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1-10 of 85

Funny and entertainingly weird.

Fritz, Francis and Frederick is an experimental absurdist comedy written and directed by Jesse Barack. The movie is funny and ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

The video has a wonderful sense of the macabre and the darkly humorous.

The song may be a bit repetitious for my taste, but the video for Jon Brion’s “Dead Man Suit” is a must-see. The video has a ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

It’s a modern retelling of the old “I killed your master!” revenge tale, and it tells it in a bold, brutally efficient way.

Tell me if you’ve heard this one before: Mobster crosses paths with young kid. Kid grows up and idolizes mobster – dresses like ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

The performances and high-concept premise make it all worthwhile.

I enjoyed finally getting to see Rio Chavarro (a former associate of mine) in a movie. In The Gate, he plays a young lawyer who ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

A very amusing guide to emoticons :).

Funnee vid 4 sure lol is a very amusing guide to emoticons :). It should be a learning experience for older people, while younger ...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

A thought-provoking premise, but it’s nearly ruined by a very contrived ending.

There’s Always Hope has a thought-provoking premise, but it’s nearly ruined by a very contrived ending. It’s as if the filmmakers...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

The images fly by in a white heat.

I didn’t really know what was going on during 213 Kelvin – the trailer is in Spanish and there are no English subtitles – but man...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

 

A hilarious spoof of 28 DAYS LATER.

This is a hilarious spoof of 28 DAYS LATER, starring Nick Swardson. I first became familiar with Swardson’s work while watching “...

Read more

Review by: MiamiMovieCritic

Added: 8 years ago

A fascinating interview with sci-fi author William Gibson.

As the title suggests, this is a fascinating interview with sci-fi author William Gibson, the man who coined the term “cyberpunk...

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Review by: MiamiMovieCritic

Added: 8 years ago

 

Fun, fast and appropriate for all ages.

I love me some amusements parks. Kids today may have things I didn’t have when I was their age – iPods, the Internet, videogames ...

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Review by: MiamiMovieCritic

Added: 8 years ago

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__domel__body => '&lt;p&gt;Fritz, Francis and Frederick is an experimental absurdist comedy written and directed by Jesse Barack. The movie is funny and entertainingly weird, just don’t expect a whole lot in terms of story and character development. This isn’t so much a character study as it is a behavioral study. &lt;/p&gt;<br /> &lt;p&gt;The story takes place over one night – kind of like THE HANGOVER, with some darker elements reminiscent of the 1993 thriller JUDGMENT NIGHT thrown in as well. Two buddies, Fritz and Francis, run over some girl with their car. Later in the scene, a smash cut reveals that they’re rehearsing a scene, and they never hit a girl at all. At least, I think that’s what happened. Fritz, Francis and a third friend, Frederick, are trying to make a feature film. This gives Barack license to play all kinds of tricks on the audience.&lt;/p&gt;<br /> &lt;p&gt;The boys go to a restaurant, where they meet some sketchy people, and then go back to Fritz’s place, where they get high and piss off Francis’ ex. A pizza delivery guy – who will factor in the story later – and a driver dressed like a sailor show up. The boys venture out into the night again, encounter some yokels and end up killing one of them. Reasoning there’s no use crying over spilled milk, they set off for Vegas.&lt;/p&gt;<br /> &lt;p&gt;The movie is so absurd and loopy I can imagine it gaining a cult following of sorts, made up of people who like asking serious questions about silly things (and who probably enjoy the sticky icky). Like, “What’s with all the ridiculous hats in this movie?” (I’m particularly fond of the one Francis is wearing near the beginning, which looks like the big fur hat Jason Biggs wore in LOSER.) Or, “What are yokels doing in suburban New York?” I have no answers to these questions. I suppose the movie is about suburban male ennui, but that doesn’t quite explain how bizarre things get. I’ll leave it to you to figure it out. All I can say is that I had fun watching it.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;The song may be a bit repetitious for my taste, but the video for Jon Brion’s “Dead Man Suit” is a must-see.&lt;/p&gt;<br /> &lt;p&gt;The video has a wonderful sense of the macabre and the darkly humorous. We see a headless man dancing in a graveyard. He carries a lantern, and harsh moonlight breaks through the trees. These shots follow the traditional structure of music videos, where half the footage plays like a silent film commenting on the music. In other shots we see Jon Brion – looking a little cadaverous as he stares into the lens – lip-syncing to the music.&lt;/p&gt;<br /> &lt;p&gt;My favorite shot comes near the end, when we see Brion buried underground and the headless man dancing above. There are some astonishing special effects, including one where the headless man appears to have the Iron Giant’s face. The song has a bit of Nick Drake’s gleeful fatalism. Like all great music videos, the filmmakers elevate the musician’s performance.&lt;/p&gt;'
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short-body => 'The song may be a bit repetitious for my taste, but the video for Jon Brion’s “Dead Man Suit” is a must-see. The video has a ...'
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__domel__body => '&lt;p&gt;Tell me if you’ve heard this one before: Mobster crosses paths with young kid. Kid grows up and idolizes mobster – dresses like him, even talks like him. Their fates become inextricably entwined.&lt;/p&gt;<br /> &lt;p&gt;Sounds like A BRONX TALE, doesn’t it? It also summarizes the plot of Eric Won’s KEN, which is more of an action picture than Robert De Niro’s directorial debut. It’s a film that values action and movement over narrative. Gangsters talk monotonously about double-crosses and business deals gone awry. Everything they say is utterly inconsequential. The film is more concerned with elemental things like honor and revenge. It’s a modern retelling of the old “I killed your master!” revenge tale, and it tells it in a bold, brutally efficient way.&lt;/p&gt;<br /> &lt;p&gt; The kid is named Ken. A homeless boy with fists of fury, Ken gets into a fight one day. This scene made me wonder: Do emo kids have trouble winning fights with all that hair in their eyes? The answer is yes, because Ken nearly gets knifed. A gangster named Jack saves him at the last second and takes him under his wing. I love the transition that comes after this scene. There’s no title card telling us that 20 years have passed. Instead, Won uses cinematic language to move the story along and show how the characters have progressed.&lt;/p&gt;<br /> &lt;p&gt;“Cinematic language” is the movie’s greatest strength. Won has a great sense of screen space and atmosphere, especially in the action scenes. The twist at the end really took me by surprise. I’m not sure it’s completely satisfying on a dramatic level, but it has some of the same out-of-nowhere nastiness as Park Chan-Wook’s brilliant OLDBOY.&lt;/p&gt;'
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__domel__body => '&lt;p&gt;I enjoyed finally getting to see Rio Chavarro (a former associate of mine) in a movie. In The Gate, he plays a young lawyer who seems very confused. He’s sitting in an airport terminal when a girl (Andrea Ocampo) strikes up a conversation with him. She’s obviously very troubled. Various drug addictions killed her acting career, and there are ominous scars on her wrists. The lawyer is barely able to lend a sympathetic ear. This is one of those movies that isn’t about what’s being said. It’s about the inner turmoil the characters are going through while they say it.&lt;/p&gt;<br /> &lt;p&gt;The music is way overdone in the opening scene. It communicates S-A-D-N-E-S-S and L-O-S-S – just like that, in capital letters. The shots aren’t perfect, either. When we see the girl in close-up, she’s positioned about a quarter of the way down the screen from where she should be. The movie was obviously a logistical challenge to make – the filmmakers shot in the Fort Lauderdale Airport, which looks all but deserted. It’s disappointing that they didn’t follow through with their camerawork after securing such a great location.&lt;/p&gt;<br /> &lt;p&gt;The performances and high-concept premise make it all worthwhile. The girl’s transition from Good Samaritan to helpless victim is utterly heartbreaking, and Ocampo deserves credit for that. Chavarro makes the lawyer’s confusion seem genuine, and he’s even more effective in the flashback scenes that explain how the lawyer came to be sitting in an airport terminal – even though I think these scenes are misconceived. Without giving too much away, the story would have had more dramatic weight if the flashbacks had shown the lawyer was a happy man rather than a worrywart.&lt;/p&gt;'
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short-body => 'I enjoyed finally getting to see Rio Chavarro (a former associate of mine) in a movie. In The Gate, he plays a young lawyer who ...'
teaser => 'The performances and high-concept premise make it all worthwhile.'
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__domel__body => '&lt;p&gt;&lt;a href=&quot;http://www.filmnet.com/films/funnee_vid_4_sure_lol/&quot;&gt;Funnee vid 4 sure lol&lt;/a&gt; is a very amusing guide to emoticons :). It should be a learning experience for older people, while younger audiences should feel free to laugh at themselves.&lt;/p&gt;<br /> &lt;p&gt;Tim Clague, who created the video, clearly thinks emoticons will lead to the downfall of civilization. My feelings on the subject are somewhat mixed. On some level, I DO understand how stupid they are, but I use them anyway. I don’t think it’s precisely to fit in, either. Given that texting has replaced vocal communication to such a large degree, emoticons allow for a broader range of… well, emotions. If I made someone laugh, I want to know it.&lt;/p&gt;<br /> &lt;p&gt;That’s why “lol” is a good emoticon. &lt;a href=&quot;http://www.filmnet.com/films/funnee_vid_4_sure_lol/&quot;&gt;Funnee vid 4 sure lol&lt;/a&gt; is at its best when it makes fun of the ridiculous ones, like +0(. The human face simply doesn’t contort in such a way. Clague is, among many things (master craftsman, supreme satirist, cheeky bastard), terrific at coming up with irresistible titles. One of his other movies is called &lt;a href=&quot;http://www.filmnet.com/films/hot_girl_on_webcam/&quot;&gt;Hot girl on webcam&lt;/a&gt;. I’m guessing you’ll be clicking on that link when you’re done reading this review.&lt;/p&gt;'
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short-body => 'Funnee vid 4 sure lol is a very amusing guide to emoticons :). It should be a learning experience for older people, while younger ...'
teaser => 'A very amusing guide to emoticons :).'
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__domel__body => '&lt;p&gt;&lt;a href=&quot;http://www.filmnet.com/films/theres_always_hope/&quot;&gt;There’s Always Hope&lt;/a&gt; has a thought-provoking premise, but it’s nearly ruined by a very contrived ending. It’s as if the filmmakers – having asked some tough questions about human nature (questions to which there are no easy answers) – simply threw up their hands.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The set-up is a familiar one: an idealistic young fan (Jessica Shannon) meets her hero (Amil Abolesco), who turns out to be a crushing disappointment. The hero in this case is a futurist and published author who believes that human ingenuity is “the most powerful force in the universe.” Or so he says in his books; in life, he’s a cynical SOB who writes but because he likes the money.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Shannon and Abolesco are ideally cast, but they look a little stranded when the story turns into a heated philosophical debate. Screenwriter Reg Heide should have allowed the characters more room to live and breathe. Better writing might have prevented a flubbed line like this one: “I wanted to know what you thought about the growing impact on environmental grassroots movements on the establishment in developing countries.” I think Shannon meant to say, “…the growing impact OF environmental movements…” But it’s not her fault; the line is hard to say because no one would say it.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Still, I recommend the film for its style and the issues it addresses. Director of photography Sasha Moric makes the most of the film’s two locations: a bookstore and later a bar. The colors are warmer in the bookstore and the framing is wide open, representing the young idealist’s vision of the world as a big place full of possibilities. In the bar, we enter the futurist’s world – the lighting is darker and the framing more closed-in. Lots of elements come together in this film; it just needed a better ending.&lt;/p&gt;'
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short-body => 'There’s Always Hope has a thought-provoking premise, but it’s nearly ruined by a very contrived ending. It’s as if the filmmakers...'
teaser => 'A thought-provoking premise, but it’s nearly ruined by a very contrived ending.'
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__domel__body => '&lt;p&gt;I didn’t really know what was going on during &lt;a href=&quot;http://www.filmnet.com/films/213_kelvin/&quot;&gt;213 Kelvin&lt;/a&gt; – the trailer is in Spanish and there are no English subtitles – but man, I was hooked. It looks like a disaster movie, but it doesn’t resort to the over-the-top ridiculousness of Roland Emerich’s 2012. Thank God.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The images fly by in a white heat. We see an asteroid hurtling toward Earth, sirens, a news report, and a group of friends trying to stay warm as the temperature plummets – all in the span of about 20 seconds. We then see a series of shots that communicate the increasingly desperate nature of the situation: candles in the dark, clouds blotting out the moon, the temperature dropping, etc. The director, Juan Pennisi, is a rigorous collector of images. He’s a genuine talent – a budding young artist honing his craft. The actors are all beautiful but not in a “One Tree Hill” kind of way; they look like people we can identify with and relate to.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Obviously, I’m excited to see the whole film. I’m a little shocked that this is Pennisi’s first short film – it looks like the work of a seasoned professional.&lt;/p&gt;'
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short-body => 'I didn’t really know what was going on during 213 Kelvin – the trailer is in Spanish and there are no English subtitles – but man...'
teaser => 'The images fly by in a white heat.'
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__domel__body => '&lt;p&gt;This is a hilarious spoof of 28 DAYS LATER, starring Nick Swardson. I first became familiar with Swardson’s work while watching “Reno 911!,” where he played the gayer-than-gay street whore Terry Bernadino. Here, he plays a guy who drinks 28 shots in one night and wakes up in a nightmarish world where all his friends are drunken zombies and everyone pukes on each other. In other words, a regular Saturday night for most people, har dee har.&lt;/p&gt;<br /> &lt;p&gt;The video has amazing production value, and I’m pretty sure Chris Evans makes a cameo appearance – he’s the star of FANTASTIC FOUR and SUNSHINE – as “Chris”. The filmmakers brilliantly ape the music and editing style of 28 DAYS, even using the same font for the titles.&lt;/p&gt;<br /> &lt;p&gt;But the main attraction is Swardson, who’s utterly hilarious. This video has me excited to see his new DVD – “Seriously, Who Farted?” Pretty sophisticated, eh?&lt;/p&gt;'
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short-body => 'This is a hilarious spoof of 28 DAYS LATER, starring Nick Swardson. I first became familiar with Swardson’s work while watching “...'
teaser => 'A hilarious spoof of 28 DAYS LATER.'
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__domel__body => '&lt;p&gt;As the title suggests, this is a fascinating interview with sci-fi author William Gibson, the man who coined the term “cyberpunk”. While the video could have been put together a little more smoothly, the filmmakers wisely stand out of the way and give Gibson center stage.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Things get off to a fairly rough start. The reason Gibson agreed to do the interview in the first place was to promote his new book, CODE SOURCE. But the title isn’t even mentioned in the video. We get a brief upside-down shot of the beautifully designed cover art for the book, but that’s all. The interview portion doesn’t start off so great, either. When discussing the writing process, Gibson tends to ramble a bit. I was scratching my head and just about to switch off the video when things got much more interesting.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The best part of the interview is when Gibson talks about the climate in which he wrote CODE SOURCE, and some of the ways in which reality compares and contrasts with the themes in his book. He describes the Bush years as “a nightmarish dark period,” but he dismisses the notion that anyone but Al-Qaeda was responsible for the 9/11 attacks. He has some profound insights into why conspiracy theories are so widespread, describing them as “comforting in their simplicity.” Fans of the author will be especially intrigued by the latter portions of the interview, in which Gibson discusses his “quiet, orderly life.”&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The camerawork is merely okay and the video has some distractingly flashy editing. The author is the main draw, and just like his work he doesn’t disappoint.&lt;/p&gt;'
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teaser => 'A fascinating interview with sci-fi author William Gibson.'
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__domel__body => '&lt;p&gt;I love me some amusements parks. Kids today may have things I didn’t have when I was their age – iPods, the Internet, videogames that look like virtual reality displays compared to my Nintendo – but they have far fewer amusement parks. No amount of simulated experiences can beat the old-fashioned real-life thrill of throwing up on a rollercoaster. (Nostalgic types who miss such experiences could do worse than checking out Greg Motola’s pitch-perfect ADVENTURELAND.)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Watching FUN FACTORY also made me a little nostalgic. Specifically for Joyland, the rickety old amusement park I frequented as a tween. Get this: It actually had a rollercoaster made out of wood. Talk about living on the edge!&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The park in FUN FACTORY also looks a little dangerous. The Ferris wheel is run by a dumpy little guy with an egg-shaped head and a mouthful of gapped teeth who likes to turn the ride on and off. In real life this would inevitably result in a breakdown, which is exactly what happens. It would also put lives in danger, which is also what happens. For a stylized animated film filled with dumpy little people, FUN FACTORY sure has a lot of verisimilitude.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The video is fun, fast and appropriate for all ages. I mean ALL ages – if I was 2 I’d be mesmerized by all those weird little people and all those bright colors. I think that’s one of the things I miss most about amusement parks: all the pretty colors.&lt;/p&gt;'
alias => 'fun_factory'
dt-publish => '8 years ago'
genre =>
__attr__id => 9
name => 'Kids & Family'
logo => 'logo.jpg'
rating => 80
reviewer =>
__attr__id => 84
avatar => 'MiamiMovieCritic.jpg'
login => 'MiamiMovieCritic'
review-count => 210
user-dir => 'user_files/'
short-body => 'I love me some amusements parks. Kids today may have things I didn’t have when I was their age – iPods, the Internet, videogames ...'
teaser => 'Fun, fast and appropriate for all ages.'
title => 'Fun Factory'
type-id => 1
video =>
__attr__id => 2111
alias => 'fun_factory_vancouver_film_school'
image => '000.jpg'
owner =>
__attr__id => 497
login => 'VancouverFilmSchool'
title => 'Fun Factory - Vancouver Film School (VFS)'
rss-link => 'reviews/filmnet/?&s=1'
search-string => ''
rss => 'http://www.filmnet.com/rss/reviews/filmnet/?&s=1'
schoolFiles => 'http://i.filmnet.com/school_files/'
search =>
form-action => 'reviews'
userFiles => 'http://i.filmnet.com/user_files/'
videoFiles => 'http://i.filmnet.com/video_files/'

HTML Information

Tags
HTML Size: 53.3K
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Javascript Files
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Database queries

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Adapter 0

  1. [0.41 ms] connect
  2. [12.41 ms] SELECT SQL_CALC_FOUND_ROWS DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`review_type_id` IN (1, 2) AND r.`staff_review_id` IS NULL AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC LIMIT 10
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File Information

146 Files Included
Total Size: 1495.1K
Basepath: /mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/../../../

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/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Stream.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 5531.95K

Custom Timers

Controller: 522.67 ms

Overall Timers

reviews
reviews
list
Avg: 1100.4 ms / 1 requests
Min: 1100.4 ms
Max: 1100.4 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 54 in 311.23 msfile 146 Filesmemory 15526K of 1024Mtime 1100.4 msregistry Registry (7)«