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Mystery & Suspense: Recently Added
1-3 of 3

Moments of brilliance, many more moments of boredom.

ennifer's Body comes loaded with a pretty big freight of expectation: it's Diablo Cody's first script since her Oscar winning Juno, for one thing, and for another, it's pneumatic robot-bait starlet Megan Fox's first high-profile role outside the Transformers films which demanded of her only the ability to look sweaty, hit her mark, and have really ...

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Review by: thesubstream

Added: 8 years ago

 

About as entertaining as watching a scavenger hunt.

I never did see Da Vinci Code but I find it very unlikely that this could have been much of an improvement. Angels & Demons is basically a scavenger hunt that’s about as entertaining as watching a scavenger hunt, which doesn't happen to be very damn entertaining. In addition, whole movie is full of plot holes, happy coincidences and contrived twists...

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Review by: EvilWolfie

Added: 8 years ago

"S. Darko" unworthy sequel to cult classic.

What's the most ridiculous thing you can imagine happening in a Donnie Darko sequel? Is it Elizabeth Berkley walking around with a book called Jesusonomy? That (and much more) happens in S. Darko, a direct-to-DVD sequel to Richard Kelly's 2001 cult fave. It's more like a spinoff than a sequel. The closest thing I can compare it to is Walter Murch's ...

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Review by: MiamiMovieCritic

Added: 8 years ago

 

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__domel__body => '&lt;p&gt;ennifer's Body comes loaded with a pretty big freight of expectation: it's Diablo Cody's first script since her Oscar winning Juno, for one thing, and for another, it's pneumatic robot-bait starlet Megan Fox's first high-profile role outside the Transformers films which demanded of her only the ability to look sweaty, hit her mark, and have really impressive bone structure. Is Cody's slang laced pop culture patois going to get tiring? Is Megan Fox able to... express emotions? Director Karyn Kusama's film has as much or more cinematic meta-interest as a significant milestone early in the careers of women like Cody and Fox, who seem possibly preordained, blessed and golden, to have enormous impacts on Hollywood filmmaking as it does interest for a dude who like scary movie, you know, with the demons and junk.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Which is good because the film itself isn't that great. Fox plays the titular Jennifer, who through some ham-handed Satan worshipin' by a local mascara'ed indie band finds herself possessed by a succubus-like demon. Needy, played by Amanda Seyfried, is the Betty to Fox's murderous Veronica, and watches helplessly as her best friend cuts a swathe through their town's population of horny teenage boys. It's an odd amalgam that doesn't quite hang together in any satisfying, compelling way while still boasting storytelling elements that are miles more interesting and sophisticated than the muddy average of all the film's scenes. It's poorly paced and never scary, but there are a handful or three scenes that approach the eeriness of well if not The Shining then maybe the pretty eerie Johnathan Glazer directed video for &amp;quot;Karmacoma&amp;quot; by Massive Attack that was inspired by The Shining. And surprisingly, it's not Cody's famously attention-grabbing oddball dialogue that sucks the spookiness out of some of what should be the scary scenes in the film, its that the film has pinned to its sleeve half of the accoutrements of a horror film - the set up, the demon, the small town, the spooky rotten set-dec - without supporting them with any real careful adhesion to the more technical traditions of the genre. There no real HOLY SHIT jump-scare moments in the film, no shadows-of-feet-under-the-closet-door hide quiet hide moments to build tension. It says its a horror film, but it's not.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Which is a shame, because underneath all of the stuff that doesn't quite work is a film about teenage girl best friends that is spectacular. The relationship between Needy and Jennifer rings totally true, even as it descends into bloody mayhem and is by far the most compelling thing in the film. This is down to Cody's script: Rajo pointed it out and its true that unlike in Cody's first film Juno, where everyone seems to live in a hyperwitty pop-culture minutiae literate alt-universe with some language that's somehow related to English, Cody in the script for Jennifer's Body confines most of her famous argot to the two teen best friend girls. It's a &amp;quot;secret language&amp;quot; filled with in-jokes and very real-seeming tics and hiccups that annoy the rest of the characters in the film. It's not just fun and funny and Cody/Tarantinoish, it's real solid character work and it makes their friendship the best bit in the film. It's good enough, and rare enough a thing to see done (as most teen girl movies are made for the tween demo, seemingly, brainless where Jennifer's Body, at least, is not) that I'd recommend the film despite the failure of its central stated goal: being scary.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The performances are great: Fox is legitimately good as the Demon Babe, consistently hitting the rightish note in a role that would be really easy to blow up into pantomime sex-bot ridiculousness. On the meta-level, coming off as she was at the time her star-if-not-making-then-beginning-to-make turn in Transformers, its nice to see Fox take a role that will ultimately be overshadowed by her co-star's. Jennifer's Body is not going to do much for Fox's career, but it should do tonnes for Amanda Seyfried's. It's her film entirely, from start to finish, and its odd but not unexpected that, from looking at the film's promo material, you'd never know she was in the film. Cody will go on, Seyfried and Fox will go on, they'll all have interesting full careers, and their collaboration will go down as a film whose quirky combo of genres and styles produced a handfull of standout moments and scenes but ultimately never gelled. 6/10.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;What's the most ridiculous thing you can imagine happening in a Donnie Darko sequel? Is it Elizabeth Berkley walking around with a book called Jesusonomy? That (and much more) happens in S. Darko, a direct-to-DVD sequel to Richard Kelly's 2001 cult fave. It's more like a spinoff than a sequel. The closest thing I can compare it to is Walter Murch's Return to Oz, which used some of the same characters from The Wizard of Oz but felt completely alien to the spirit of the original.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As the title suggests, S. Darko concerns Donnie's kid sister, Samantha (Daveigh Chase). Seven years have passed since her brother's death (the film is set in 1995). Sam has run away from her home in Middlesex, Virginia, and set off for Hollywood. This backstory is explained in a ludicrous epilogue that I can't resist quoting from: Sam is &quot;seemingly alone and lost in the world.&quot; She's &quot;drowning in sadness and unable to dream.&quot; Oh, and &quot;when darkness consumes the starlight, nightmares rule the night.&quot; Is this movie for real or what?&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Sam and her bitchy friend Corey (Briana Evigan) get sidetracked on the way to Hollywood and end up in a bumfuck town in Utah. There, she learns the world will end in 4 days, 17 hours, 26 minutes and 31 seconds. In a place like this, the end can't come soon enough.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Just like that doomsday countdown, there are other &quot;quotes&quot; from the original. Roberta Sparrow's grandson, Iraq Jack (James Lafferty), says &quot;they made me do it&quot; (a phrase Donnie scrawled on the pavement after vandalizing his school). There's a character named Frank (as in Frank the Giant Bunny Rabbit). A portal opens up in an empty movie theater. Time travel plays a big part, as does Roberta Sparrow's book, The Philosophy of Time Travel. And so on. If you think the experience of watching a Donnie Darko sequel made without Kelly's blessing might feel slightly sacrilegious, you wouldn't be half wrong.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The original inspired fierce love and passionate debate. I used to watch it about once a week, and with each viewing, I felt like the puzzle pieces would add up to something even more profound than the conclusions I drew the last time. S. Darko inspires nothing but confusion; it's disjointed and meaningless. It has missing kids, ghosts, a car crash, scenes that double back on themselves - but none of it connects. It's an insult to Richard Kelly's intelligence.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;On the plus side, the film features some witty casting. Chase is the same little girl from the original, now all grow'd up. It's funny to see Berkley (from Showgirls) looking all churchy and self-righteous. Lensing, scoring and FX work are all top-notch. See it if you must, but for me this story ended when David waved at Gretchen in the street at the end of the original - the ultimate hello and goodbye.&lt;/p&gt;'
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/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Module.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Regex.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Mysql.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler/Query.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Select.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Pdo.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Table/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Inflector.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/PregReplace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/StringToLower.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToDash.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/Separator/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/SeparatorToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/UnderscoreToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Form.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/Autoloader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale/Data/Translation.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Priority.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Simple.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Stream.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 5326.84K

Custom Timers

Controller: 1085.03 ms

Overall Timers

reviews
reviews
list
Avg: 2303.56 ms / 1 requests
Min: 2303.56 ms
Max: 2303.56 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 16 in 601.4 msfile 146 Filesmemory 15322K of 1024Mtime 2303.56 msregistry Registry (7)«