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The Gate

14:27

By: AlphaMaleProductions

Genre: Drama

Added: 9 years ago

Views: 911

'The Gate' is an independent short film written and directed by Mathew Waring. Produced by Alpha Male Productions in 2008. In the tradition of the Twilight Zone, The Gate is the story of two strangers, who seemingly have nothing in common, that meet in an airport terminal while waiting for their flights. Evan recently graduated law school. Aiya is a young actress. The friendly and energetic Aiya notices that something is troubling Evan, who’s sitting lost in thought, and takes it upon herself to cheer him up. However, things are not as they seem. During their conversation Evan becomes aware that he has no idea what he’s doing in the airport, and worse, is having difficulty remembering details of his own life. Can Aiya help him regain his memory, or is the happy-go-lucky actress not what she appears to be?

The performances and high-concept premise make it all worthwhile.

Review by: MiamiMovieCritic

Added: 9 years ago

I enjoyed finally getting to see Rio Chavarro (a former associate of mine) in a movie. In The Gate, he plays a young lawyer who seems very confused. He’s sitting in an airport terminal when a girl (Andrea Ocampo) strikes up a conversation with him. She’s obviously very troubled. Various drug addictions killed her acting career, and there are ominous scars on her wrists. The lawyer is barely able to lend a sympathetic ear. This is one of those movies that isn’t about what’s being said. It’s about the inner turmoil the characters are going through while they say it.

The music is way overdone in the opening scene. It communicates S-A-D-N-E-S-S and L-O-S-S – just like that, in capital letters. The shots aren’t perfect, either. When we see the girl in close-up, she’s positioned about a quarter of the way down the screen from where she should be. The movie was obviously a logistical challenge to make – the filmmakers shot in the Fort Lauderdale Airport, which looks all but deserted. It’s disappointing that they didn’t follow through with their camerawork after securing such a great location.

The performances and high-concept premise make it all worthwhile. The girl’s transition from Good Samaritan to helpless victim is utterly heartbreaking, and Ocampo deserves credit for that. Chavarro makes the lawyer’s confusion seem genuine, and he’s even more effective in the flashback scenes that explain how the lawyer came to be sitting in an airport terminal – even though I think these scenes are misconceived. Without giving too much away, the story would have had more dramatic weight if the flashbacks had shown the lawyer was a happy man rather than a worrywart.

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