson’s character in Signs.&lt;/p&gt;<br /> &lt;p&gt;Caleb happens to be in the class that digs up the time capsule. (Or maybe he doesn’t “just” happen to be there; the film argues that shit doesn’t “just happen.”) Caleb takes home the piece of paper on which the little girl wrote the numbers, and by accident Koestler discovers there’s a pattern here. The numbers correspond with the dates of every major disaster of the last 50 years. The first numbers he discovers are 911012996 – or Sept 11, 2001, on which 2996 people were murdered in the terrorist attacks.&lt;/p&gt;<br /> &lt;p&gt;Of course, there are other numbers that predict cataclysmic events in the near future. The first of these to come to pass is surely one of the most spectacular action scenes of the year. Captured in a single shot, it shows a plane crashing into a field. Koestler runs toward the wreckage, and passengers emerge screaming and on fire. The you-are-there immediacy of this scene is downright shocking.&lt;/p&gt;<br /> &lt;p&gt;Proyas has more tricks up his sleeve. Looked at in pieces, you can see how Knowing might have been a masterpiece, but it’s marred by some silly and preposterous moments. One note: it’s interesting how the aliens in the film (if that’s what they are) are referred to as “the Strangers.” This is the same name given to the frightening creatures in Dark City. Are they related?&lt;/p&gt;<br /> &lt;p&gt;&lt;b&gt;The Special Features&lt;/b&gt;&lt;/p&gt;<br /> &lt;p&gt;The DVD has three special features. The best is a commentary track featuring Proyas, though it’s annoying that the man interviewing him is never identified. Whoever this man is, he’s a deadly serious interviewer. Proyas seems a bit testy when asked about the film’s religious connotations, but he’s engaging throughout. The two other special features are both slickly produced mini-docs: “Knowing All: The Making of a Futuristic Thriller” and “Visions of the Apocalypse.”&lt;/p&gt;'
alias => 'knowing_by_mmc'
dt-publish => '8 years ago'
genre =>
__attr__id => 11
name => 'Sci-Fi & Fantasy'
logo => 'logo.jpg'
movie =>
__attr__id => 68
cover => 'cover.jpg'
title => 'Knowing'
rating => 80
reviewer =>
__attr__id => 84
avatar => 'MiamiMovieCritic.jpg'
login => 'MiamiMovieCritic'
review-count => 210
user-dir => 'user_files/'
short-body => 'The Movie Knowing (not to be confused with the 2007 Nicolas Cage flick Next) is one of those rarities: a movie that’s both over- and underrated. Roger Ebert has called it one of the best sci-fi movies ever. It so isn’t, but the movie is also nowhere near as bad as some would have you believe. Ebert is fascinated by the film’s philosophical ...'
teaser => 'Both over- and underrated.'
title => 'Knowing'
type-id => 6
4 =>
__attr__id => 376
__domel__body => '&lt;p&gt;Deadgirl is sick. So sick that I almost feel a little ashamed in recommending it. The same thing happened when I saw (and liked) the Hostel films. People looked at me like I had some explaining to do. I maintain that these movies aren’t entirely without redeeming values. They address real social issues, and Deadgirl could be viewed as a metaphor for the madness of Abu Ghraib. It’s definitely gross, but it’s also an exemplary piece of low-budget filmmaking – the best horror film I’ve seen since Drag Me to Hell.&lt;/p&gt;<br /> &lt;p&gt;The plot is ghost-story spooky. It requires that you accept the characters are capable of going as far as they go. Rickie (Shiloh Fernandez) and J.T. (Noah Segan) are two lower-class kids who ditch school one day and break into an abandoned mental hospital. There, in a subterranean chamber, they make a shocking discovery: a beautiful, naked, chained-up woman (Jenny Spain). Rickie’s first instinct is to go get help, but J.T. suggests maybe “we could keep her.” What happens next is a little more than disquieting.&lt;/p&gt;<br /> &lt;p&gt;One thing I like about Deadgirl is that the girl remains a mystery. We know she can’t be killed – J.T. does things to her that would end the life of any normal human being. And we know that she’s evil. But the movie never reveals who she is or where she came from. Exposition is the death of suspense, and the filmmakers wisely avoid explaining too much.&lt;/p&gt;<br /> &lt;p&gt;Fernandez and Segan both create believable teens. Fernandez is especially moving during the climax, as Rickie struggles to hold onto his last shred of decency. Spain delivers a terrifying performance in what must have been a very trying and unpleasant filming experience.&lt;/p&gt;<br /> &lt;p&gt;This movie is so extreme it can make your jaw drop. Here’s a line I won’t soon forget: “We gotta get some lube or something in there – she is just bone dry.” Are teens capable of doing this, of repeatedly raping a tied-up woman in an underground cell? You tell me. Was Lyndy England capable of doing what she did?&lt;/p&gt;'
alias => 'deadgirl'
dt-publish => '8 years ago'
genre =>
__attr__id => 7
name => 'Horror'
logo => 'logo.jpg'
movie =>
__attr__id => 302
cover => 'cover.jpg'
title => 'Deadgirl'
rating => 80
reviewer =>
__attr__id => 84
avatar => 'MiamiMovieCritic.jpg'
login => 'MiamiMovieCritic'
review-count => 210
user-dir => 'user_files/'
short-body => 'Deadgirl is sick. So sick that I almost feel a little ashamed in recommending it. The same thing happened when I saw (and liked) the Hostel films. People looked at me like I had some explaining to do. I maintain that these movies aren’t entirely without redeeming values. They address real social issues, and Deadgirl could be viewed as a metaphor for...'
teaser => 'The best horror film I’ve seen since Drag Me to Hell.'
title => 'Deadgirl'
type-id => 6
5 =>
__attr__id => 365
__domel__body => '&lt;p&gt;Confession: I don’t really get Wolverine. I know a lot of fanboys say he’s their favorite Marvel character, but I don’t read comic books. And based on the evidence of the X-Men trilogy and the new spinoff movie, X-Men Origins: Wolverine, I honestly don’t see what the attraction is.&lt;/p&gt;<br /> &lt;p&gt;But if you think Wolverine is lame (and I sure do), wait until you see his nemesis in X-Men Origins. He shares Meg Griffin’s amazing ability to grow her fingernails!&lt;/p&gt;<br /> &lt;p&gt;Directed by the acclaimed South African director Gavin Hood (Tsotsi, Rendition), X-Men Origins is rife with clunky dialogue, tepid fight scenes and cartoonish CGI work. That’s too bad because the film has some real potential. The cast is solid. Hugh Jackman returns as Wolverine, once again bringing more to this part than it really deserves. Liev Schreiber is also excellent in the silly role of Wolverine’s brother. And Danny Huston plays Stryker, the malevolent military man so chillingly played by Brian Cox in X2.&lt;/p&gt;<br /> &lt;p&gt;The film is disappointing because the Wolverine/Stryker relationship was actually one of the more intriguing aspects of X2. You wanted to see what their backstory was, but it’s just not very interesting here.&lt;/p&gt;<br /> &lt;p&gt;Wolverine is kind of an asshole in this movie. He keeps cutting down trees. Quit cutting down trees, asshole! He ends up being about as likable as The Comedian in Watchmen.&lt;/p&gt;<br /> &lt;p&gt;The climactic fight is kinda cool, though it’s marred somewhat by the fact that the scariest villain in the movie is played by… Ryan Reynolds?! X-Men Origins might work for 12-year-olds. For the rest of us, this is background noise.&lt;/p&gt;'
alias => 'x_men_origins_wolverine'
dt-publish => '8 years ago'
genre =>
__attr__id => 1
name => 'Action & Adventure'
logo => 'logo.jpg'
movie =>
__attr__id => 292
cover => 'cover.jpg'
title => 'X-Men Origins: Wolverine'
rating => 40
reviewer =>
__attr__id => 84
avatar => 'MiamiMovieCritic.jpg'
login => 'MiamiMovieCritic'
review-count => 210
user-dir => 'user_files/'
short-body => 'Confession: I don’t really get Wolverine. I know a lot of fanboys say he’s their favorite Marvel character, but I don’t read comic books. And based on the evidence of the X-Men trilogy and the new spinoff movie, X-Men Origins: Wolverine, I honestly don’t see what the attraction is. But if you think Wolverine is lame (and I sure do), wait until you ...'
teaser => 'Clunky dialogue, tepid fight scenes and cartoonish CGI work.'
title => 'X-Men Origins: Wolverine'
type-id => 6
6 =>
__attr__id => 300
__domel__body => '&lt;p&gt;&amp;quot;Our boys got a raw deal when they came back from Vietnam,&amp;quot; an aging World War II veteran says in THE WAY WE GET BY, a poignant and lovingly constructed documentary by Aron Gaudet. The documentary, which works successfully on several levels, follows a group of &amp;quot;troop greeters&amp;quot; who do their volunteer work at the Bangor, Maine airport. This airport, being the eastern most one in the country, has the largest number of arrivals and departures of troops fighting the Iraq War.&lt;/p&gt;<br /> &lt;p&gt;The film can be appreciated on at least three levels. First, and most obvious, it follows troop greeters and shows the dedication of these octogenarians and nonagenarians who go out in the middle of freezing cold Maine nights to say hello or goodbye to the American troops who bravely fight for us.&lt;/p&gt;<br /> &lt;p&gt;Eschewing politics, the film rarely touches on whether the Iraq War was a good idea or not. Instead, it takes it as a given that our soldiers are there, so the question is how best should we honor them. And, even though it doesn't wear its politics on its sleeve, it is quite a patriotic picture.&lt;/p&gt;<br /> &lt;p&gt;The film works on a second level, of course, in showing how much the soldiers appreciate the dedication and sincerity of the troop greeters and how they feel about their mission in the Armed Services of our country. The greeters are there to do more than shake hands and express their appreciation. They are also there to offer support, however they can, from free cell phone usage to being someone the soldiers can talk to. The boundless goodwill and honest generosity of the greeters is palpable.&lt;/p&gt;<br /> &lt;p&gt;The final and ultimately the deepest level of the movie is its examination of the lives of the aging veterans of World War II and of the almost forgotten Korean War. Some of them are coping okay logistically and emotionally. But the one who provokes the strongest outpouring of sympathy from the audience is a guy who lives in squalor. Literally bankrupting himself feeding his very large brood of cats, his lack of financial sense is matched by his inability to cope with the upkeep of his house. Easily the saddest scene in the documentary for me was watching him walk on the floor of his house which was covered in hundreds of empty cat food cans.&lt;/p&gt;<br /> &lt;p&gt;But mainly the movie is an upbeat one with stirring and frankly quite patriotic images of old soldiers holding up signs such as &amp;quot;Welcome Home Heroes!&amp;quot; to greet the young warriors returning home from the battlefield.&lt;/p&gt;<br /> &lt;p&gt;Although the greeters realize that their time on this earth is coming to a close, they approach their mortality with a positive attitude and a good dose of humor. &amp;quot;Everybody's got to die sometime,&amp;quot; one vet says with an infectiously happy grin. &amp;quot;Nobody got out of this world alive yet.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;THE WAY WE GET BY runs 1:24. The film is not yet rated but would probably be rated G and would be acceptable for all ages.&lt;/p&gt;'
alias => 'the_way_we_get_by'
dt-publish => '8 years ago'
genre =>
__attr__id => 3
name => 'Documentary'
logo => 'logo.jpg'
movie =>
__attr__id => 248
cover => 'cover.jpg'
title => 'The Way We Get By'
rating => 80
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => '"Our boys got a raw deal when they came back from Vietnam," an aging World War II veteran says in THE WAY WE GET BY, a poignant and lovingly constructed documentary by Aron Gaudet. The documentary, which works successfully on several levels, follows a group of "troop greeters" who do their volunteer work at the Bangor, Maine airport. This airport...'
teaser => 'Stirring and frankly quite patriotic.'
title => 'The Way We Get By'
type-id => 6
7 =>
__attr__id => 214
__domel__body => '&lt;p&gt;Fling (2008) is also known as Lie to Me abroad and explores the alternative lifestyle of an open relationship. Samantha (Courtney Ford) and Mason (Steve Sandvoss) are both successful in their work and on the outside appear to be in a loving relationship; and they are. They laugh, go out, live together, and have a strong bond unlike many couples. A few of their friends and co-workers know that they have a very open relationship, not only seeing other people for one night or many, but even talking of their experiences and asking the other for advice.&lt;/p&gt;<br /> &lt;p&gt;At Sam's sister's (Allison) wedding she runs into James, an ex-boyfriend, while Mason advances towards the groom's sister, Olivia. James and the groom (Luke) are friends and he knows of his and Samantha's arrangement; although knows nothing of him and Olivia. Luke must also keep it a secret from his wife, Sam's sister, as she does not know and they don't want to tell her. Quite a tangled web!&lt;/p&gt;<br /> &lt;p&gt;As Sam and Mason spend more time with their flings their relationship is appearing strained as they don't share their emotions as much. Jealousy creeps in and they begin spending even more time with their new lovers to get their minds off their relationship because they cannot stand the thought of the other with another. New discoveries could drastically alter their direction in life whether they want it to or not. Has their open relationship finally reached the breaking point? Can their friends and family be kept in the dark? Perhaps what many young people may see as an amazing and fun way to live is not all it is cracked up to be.&lt;/p&gt;<br /> &lt;p&gt;With a handheld camera style and a great soundtrack you become immersed in their lives. The acting is top notch allowing you to feel the emotions of the characters. The content of this movie could make it very racy but it is not; it is tastefully sensual. The pace keeps you engaged at all times; a great movie that will entertain.&lt;/p&gt;<br /> &lt;p&gt;9 out of 10 - Rated R - The DVD is available at Amazon.&lt;/p&gt;'
alias => 'fling'
dt-publish => '8 years ago'
genre =>
__attr__id => 2
name => 'Comedy'
logo => 'logo.jpg'
movie =>
__attr__id => 175
cover => 'cover.jpg'
title => 'Fling'
rating => 80
reviewer =>
__attr__id => 203
avatar => 'DainBinder_1252896258.jpg'
login => 'DainBinder'
review-count => 19
user-dir => 'user_files/'
short-body => 'Fling (2008) is also known as Lie to Me abroad and explores the alternative lifestyle of an open relationship. Samantha (Courtney Ford) and Mason (Steve Sandvoss) are both successful in their work and on the outside appear to be in a loving relationship; and they are. They laugh, go out, live together, and have a strong bond unlike many couples. A...'
teaser => 'A great movie that will entertain.'
title => 'Fling'
type-id => 6
8 =>
__attr__id => 205
__domel__body => '&lt;p&gt;The ugly truth is that Gerard Butler's fingers-across-the-blackboard performance makes THE UGLY TRUTH painful to endure. Butler plays Mike, a scruffy, disheveled guy with a filthy mouth who dishes out lots of scandalous and vulgar advice to women on a public access channel.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;If Butler was the film's star rather than its costar, the movie would be an instant candidate for my worst of the year list. Almost every time he spoke, I was ready to run screaming out of the theater, especially since he, along with most of the actors in the movie, spoke with the rapidity of a recent graduate of a speed speaking course. It's one thing to be obnoxious, but it's a different matter entirely if it is done in triple speed.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Thankfully Butler does share top billing with a more appealing actor, Katherine Heigl (the probably not really dead, dead woman from &amp;quot;Gray's Anatomy&amp;quot;). As Abby, Heigl is not at the top of her form, but she is light-years better than Butler.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The plot has Abby, the producer of a Sacramento morning news program, being forced against her will to hire Mike, since the news ratings of her program are sagging.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The film's premises are filled with only-in-the-movies moments. Can you imagine any character that Katherine Heigl plays really needing help in the dating department? Nope, neither can I. And, if you can believe that, would you buy that she would accept it from a pathetic guy like Mike? Nope. And in real-life, do you buy that a character like Mike could turn out to have a heart of gold and be a great father figure to his nephew? Nope again.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As much as I hated this film through most of it, I've got to admit that between its numerous groanable minutes were several jokes that were extremely funny. Between teeth grinding moments were several big laughs, with the biggest coming in a dinner party where Abby accidentally has on the remote controlled vibrating underwear that Mike gave her as a gift. Farfetched? You bet, but in the context of an off-the-wall comedy, it managed to work particularly well.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;If you are dead set on seeing THE UGLY TRUTH, wait for the DVD, when you can be firmly in control of the fast-forward button, which you'll be hitting a lot.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;THE UGLY TRUTH runs a long 1:41. It is rated R for &quot;sexual content and language&quot; and would be acceptable for teenagers.&lt;/p&gt;'
alias => 'the_ugly_truth'
dt-publish => '8 years ago'
genre =>
__attr__id => 2
name => 'Comedy'
logo => 'logo.jpg'
movie =>
__attr__id => 166
cover => 'cover.jpg'
title => 'The Ugly Truth'
rating => 40
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => 'The ugly truth is that Gerard Butler's fingers-across-the-blackboard performance makes THE UGLY TRUTH painful to endure. Butler plays Mike, a scruffy, disheveled guy with a filthy mouth who dishes out lots of scandalous and vulgar advice to women on a public access channel. If Butler was the film's star rather than its costar, the movie would be ...'
teaser => 'The ugly truth is that Gerard Butler's fingers-across-the-blackboard performance makes THE UGLY TRUTH painful to endure.'
title => 'The Ugly Truth'
type-id => 6
9 =>
__attr__id => 197
__domel__body => '&lt;p&gt;Bart Got a Room (2008) stars Steven J. Kaplan as Danny and is another goofy high school teen type of movie; that is about all I have for you. One thing I do for each review is watch the movie about two days before and only go back to it for little details. Doing it this way ensures the review is not written in the heat of the moment and directly shows the staying power of the film.&lt;/p&gt;<br /> &lt;p&gt;Even though I am more of a drama and thriller fan, I love a good comedy. I could spit off lines from Superbad and American Pie all day.&lt;/p&gt;<br /> &lt;p&gt;Bart Got a Room is about Danny trying to find a prom date with ever increasing urgency when he finds out the biggest dork in school, Bart, got a room for after the prom. His divorced parents are also on the prowl often putting Danny in awkward situations.&lt;/p&gt;<br /> &lt;p&gt;The story was bland, the acting was bland, and the filming was bland.&lt;/p&gt;<br /> &lt;p&gt;5 out of 10 - Rated PG -13 - Coming in under an hour and twenty minutes this is like a TV special gone wrong. The possibility does remain for this movie to shine; it wasn't until my second viewing that I truly appreciated and liked Napoleon Dynamite. Perhaps I will give it a second look.&lt;/p&gt;'
alias => 'bart_got_a_room'
dt-publish => '8 years ago'
genre =>
__attr__id => 2
name => 'Comedy'
logo => 'logo.jpg'
movie =>
__attr__id => 158
cover => 'cover.jpg'
title => 'Bart Got a Room'
rating => 60
reviewer =>
__attr__id => 203
avatar => 'DainBinder_1252896258.jpg'
login => 'DainBinder'
review-count => 19
user-dir => 'user_files/'
short-body => 'Bart Got a Room (2008) stars Steven J. Kaplan as Danny and is another goofy high school teen type of movie; that is about all I have for you. One thing I do for each review is watch the movie about two days before and only go back to it for little details. Doing it this way ensures the review is not written in the heat of the moment and directly ...'
teaser => 'The story was bland, the acting was bland, and the filming was bland.'
title => 'Bart Got a Room'
type-id => 6
rss-link => 'reviews/dvd/?'
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rss => 'http://www.filmnet.com/rss/reviews/dvd/?'
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search =>
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userFiles => 'http://i.filmnet.com/user_files/'
videoFiles => 'http://i.filmnet.com/video_files/'

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  16. [1.27 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  17. [0.11 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  18. [112.3 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  19. [10.67 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '68')
  20. [5.51 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  21. [0.11 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '7')
  22. [79.57 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  23. [17.24 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '302')
  24. [3.61 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  25. [0.12 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '1')
  26. [85.83 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  27. [18.37 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '292')
  28. [26.29 ms] SELECT `users`.* FROM `users` WHERE (user_id='193')
  29. [5.73 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '3')
  30. [439.03 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 193 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  31. [0.25 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '248')
  32. [0.27 ms] SELECT `users`.* FROM `users` WHERE (user_id='203')
  33. [8.83 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '2')
  34. [23.52 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 203 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  35. [2.08 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '175')
  36. [0.2 ms] SELECT `users`.* FROM `users` WHERE (user_id='193')
  37. [0.11 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '2')
  38. [169.09 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 193 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  39. [0.16 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '166')
  40. [0.22 ms] SELECT `users`.* FROM `users` WHERE (user_id='203')
  41. [2.93 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '2')
  42. [2.02 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 203 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  43. [1.75 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '158')
  44. [1.42 ms] SELECT DISTINCT `rg`.* FROM `review_genres` AS `rg` LEFT JOIN `reviews` AS `r` ON rg.`genre_id` = r.`genre_id` WHERE (1 AND r.`review_type_id` = 6 AND r.`is_published_review` = 1 AND r.`is_deleted_review` = 0) ORDER BY `rg`.`genre_name` ASC

File Information

146 Files Included
Total Size: 1495.1K
Basepath: /mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/../../../

Application Files

/mnt/fs.9/disk1/local/www/filmnet/application/Bootstrap.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/channels/models/Channels.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Assistant.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Filters.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/controllers/ReviewsController.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Movies.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/ReviewGenres.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Reviews.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/users/models/Users.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/videos/models/Videos.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/config.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/acl.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/routes.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AjaxCheck.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AutoLogin.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/InmailMessageCount.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Paginator/Adapter/DbSelect.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Serializer.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Xslt.php
/mnt/fs.9/disk1/local/www/filmnet/www/index.php

Zend Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Assert/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/ExtendedInterface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Memcached.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Core.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Config.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/ViewRenderer.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker/PriorityStack.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Standard.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Front.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Broker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/ErrorHandler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Rewrite.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Module.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Regex.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Mysql.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler/Query.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Select.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Pdo.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Table/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Inflector.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/PregReplace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/StringToLower.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToDash.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/Separator/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/SeparatorToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/UnderscoreToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Form.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/Autoloader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale/Data/Translation.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Priority.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Simple.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Stream.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 10167.27K

Custom Timers

Controller: 2740.65 ms

Overall Timers

reviews
reviews
list
Avg: 3275.16 ms / 1 requests
Min: 3275.16 ms
Max: 3275.16 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 44 in 1640.38 msfile 146 Filesmemory 20162K of 1024Mtime 3275.16 msregistry Registry (7)«