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Horror: Recently Added
1-10 of 16

Much more powerful in retrospect.

Handsomely filmed in 16mm, THE WILDS is a horror movie that requires some patience on the part of the viewer. I was ready to ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

Wildly precocious… imaginative horror imagery.

I.Q. is a high school horror movie made by people in high school. If that sounds awful, get ready for a surprise: This is a wildly...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

A creepy, poetic freak-out that makes clever use of a subjective camera.

It’s the witching hour! I won’t pretend to understand everything that’s going on in Effigy, but I think the risks it takes pay off...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

More self-aware and sophisticated than you think.

I had a good time watching this sorority-sisters-in-peril horror movie. There’s a maniac on the loose; pretty girls run around ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

It has an eerie tone and an impressive lead performance.

Ah, the old white-people-in-jeopardy, haunted-house routine! Two Story House may not have anything new to add to this timeworn ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

Made with a lot of atmosphere and style.

The Insane is Memento meets The Midnight Meat Train, with a little Fight Club thrown in for good measure. I like everything up ...

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Review by: MiamiMovieCritic

Added: 8 years ago

A completely original creation.

Pop Spoon is the imaginary friend of a girl who's too old to have any. He's got a smudge of fresh blood on his face, and when he ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

An ingenious little horror movie.

Playtime with Schlompkins is an ingenious little horror movie. It aims to get under your skin, and it succeeds admirably. It ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

A scary and grim horror film.

Though nowhere near as graphic, Subway is in the tradition of classic revenge-horror flicks like I Spit on Your Grave and The Last...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

Points for execution.

New rule: No more creepy little girls who walk all weird and have their hair in their face. Haven’t we seen enough of those in The...

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Review by: MiamiMovieCritic

Added: 8 years ago

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__domel__body => '&lt;p&gt;Handsomely filmed in 16mm, THE WILDS is a horror movie that requires some patience on the part of the viewer. I was ready to dismiss it as an idiotically plotted mess. Only when I read the post-script did I fully appreciate everything that had come before. You might be better off reading the synopsis of the film before watching it.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;This is a very quiet movie, its silences broken only by animal sounds, shotgun blasts and bark exploding on trees. We see a farmer and his wife at their secluded home. A radio announcer breaks the news that the bodies of three missing children have been found. The farmer tells his wife, “I’ll find him and bring him home.” He pauses at the doorway, heads back inside, and retrieves a shotgun. It’s a nice moment; we’re afraid of what comes next.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The farmer drives out to the woods and sets out on foot. Strange sounds emerge from the wilderness, and he responds by firing off a round… then another… then another. It’s at this point that I thought the hero became a little too trigger-happy. “Who the hell is he shooting at?” I thought, because I had no idea what was going on. When he finds the body of a young boy – presumably his son – I figured that the farmer had killed him accidentally. But I was way off. This is a movie that’s much more powerful in retrospect.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Technically, THE WILDS is unimpeachable. The sound design and camera moves in the wilderness sequences create an atmosphere of suspense. I recommend watching this movie more than once. &lt;/p&gt;'
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__domel__body => '&lt;p&gt;I.Q. is a high school horror movie made by people in high school. If that sounds awful, get ready for a surprise: This is a wildly precocious piece of work.&lt;/p&gt;<br /> &lt;p&gt;It was made by the Keeling brothers, Aaron and Austin, who grew up in Lansing, Kansas. They started tinkering with their parents’ camera in junior high, making silly short films. By the time they got to high school, their work had evolved considerably. Influenced by the surreal, nightmarish films of David Lynch (as well as his scrupulous approach to sound design), the Keelings’ Playtime with Schlompkins and Pop Spoon are about as professionally made as anything you’re likely to see by teenage moviemakers.&lt;/p&gt;<br /> &lt;p&gt;I.Q. is their first feature. Aaron wrote, directed and shot it, while Austin edited, directed and co-starred in it. (They also performed numerous other tasks – too many to name here.) It took 344 days to complete, and the finished product runs 79 minutes. It’s a testament to their skills (and the Keelings have got MAD SKILLS) that about an hour of it is fun to watch; you often forget you’re watching a high school production. The best thing about it is that, perhaps for the first time, the Keelings have something to say.&lt;/p&gt;<br /> &lt;p&gt;It’s set in a high school where all the students are being left behind. The principal, Mr. Thompson (Bobby Parsons), is under enormous pressure to boost the school’s standardized test scores. He’s desperate when the devil shows up in his office in the form of a salesman (Brian Snodgrass), who pitches him on the idea of distributing a miracle drug called NCLB-240. All the students have to do is pop a little green pill every 30 minutes, and their intelligence levels are guaranteed to rise.&lt;/p&gt;<br /> &lt;p&gt;Five students – Amy (Jenny Curatola), Mike (Andrew Shafer), Caitlyn (Katie Cook), David (Austin Keeling) and Rachel (Amand Pina) – are chosen to test the drug based on their lousy grades. Their scores improve dramatically, but pretty soon they’re all going cuckoo for Cocoa Puffs.&lt;/p&gt;<br /> &lt;p&gt;There’s some playful social satire going on here. The five unlucky students are assigned to a class taught by Mrs. Robinson (Bianca Elliot), who kindly urges them to “come take your pills, kids.” The Keelings are making a subversive statement about standardized testing, which became such a central aspect of the public education system in this country under Bush II. They may be the first filmmakers who grew up in the Bush years to actually make a feature-length movie about growing up in the Bush years.&lt;/p&gt;<br /> &lt;p&gt;The opening sequence is a real grabber, hinting at the terror to come, but after that there’s a lot of exposition to get through. I’m not sure what to make of the subplot dealing with Amy’s boyfriend breaking up with her. Aaron Keeling’s script never quite sells us on the idea that the parents would be left completely out of the loop when it comes to the drug experiments. Of the younger performers, Austin Keeling is the best at delivering his brother’s dialogue, but the other actors have their moments. Pina is especially moving in the scenes where Rachel falls behind the rest of the class and starts taking more pills.&lt;/p&gt;<br /> &lt;p&gt;Just when you think the film is about to test your patience, the side effects of the drug start to kick in, and the Keelings unleash a tidal wave of imaginative horror imagery.&lt;/p&gt;<br /> &lt;p&gt;The most terrifying things happen inside an operating tent, which the students visit in their dreams. (I love the Wizard of Oz touch of casting Parsons in the role of a mad doctor conducting gruesome experiments.) I won’t soon forget seeing the guy with the dripping head wound, or the other guy with the birthday candles sticking out of his chest. In one of the most unsettling scenes, the students have their mouths sewn shut and buttons sewn into their eyes. I bet the Keelings were pissed when they saw Coraline had beaten them to the punch!&lt;/p&gt;<br /> &lt;p&gt;I should single out Elizabeth Decker for her spectacular makeup FX work. The original score (by Chase Horseman) and sound design also contribute to the film’s overall air of professionalism. As do the cinematography and editing, from first scene to last.&lt;/p&gt;<br /> &lt;p&gt;The Keelings go out on a high point, finding an ingenious way to encapsulate some of the ideas rolling around in their heads. It’s a stunning finale, one that hints at great things to come, and I expect nothing less from these talented young filmmakers.&lt;/p&gt;<br /> &lt;p&gt;I.Q. &lt;i&gt;is available on DVD. It has full-length commentary, deleted scenes and bloopers. You can buy it &lt;a href=&quot; http://kunaki.com/Sales.asp?PID=PX00Z753TS&quot;&gt; here&lt;/a&gt;&lt;/i&gt;.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;It’s the witching hour! I won’t pretend to understand everything that’s going on in Effigy, but I think the risks it takes pay off. It’s a creepy, poetic freak-out that makes clever use of a subjective camera.&lt;/p&gt;<br /> &lt;p&gt;Essentially, the movie’s about a young couple that gets stalked by a witch in the woods. It seems to be telling a folk tale about sacrifice and love, and it tells it beautifully. Almost everything in the first half of the film is shown from someone’s POV. This slasher-film motif gives the film genuine power and suspense. The folk-tale stuff is explained through voiceover, which has a tragic, lyrical quality reminiscent of Francis Ford Coppola’s retelling of Bram Stoker’s Dracula.&lt;/p&gt;<br /> &lt;p&gt;The movie even makes effective use of stop-motion animation, and there are some darkly seductive lines like, “Yours in blood, Phyia.” The wickedly named writer-director, Owen Tooth, is a force to be reckoned with.&lt;/p&gt;'
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teaser => 'A creepy, poetic freak-out that makes clever use of a subjective camera.'
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__domel__body => '&lt;p&gt;I had a good time watching this sorority-sisters-in-peril horror movie. There’s a maniac on the loose; pretty girls run around saying stupid things; what's not to like? &lt;/p&gt;<br /> &lt;p&gt;Like most horror movies, Delta Delta Dead! has a Final Girl. Scholar Carol J. Clover came up with this term in her book Men, Women and Chainsaws. It refers to the girl in horror movies who sees the danger before everyone else and is usually able to survive. Here, the Final Girl is Ivy (played by Jessica Garcia). Ivy's ethnicity, not to mention the cruel initiations she undergoes at the hands of the other Deltas, gives the film some needed subtext. Writer-director Kingslea Bueltel appears to be poking fun at the exclusive (read: white) nature of the Greek system. (For a more positive portrayal of Greek life, I recommend ABC Family’s terrific series Greek.)&lt;/p&gt;<br /> &lt;p&gt;Delta Delta Dead! starts out as a clichéd horror movie, but it’s more self-aware and sophisticated than you think. The twist ending makes us rethink everything that’s happened before. This the rare horror film with a head on its shoulders.&lt;/p&gt;'
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dt-publish => '8 years ago'
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short-body => 'I had a good time watching this sorority-sisters-in-peril horror movie. There’s a maniac on the loose; pretty girls run around ...'
teaser => 'More self-aware and sophisticated than you think.'
title => 'Delta Delta Dead!'
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__domel__body => '&lt;p&gt;Ah, the old white-people-in-jeopardy, haunted-house routine! Two Story House may not have anything new to add to this timeworn genre, but it has an eerie tone and an impressive lead performance.&lt;/p&gt;<br /> &lt;p&gt;The film’s most valuable asset is Anna Maggio, who stars as Jenny, the new tenant of a two story house. The landlady describes it as a great place to start a family, but Jenny doesn’t seem all that interested in having kids. She has a bf, but mostly she seems interested in living a quiet bohemian existence by herself. Given what happens later, it might have been more interesting if writer-director Brian Juergens had put a finer point on the fact that Jenny doesn’t want to have kids. Of course, it’s her concern for children that gets her in trouble in the first place.&lt;/p&gt;<br /> &lt;p&gt;Jenny starts hearing noises, and soon she concludes that the husband and wife next door are physically abusing their young daughter. Of course, she’s dead wrong. Nothing all that interesting happens in Two Story House; the film seems to have two events that repeat themselves: (1) Jenny hearing noises and (2) Jenny talking on the phone with her bf. The reason the film works is because of the execution. Listen to the way the rain hits the umbrellas in the opening and closing scenes – I want to LIVE in that sound. The lighting inside the house is also very effective – a dark place, full of secrets.&lt;/p&gt;<br /> &lt;p&gt;I have questions about this movie that aren’t fully answered. For instance, where does Jenny go to when her bf arrives? And what’s the relationship between the little girl and the landlady? Two Story House isn’t flawless, but it casts a spell nevertheless.&lt;/p&gt;'
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short-body => 'Ah, the old white-people-in-jeopardy, haunted-house routine! Two Story House may not have anything new to add to this timeworn ...'
teaser => 'It has an eerie tone and an impressive lead performance.'
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__domel__body => '&lt;p&gt;The Insane is Memento meets The Midnight Meat Train, with a little Fight Club thrown in for good measure. I like everything up until the last few minutes – I’ve seen this kind of ending a thousand times before, and every time I do I feel totally cheated.&lt;/p&gt;<br /> &lt;p&gt;The movie takes place in a city that’s being terrorized by an &amp;quot;insane cult” of murderous thugs. Perhaps inspired by Danny Boyle’s brilliant 28 Days Later, filmmakers David J. Ellison and Mark Cripps use selective camera angles to suggest the city has been deserted. It’s just Det. Vincent John Vincent (James Spofforth) and a bunch of goons going head-to-head.&lt;/p&gt;<br /> &lt;p&gt;Each fight is harder than the last, so the movie works kind of like a video game. Each opponent has a different weapon and presents a new challenge. My favorite fight involves a masked, chainsaw-wielding psychopath who chases Vincent down a flight of stairs.&lt;/p&gt;<br /> &lt;p&gt;The Insane has been made with a lot of atmosphere and style. The location shooting is top-notch, and the costumes are right out of a comic book. I wish the ending had been more original, but whatever flaws this movie has, you can’t deny that it’s been made with confidence and wit.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;Pop Spoon is the imaginary friend of a girl who's too old to have any. He's got a smudge of fresh blood on his face, and when he smiles at you, you want to fuggin run.&lt;/p&gt;<br /> &lt;p&gt;This delightfully creepy film shares some attributes with other FetusFilms shorts. The FF show description says, “Stylized, experimental and dramatic short films about the emotional states of adolescents.” This one definitely fits the bill. It’s a completely original creation in terms of characterization and visual design. The only thing that bugs me about it is that it’s too short. Just when I thought Pop Spoon was gonna start kicking ass, the film suddenly fades to black.&lt;/p&gt;<br /> &lt;p&gt;The framing choices are just right, amd the camera filters give the film a slightly smudgy, stylized look. The fantastic score is by Chase Horseman, who provides a jazzy, ominous backdrop to the title character's evil doings.&lt;/p&gt;<br /> &lt;p&gt;I wish this movie was the first in a series. I’d love to see Pop 2: The Spooning someday.&lt;/p&gt;'
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short-body => 'Pop Spoon is the imaginary friend of a girl who's too old to have any. He's got a smudge of fresh blood on his face, and when he ...'
teaser => 'A completely original creation.'
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__domel__body => '&lt;p&gt;Playtime with Schlompkins is an ingenious little horror movie. It aims to get under your skin, and it succeeds admirably.&lt;/p&gt;<br /> &lt;p&gt;It opens with shaky-cam shots of the woods. I was reminded of the scene near the end of The Blair Witch Project, when Heather films the sunset. In that context, something that should have been awe-inspiring – the sun going down over the trees – instead induced panic and dread. Playtime with Schlompkins has a similar effect. The movie provides the same kind of subjective experience as Blair Witch. The monster addresses us directly, and we feel like we’re trapped in the woods.&lt;/p&gt;<br /> &lt;p&gt;Evidently, the monster’s name is Schlompkins, although he never identifies himself as such. The thing about Schlompkins is, he doesn't respect our comfort zone. He immediately gets all up in our grill, and just when we think he's ready to back off, he approaches again with shocking speed.&lt;/p&gt;<br /> &lt;p&gt;Schlompkins starts raving about finding something, and pretty soon he's showing us something awful: a human wind-up doll. He even has a key that fits in the poor thing's back. I’m ascared!&lt;/p&gt;<br /> &lt;p&gt;Austin Keeling completely commands our attention. He gives a genuinely frightening performance, enhanced by some creepy sound and editing. (Was his voice altered in post? It seems impossibly high.) This movie is an absolute must-see.&lt;/p&gt;'
alias => 'playtime_with_schlompkins'
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short-body => 'Playtime with Schlompkins is an ingenious little horror movie. It aims to get under your skin, and it succeeds admirably. It ...'
teaser => 'An ingenious little horror movie.'
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__domel__body => '&lt;p&gt;Though nowhere near as graphic, Subway is in the tradition of classic revenge-horror flicks like I Spit on Your Grave and The Last House on the Left. This suspenseful short film originally played at the 2002 NYC Horror Film Festival. Its location shooting is spot on. It has an attractive lead and a go-for-broke climactic shot that’s a thing of beauty.&lt;/p&gt;<br /> &lt;p&gt;A beautiful, voluptuous, Bohemian-looking girl played by Heather Soto (this story’s Red Riding Hood) misses her train to Brooklyn and ends up stuck in the most secluded subway station in New York City. (It must be really, really late.) She ends up having to fend off an attacker and would-be rapist (Gideon Horowitz). This scene is heightened by frightening editing and some monstrous dialogue delivered by Horowitz.&lt;/p&gt;<br /> &lt;p&gt;But the shot that everyone will be talking about comes later, when the predator is alone on the train. The lights go off, the sound fades, and then... well, I won't spoil it. It’s a satisfying conclusion to a scary and grim horror film.&lt;/p&gt;'
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short-body => 'Though nowhere near as graphic, Subway is in the tradition of classic revenge-horror flicks like I Spit on Your Grave and The Last...'
teaser => 'A scary and grim horror film.'
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image => '000.jpg'
owner =>
__attr__id => 105
login => 'NYCHorrorFestival'
title => 'Subway'
9 =>
__attr__id => 386
__domel__body => '&lt;p&gt;New rule: No more creepy little girls who walk all weird and have their hair in their face. Haven’t we seen enough of those in The Ring, The Grudge, and a million other horror movies? One of them crops up in The Other Resident, but only for a moment. When we see her later, with her clothes stained with blood and her hair out of her eyes, she’s far scarier.&lt;/p&gt;<br /> &lt;p&gt;There’s nothing too original about this movie. I’m giving it points for execution, though that’s not entirely flawless either. The first half of the movie sounds completely dubbed; I was reminded of Woody Allen’s first movie, What’s Up, Tiger Lily?, which is just people saying stupid things in English over a Japanese spy film. The main character of The Other Resident has schizophrenia, so I’m open to the possibility that the film is deliberately disorienting. Still, it seems artless.&lt;/p&gt;<br /> &lt;p&gt;The movie is about a young woman who moves into a new place with her teddy bear, Winston. Her landlord is a creep. She complains to her therapist that she’s “starting to hear things again.” Then the little girl from The Ring shows up. Does the little girl have a terrible tale to tell? Is there some misdirection going on with the landlord? Do ducks fly south in the winter?&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;'
alias => 'the_other_resident'
dt-publish => '8 years ago'
genre =>
__attr__id => 7
name => 'Horror'
logo => 'logo.jpg'
rating => 40
reviewer =>
__attr__id => 84
avatar => 'MiamiMovieCritic.jpg'
login => 'MiamiMovieCritic'
review-count => 210
user-dir => 'user_files/'
short-body => 'New rule: No more creepy little girls who walk all weird and have their hair in their face. Haven’t we seen enough of those in The...'
teaser => 'Points for execution.'
title => 'The Other Resident'
type-id => 1
video =>
__attr__id => 1058
alias => 'other_resident_vancouver_film_school'
image => '000.jpg'
owner =>
__attr__id => 497
login => 'VancouverFilmSchool'
title => 'Other Resident - Vancouver Film School'
rss-link => 'reviews/filmnet/?&g=7'
search-string => ''
rss => 'http://www.filmnet.com/rss/reviews/filmnet/?&g=7'
schoolFiles => 'http://i.filmnet.com/school_files/'
search =>
form-action => 'reviews'
userFiles => 'http://i.filmnet.com/user_files/'
videoFiles => 'http://i.filmnet.com/video_files/'

HTML Information

Tags
HTML Size: 51.99K
Stylesheet Files
Javascript Files
Images

Database queries

Metadata cache is DISABLED

Adapter 0

  1. [0.42 ms] connect
  2. [2.67 ms] SELECT SQL_CALC_FOUND_ROWS DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`review_type_id` IN (1, 2) AND r.genre_id = 7 AND r.`staff_review_id` IS NULL AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC LIMIT 10
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  16. [32.48 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
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  30. [0.12 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '7')
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  40. [0.12 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '7')
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  51. [21.42 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 84 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
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File Information

146 Files Included
Total Size: 1495.1K
Basepath: /mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/../../../

Application Files

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/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/controllers/ReviewsController.php
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/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 5536.73K

Custom Timers

Controller: 528.46 ms

Overall Timers

reviews
reviews
list
Avg: 1071.87 ms / 1 requests
Min: 1071.87 ms
Max: 1071.87 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 54 in 303.05 msfile 146 Filesmemory 15531K of 1024Mtime 1071.87 msregistry Registry (7)«