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Sci-Fi & Fantasy: Recently Added
1-8 of 8

Forget AVATAR. This is the science-fiction movie I want to see.

36 Stairs is the new live-action short from director Grzegorz Jonkajtys, the award-winning creator of Ark and Legacy. Viewers of ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

Pretty awesome.

Remarkably, The Last Son of Celeste is a student film. I can hardly believe it. The special effects are astonishing, and the ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

This is one super-cool sci-fi flick.

A Change of Season is an environmental disaster movie. Some of the acting falls flat – always a challenge when working with a ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

Jonkajtys is so bloody talented!

Legacy is set in the year 2030, when alien patrollers discover that humanity has been wiped out by a nuclear holocaust. Their ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

An effective little nightmare.

Greed is an animated movie that sticks with you. It's a little over two minutes, and it has only one character and one setting. ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

An exquisite mix of the creepy and the cute.

Does anyone else think Sebastian’s Voodoo looks a lot like Shane Acker’s new post-apocalyptic animated feature, 9? Now, I’m not ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

Ark will take your breath away.

The films of Grzegorz Jonkajts share some of the same exaggerated characters and settings as anime films. But, unlike some anime, ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

A wild ride.

Sexy, eye-popping and hipper than next week's issue of Entertainment Weekly, Adam Stephenson's Cyberpunks is a wild ride. It ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

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__domel__body => '&lt;p&gt;36 Stairs is the new live-action short from director Grzegorz Jonkajtys, the award-winning creator of Ark and Legacy. Viewers of those mini-masterworks know that Jonkajtys is an exceptional storyteller and a talented animator. For the first time, he’s using those gifts to make a life-action movie, and the results are nothing short of jaw-dropping.&lt;/p&gt;<br /> &lt;p&gt;The actual film won’t be released until early 2010. What we have here is a 75-second teaser. It provides a few tantalizing clues as to what the story is about, while fleshing out the film’s visual extravagance and dystopian, futuristic setting.&lt;/p&gt;<br /> &lt;p&gt;I’m assuming this is a “virtual backlot” movie, like SIN CITY and SKY CAPTAIN AND THE WORLD OF TOMORROW. Instead of being physically constructed, the movie’s “sets” have been digitally rendered on a computer. This mix of real actors and fake sets can be distracting in films like the STAR WARS prequels, but with other filmmakers the virtual backlot is a godsend – it lets their imaginations run wild. Jonkajtys is a case in point.&lt;/p&gt;<br /> &lt;p&gt;The film stars Rodrigo Lopresti as Jeffrey Brief, a tragic Everyman in a world where humans depend on bio-mechanical alterations to withstand the deteriorating climate. We see a few of these alterations in the trailer, first an organic-looking respirator and later a phone that appears to be physically attached to Jeffrey’s hand. In part, the film looks to be a biological horror movie, like David Cronenberg’s VIDEODROME. Like that 1983 sci-fi masterpiece, 36 Stairs appears to be exploring how technology can overtake our lives and destroy us.&lt;/p&gt;<br /> &lt;p&gt;Many shots in the trailer establish the frightening world Jeffrey lives in. A scene in a hallway, with rows and rows of lockers standing sentinel while Jeffrey is backlit by a blinding light source, has the feel of a bureaucratic nightmare – like something out of Orson Welles’s THE TRIAL or Terry Gilliam’s BRAZIL. The central scene shows Jeffrey making a desperate phone call to his health insurance provider. The automated voice on the other end of the line tells him, “I’m sorry, this number is invalid.” It all feels insanely timely.&lt;/p&gt;<br /> &lt;p&gt;The attention to detail in the wide cityscape shots would do sci-fi heavy-hitters like Ridley Scott and James Cameron proud. In fact, forget AVATAR. This is the science-fiction movie I want to see.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Remarkably, The Last Son of Celeste is a student film. I can hardly believe it. The special effects are astonishing, and the outdoor/landscape shots are nothing short of breathtaking. If someone had made this in a film production class when I was in college, my head would have exploded.&lt;/p&gt;<br /> &lt;p&gt;It’s a love story crossed with a science-fiction movie. Just a hunch, but I think it’s at least partially inspired by Darren Aronofsky’s The Fountain, which shares some of the same storytelling tricks and visual cues. Like The Fountain, not everything in this shorter film (21 minutes) works, but it’s easier to forgive a student filmmaker for making mistakes. And those mistakes don’t diminish the film’s considerable accomplishments.&lt;/p&gt;<br /> &lt;p&gt;It opens with a clunky description of a dystopian future world in which man has lost a five-century war against “The Overmind.” We never learn exactly what The Overmind is, and it’s never mentioned again. The opening also tells us that a hero is searching for humanity’s last hope, the Junipero. All of these elements could have easily been taken out; they don’t add anything except conception. And while the story that follows isn’t completely comprehensible, it’s compelling in its own right and doesn’t benefit from the expositional stuff at the beginning.&lt;/p&gt;<br /> &lt;p&gt;We see the hero on his quest after the 500-year war, and we see him in flashback scenes with his lover, Cassie. She also appears in the present-day scenes, seemingly reincarnated. (All of this is open to interpretation; you could argue that the present-day scenes are actually fantasies.) The movie skips back and forth and repeats scenes, much like The Fountain. They also share a common theme about the timelessness of love and how soul mates can’t be separated by the distance of time and space.&lt;/p&gt;<br /> &lt;p&gt;I want to stress that The Last Son of Celeste stands on its own. I think the director, Marlon Torres, had more ideas than he was able to fit onto the screen, but what he was able to fit is pretty awesome.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;A Change of Season is an environmental disaster movie. Some of the acting falls flat – always a challenge when working with a young cast – but the storytelling and visuals make for it. This is one super-cool sci-fi flick.&lt;/p&gt;<br /> &lt;p&gt;The premise is worthy of a Twilight Zone episode. We open in a classroom filled with young kids as the teacher discusses photosynthesis. Two of the kids, Adam and Lily, get held back as the rest break for recess. So far so good – nothing out of the ordinary. Then we see the kids going outside, and wearing eerie oxygen masks. The air is smoky and the ground is ashen. This is a world where people can’t breathe outside!&lt;/p&gt;<br /> &lt;p&gt;The rest of the movie is told with the confidence of a superbly distilled short story. Adam and Lily become fast friends. They’re fascinated with the idea of world with trees where people can see the stars. They try to plant a tree on the school grounds. But the experiment fails, and Lily becomes distraught.&lt;/p&gt;<br /> &lt;p&gt;Again, the acting isn’t the best. There’s a key scene in which the ambient sound is way too loud and it’s difficult to hear the dialogue. But mostly this is an absorbing viewing experience. The visuals – the art on display in the school, the framing choices and the spectacular special effect that makes the climax so satisfying – are really something to see.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Legacy is set in the year 2030, when alien patrollers discover that humanity has been wiped out by a nuclear holocaust. Their spaceship picks up a radio wave from “the blue planet.” Also known as Earth.&lt;/p&gt;<br /> &lt;p&gt;All animated movies – traditional animated movies likes Ponyo, stop-motion movies like Coraline, and computer-generated movies like Up – involve an ungodly amount of time, effort and patience. At their best, the effort is worth it and shows in the finished product. The films of Grzegorz Jonkajts are like that. Legacy commences with a jaw-dropping shot of the alien ship approaching Earth. A searchlight illuminates a barren wasteland strewn with bodies that look like dismembered dolls. In the background, the mother ship glitters and winks. These are unforgettable CG sights.&lt;/p&gt;<br /> &lt;p&gt;Jonkajtys is not only a formidable visual stylist. He’s also a serious student of sci-fi. You can see the film’s origins in Spielberg’s Close Encounters of the Third Kind, with its friendly alien plot. But the film that Legacy most resembles is James Cameron’s Terminator 2: Judgment Day. They both use the same heavy blue color scheme, and Adam Skorupa’s music resembles Brad Fiedel’s iconic T2 score. These are some pretty tough movies to emulate. Good thing Jonkajtys is so bloody talented.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Greed is an animated movie that sticks with you. It's a little over two minutes, and it has only one character and one setting. But the ideas are clear and the humor is pitch-black. This is an effective little nightmare.&lt;/p&gt;<br /> &lt;p&gt;The main character looks like Gollum from The Lord of the Rings. He shares Gollum's flaws: self-deception and avarice. The film is set in a seedy motel room. The bathroom is sprayed floor to ceiling with graffiti. An unpleasant little man in boxer shorts and a wife-beater is staring at his reflection in the mirror. A pimple appears on his cheek, and he discovers that when he presses it a mountain of gold appears. Another pimple appears, and another, until he discovers that this is a losing game he’s playing.&lt;/p&gt;<br /> &lt;p&gt;I don't know if you can talk about &amp;quot;performances&amp;quot; in animated movies, but this guy is a tour-de-force. He's a nervous wreck, and he makes you feel extremely uneasy. The color palette and the soundtrack – especially the sinister beating heart that opens and closes the film – also contribute to the film’s disturbing tone.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Does anyone else think Sebastian’s Voodoo looks a lot like Shane Acker’s new post-apocalyptic animated feature, 9? Now, I’m not accusing Acker of ripping off this near-perfect short, which offers an exquisite mix of the creepy and the cute. Acker’s feature is based on a short he created several years ago. Still, the similarities are striking: The rag dolls in 9 look an awful lot like the voodoo dolls in Sebastian’s Voodoo, and both films put a macabre spin on the traditional family film. If 9 turns out to be half as good as Sebastian’s Voodoo, then I think we’re in for quite a ride.&lt;/p&gt;<br /> &lt;p&gt;Voodoo is set in the workshop of an evil witch doctor. Voodoo dolls hang on hooks, and the witch doctor performs an awful kind of surgery on them: he picks them up and sticks them with pins. One of the dolls wakes up, rubs the sleep out of his eyes (nice touch) and witnesses the horror around him. He has the opportunity to flee, but instead sticks around and commits an act of self-sacrifice. Unlike the animated films of Brad Bird, Sebastian’s Voodoo is transparently against the objectivist philosophy of Ayn Rand.&lt;/p&gt;<br /> &lt;p&gt;This story has been brought wonderfully to life by animator Joaquin Baldwin (Papiroflexia). The workshop is given an appropriately sinister, dark visual palette. Objects in the room are illuminated by brilliant flashes of light. The visuals – a mix of the dark and the light – complement the narrative’s mix of doom and hope. But the biggest draw is the design of the dolls. The way they move and interact with each other is just hilarious – though you’ll probably choke on your laughter when they start getting stabbed.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;The films of Grzegorz Jonkajts share some of the same exaggerated characters and settings as anime films. But, unlike some anime, the Polish filmmaker tells universal stories. The award winning Ark is a good example: a universal story that, over the course of seven concise minutes, becomes almost Biblical.&lt;/p&gt;<br /> &lt;p&gt;The film is a set in a future world where much of humanity has been wiped out by an unnamed virus. The survivors set out to find a new, unpolluted place to live. The man in charge learns that he’s contracted the virus. He decides there’s only one thing left to do: kill himself, thus preventing the disease from spreading.&lt;/p&gt;<br /> &lt;p&gt;The artistry of Ark will take your breath away. The opening scene on the harbor looks like it belongs in the Museum of Modern Art. Once the film moves inside the ship, there are some amazing sights. The detail of all the gadgets and controls is simply jaw-dropping. My favorite set piece is the sleeping quarters where all the survivors stay. It reminded me of the shocking living conditions of the poor in Martin Scorsese’s Gangs of New York. Go ahead and gawk at Ark.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Sexy, eye-popping and hipper than next week's issue of Entertainment Weekly, Adam Stephenson's Cyberpunks is a wild ride. It appears to be set in a world where all the kids have studied the clothing styles of anime characters, and have modeled their attitudes on ironic slackers like Max Fischer. The movie constitutes a kind of dream world for teens.&lt;/p&gt;<br /> &lt;p&gt;It stars Benoit Kuziora as Track, a hacker who likes to mess with the power supply at his school. I like the editing in these scenes. It's breathless, quick-cut – as if the movie we're constantly playing catch-up with the characters. It captures the rhythm of teenage life perfectly. Then there's Cindy (Karly Palmer), the girl who flirts with Track at school. She's like an anime heroine come to life, and she can change the color of her lips just by licking them. How cool is that?&lt;/p&gt;<br /> &lt;p&gt;Stephenson's us-versus-them narrative approach is infectious. We see Track's parents through his eyes, so naturally everything they say ends up sounding the way he would hear it: like utter nonsense. The film's central set piece is an arcade where the hairstyles, clothes and even the tiles on the bathroom wall are brightly colored, almost cartoonish. The film's style looks to be somewhere between futuristic/cutting-edge and quaintly old-fashioned. After all, do kids really go to arcades these days?&lt;/p&gt;<br /> &lt;p&gt;The art direction in this movie is something else, and the music and credits only add to its considerable cool factor. This feels like a film that could have a cult built around it.&lt;/p&gt;'
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  11. [20.72 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  12. [0.19 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '251')
  13. [0.31 ms] SELECT `users`.* FROM `users` WHERE (user_id='64')
  14. [0.21 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  15. [0.12 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  16. [20.74 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  17. [0.23 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '2173')
  18. [0.26 ms] SELECT `users`.* FROM `users` WHERE (user_id='497')
  19. [0.25 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  20. [0.16 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  21. [30.99 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  22. [0.48 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '184')
  23. [0.25 ms] SELECT `users`.* FROM `users` WHERE (user_id='46')
  24. [0.27 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  25. [0.17 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  26. [24.81 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  27. [8.56 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '158')
  28. [0.26 ms] SELECT `users`.* FROM `users` WHERE (user_id='41')
  29. [0.25 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  30. [0.13 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  31. [29.99 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  32. [0.51 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '110')
  33. [0.3 ms] SELECT `users`.* FROM `users` WHERE (user_id='27')
  34. [0.21 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  35. [0.13 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  36. [30.76 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  37. [0.48 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '183')
  38. [8.48 ms] SELECT `users`.* FROM `users` WHERE (user_id='46')
  39. [0.22 ms] SELECT `users`.* FROM `users` WHERE (user_id='84')
  40. [0.15 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '11')
  41. [24.93 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  42. [0.32 ms] SELECT `v`.* FROM `videos` AS `v` WHERE (video_id = '128')
  43. [0.22 ms] SELECT `users`.* FROM `users` WHERE (user_id='31')
  44. [0.54 ms] SELECT DISTINCT `rg`.* FROM `review_genres` AS `rg` LEFT JOIN `reviews` AS `r` ON rg.`genre_id` = r.`genre_id` WHERE (1 AND r.`review_type_id` IN (1, 2) AND r.`is_published_review` = 1 AND r.`is_deleted_review` = 0) ORDER BY `rg`.`genre_name` ASC

File Information

146 Files Included
Total Size: 1495.1K
Basepath: /mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/../../../

Application Files

/mnt/fs.9/disk1/local/www/filmnet/application/Bootstrap.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/channels/models/Channels.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Assistant.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Filters.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/controllers/ReviewsController.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Movies.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/ReviewGenres.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Reviews.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/users/models/Users.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/videos/models/Videos.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/config.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/acl.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/routes.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AjaxCheck.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AutoLogin.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/InmailMessageCount.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Paginator/Adapter/DbSelect.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Serializer.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Xslt.php
/mnt/fs.9/disk1/local/www/filmnet/www/index.php

Zend Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Assert/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/ExtendedInterface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Memcached.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Core.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Config.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/ViewRenderer.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker/PriorityStack.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Standard.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Front.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Broker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/ErrorHandler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Rewrite.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Module.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Regex.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Mysql.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler/Query.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Select.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Pdo.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Table/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Inflector.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/PregReplace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/StringToLower.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToDash.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/Separator/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/SeparatorToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/UnderscoreToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Form.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/Autoloader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale/Data/Translation.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Priority.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Simple.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Stream.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 5485.47K

Custom Timers

Controller: 449.78 ms

Overall Timers

reviews
reviews
list
Avg: 1516.53 ms / 1 requests
Min: 1516.53 ms
Max: 1516.53 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 44 in 247.27 msfile 146 Filesmemory 15480K of 1024Mtime 1516.53 msregistry Registry (7)«