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Frida

Genre: Drama

Julie Taymor's FRIDA is a solidly entertaining biopic that's as easy to admire as a Grant Wood painting.

Julie Taymor's FRIDA is a solidly entertaining biopic that's as easy to admire as a Grant Wood painting, which is surprising since the movie tells the story of controversial Mexican painter Frida Kahlo. At its worst it's like a paint-by-numbers picture, but at its best...

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Review by: SteveRhodes

Added: 9 years ago

Sometimes a movie works because all of the ingredients come together so well. FAILURE TO LAUNCH is one of those movies.

Okay parents of America, it's time to come clean and admit your inner fears. Confess! What keeps you awake at night isn't the worry that your teenagers will get pregnant or do drugs. No, what really frightens you the most is that, when it comes time to bid your newly adult children adieu, they won't leave! Now you've said it. You've gotten a load off of your mind. Nothing like a little honesty to clear the air and improve your emotional disposition. FAILURE TO LAUNCH, by director Tom Dey (SHANGHAI NOON), is a romantic comedy about what happens when parents' worst fears are realized and they find that their thirty-five-year-old son is ...

Read more

Review by: SteveRhodes

Added: 9 years ago

Edtv

Genre: Comedy

The best part of the film is the bright and accessible script by the comedic writing team of Michel Poulette and Lowell Ganz.

How would you feel if "USA Today" took at a poll, and 71% of America felt you weren't good enough for your lover? It happens to poor Shari in Ron Howard's funny new comedy, EDTV. She feels pretty awful, as you might imagine, but her boyfriend, Ed, tries to cheer her up by reassuring her of his affection for her. His declaration of love, however, is interrupted when he realizes that the readers have a suggested a pretty exciting list of alternative women for him. After a couple of supercilious roles in CONTACT and AMISTAD, Matthew McConaughey, as the Texas hillbilly ED, redeems himself by proving that he really can play an average Joe. In...

Read more

Review by: SteveRhodes

Added: 9 years ago

After leaving the theater, my wife and I shared our oral reviews with each other as is our tradition.

Why are disaster movies so frequently disasters? Probably because they are disasters first and movies second. That director Roger Donaldson's DANTE'S PEAK would be unsuccessful is obvious from the first scene. Rule number one of horror movies is that the length of time until the monster appears is directly proportional to the quality of the film. (Natural disaster movies are little more than glorified horror flicks.) DANTE'S PEAK starts with people dying under the flying boulders and burning debris of a volcanic eruption. In the opening, Pierce Brosnan makes his debut as shrill vulcanologist Harry Dalton. In Harry's first words he ...

Read more

Review by: SteveRhodes

Added: 9 years ago

The movie concerns the fun loving but dysfunctional Friedman family.

What's the hardest thing for a filmmaker to do? Ambiguity. Fictional and non-fictional films possess an inherent desire to take a stand, if not in the movie's message, at least in what is and is not a "fact." Andrew Jarecki's CAPTURING THE FRIEDMANS, a documentary masterpiece that won the Grand Jury Prize at the 2003 Sundance Film Festival, boldly takes no stand on the movie's contradictory messages, of which there are many, or its facts, of which only a crucial few are uncontested and absolutely certain. Slowly unpeeling the true story like layers of an onion, Jarecki's unmanipulative and always lucid approach makes the movie work as...

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Review by: SteveRhodes

Added: 9 years ago

The artists you meet in the film are a strange lot to say the least. Everyone is an artist.

After the recent I SHOT ANDY WARHOL, the new movie BASQUIAT (also as BUILD A FORT, SET IT ON FIRE) begs the question of whether we need another movie about Andy Warhol's world. Ignoring the answer, artist Julian Schnabel wrote his first script and directed his first movie about Jean Michel Basquiat (Jeffrey Wright) who was a black painter who died at the age of 27 from a heroin overdose. Basquiat's paintings have been exhibited alongside both those of Warhol's and of Schnabel's, and Basquiat was a personal friend of Andy's and a full fledged member of his entourage. As the show opens, 22 year old Basquiat is getting out of the cardboard...

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Review by: SteveRhodes

Added: 9 years ago

Like Elle Woods in LEGALLY BLONDE, Nancy is all about fashion, albeit in an anti-fashion kind of way.

NANCY DREW, which plays like a rejected pilot for the Nickelodeon cable network, cries out for a new MPAA rating of G-12. Only girls under the age of twelve -- and not their parents -- should be admitted to this minimal movie, which is made expressly for preteen girls. But, based on the reaction of our packed audiences of just the right demographics, even girls of the right age may find themselves pretty bored by this lame and lifeless production. Trying to make NANCY DREW into the next LEGALLY BLONDE, director Andrew Fleming (THE IN-LAWS) turns Nancy into such an over-the-top type-A personality with OCD that you half expect her to be ...

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Review by: SteveRhodes

Added: 9 years ago

MAD LOVE is a troubled teen movie starting two people in their twenties playing a couple of high schoolers.

MAD LOVE is a troubled teen movie starting two people in their twenties playing a couple of high schoolers. Drew Barrymore as Casey plays another disaffected teen as she has done so many times before ("The Amy Fisher Story" (TV), POISON IVY, GUNCRAZY, etc.). Chris O'Donnell plays Matt, an All American boy who hitches up with the wrong girl and goes astray. O'Donnell, who is usually much smarter in choosing his roles, has a wide repertoire for such a short career including FRIED GREEN TOMATOES, SCENT OF A WOMAN, and CIRCLE OF FRIENDS. I actually liked him best in a small movie called SCHOOL TIES. Casey is a troubled teen because she has ...

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Review by: SteveRhodes

Added: 9 years ago

L.I.E.

Genre: Drama

It's a tragic coming of age story. It's a story about restless youth. It's about a relationship between a boy and his parents.

"You got lanes going east," 15-year-old Howie Blitzer (Paul Franklin Dano) says of the L.I.E. (Long Island Expressway) as he cheats death by balancing precariously on an overpass guardrail over the L.I.E. "You got lanes going west. You also got lanes going straight to hell." Having recently lost his mother in a car accident on the L.I.E., he sees the freeway as a metaphor for his disastrous life. The movie L.I.E., by commercial director Michael Cuesta and co-writers Stephen Ryder, Michael Cuesta and Gerald Cuesta, is about a lot of things. It's a tragic coming of age story. It's a story about restless youth. It's about a relationship ...

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Review by: SteveRhodes

Added: 9 years ago

Our audience broke into applause at the end so they must have really liked it.

K-PAX, a ONE ALIEN FLEW OVER THE CUCKOO'S NEST story, concerns a being who may or may not be human and who goes by the name of Prot. Prot is played in another wonderful performance by Kevin Spacey who gives his all to what is essentially a one-note character. Jeff Bridges plays Prot's examining psychiatrist, Dr. Mark Powell. As in the recent HAPPY ACCIDENTS, in which the central character might be a time-traveler or just a wacko, Prot may be an alien, a crazy alien or just crazy. As the story develops, it isn't quite clear where it is headed and to what extent it will resolve the central issues it poses. Will it, like the film LIMBO, ...

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Review by: SteveRhodes

Added: 9 years ago

A project with a good idea but nothing more, the movie needs a complete rewrite.

It's war out there. The seventh graders control the prized high ground and are raining snowballs down on their younger classmates. Brave 11-year-old Charlie Frost (Joseph Cross) is leading an insurrection from the field of battle below. With an audacious strategy, he goes mano a mano with the biggest bully in the class and wins. After this promising opening, director Troy Miller's JACK FROST proceeds to go nowhere. Most of the time it wants to be a poignant story of a boy and his reincarnated father. Sometimes it thinks its mission is as a slapstick comedy. The weak script by Mark Steven Johnson and Steven Bloom succeeds at neither. ...

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Review by: SteveRhodes

Added: 9 years ago

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Frida

3 years ago

By: limolink

one of the best. you are provide many more information

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7 years ago

By: TheLodgeShop

Great Review. Rally Great Article. Enjoyed the Read

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The Road

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By: ThePeoplesMovies

the road . When it comes to movies that start as novel then movie Ive got a tendancy to see the ...

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Odd in presentation and pace. While some elements of the film are done in an avant garde manner, the...

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The Box

9 years ago

By: FriendlyMisanthrope

but I must say... ...The Happening? harsh! I couldn't get through 30 minutes of that movie online ...

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__domel__body => '&lt;p&gt;Okay parents of America, it's time to come clean and admit your inner fears. Confess! What keeps you awake at night isn't the worry that your teenagers will get pregnant or do drugs. No, what really frightens you the most is that, when it comes time to bid your newly adult children adieu, they won't leave! Now you've said it. You've gotten a load off of your mind. Nothing like a little honesty to clear the air and improve your emotional disposition.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;FAILURE TO LAUNCH, by director Tom Dey (SHANGHAI NOON), is a romantic comedy about what happens when parents' worst fears are realized and they find that their thirty-five-year-old son is still enjoying the same free room, board and maid service that he did when he was a toddler. Although it could have been a horror movie for parents, this charmer of a picture is lighthearted fun, thanks to a wonderful ensemble cast, who manage to outshine the film's stars, Matthew McConaughey and Sarah Jessica Parker.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Trip (McConaughey), who dresses like a beach bum, is a guy with classic commitment issues. He tells his 35-year-old buddies, who also live with their parents, &amp;quot;I'm not afraid of love. I love love,&amp;quot; which, of course, really means that he doesn't want to get within a mile of it.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Figuring that only a lovely woman will be able to lure Trip away, his parents, Al (Terry Bradshaw) and Sue (Kathy Bates), hire a &amp;quot;professional interventionist&amp;quot; named Paula (Parker) to entice Trip to vacate the premises. Since she is a professional, she does not fall in love with her clients and certainly doesn't sleep with them. But, since this is a movie, she violates both rules. Since both share golden tans and beautiful bodies, it is obvious from the casting where the story must be heading.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In a movie with many delicious lines, my favorite came in a bit of boomer philosophy from Trip's almost 60-year-old dad. &amp;quot;When I was growing up, nobody had self-esteem, and we turned out okay,&amp;quot; he points out.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The secret to Paula's success is that she always figures out what her clients want and gives it to them. And the secret to FAILURE TO LAUNCH is the subtle scene stealing performance by ELF's Zooey Deschanel as Kit, Paula's roommate. Even in silly setups, as when Kit tries to kill a blabbermouth mockingbird that won't let her sleep, she is both sweet and believable. My favorite scene of hers comes when she tries to buy a shotgun and a single bullet or shell, as the discombobulated sales clerk tries to explain.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Sometimes a movie works because all of the ingredients come together so well. FAILURE TO LAUNCH is one of those movies.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;FAILURE TO LAUNCH runs a breezy 1:37. It is rated PG-13 for &amp;quot;sexual content, partial nudity and language&amp;quot; and would be acceptable for kids around 10 and up.&lt;/p&gt;'
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short-body => 'Okay parents of America, it's time to come clean and admit your inner fears. Confess! What keeps you awake at night isn't the worry that your teenagers will get pregnant or do drugs. No, what really frightens you the most is that, when it comes time to bid your newly adult children adieu, they won't leave! Now you've said it. You've gotten a load off of your mind. Nothing like a little honesty to clear the air and improve your emotional disposition. FAILURE TO LAUNCH, by director Tom Dey (SHANGHAI NOON), is a romantic comedy about what happens when parents' worst fears are realized and they find that their thirty-five-year-old son is ...'
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__domel__body => '&lt;p&gt;How would you feel if &amp;quot;USA Today&amp;quot; took at a poll, and 71% of America felt you weren't good enough for your lover? It happens to poor Shari in Ron Howard's funny new comedy, EDTV. She feels pretty awful, as you might imagine, but her boyfriend, Ed, tries to cheer her up by reassuring her of his affection for her. His declaration of love, however, is interrupted when he realizes that the readers have a suggested a pretty exciting list of alternative women for him.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;After a couple of supercilious roles in CONTACT and AMISTAD, Matthew McConaughey, as the Texas hillbilly ED, redeems himself by proving that he really can play an average Joe. In a lookalike role as Ed's obnoxious, extroverted brother Ray, Woody Harrelson gets to ham it up, but Jenna Elfman, as Shari, upstages both of them. Elfman provides the sweet center of Howard's cinematic bon-bon, and her role is the closest that Howard comes to creating a sympathetic character. Most of the roles are played for pure comedy without feeling the need to overlay them with any pretense at deeper meanings.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The best part of the film is the bright and accessible script by the comedic writing team of Michel Poulette and Lowell Ganz, who collaborated before with Howard on the enormously successful SPLASH and PARENTHOOD. &amp;quot;We're getting our butts kicked by the Gardening Channel,&amp;quot; television producer Cynthia (Ellen DeGeneres) complains. &amp;quot;People would rather watch soil.&amp;quot; Her solution is a 24-hour cable show featuring a single man, sort of a real-time version of the PBS series about the Lou family from the1970s. In a nationwide survey, Ed, a 31-year-old video store clerk, is chosen as the &amp;quot;lucky&amp;quot; guy to be the star of &amp;quot;TrueTV.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Ed's debut is anything but auspicious. As his beer-can dancing clock wakes him, he sticks his hand in his sweat pants so that he can scratch his crotch. As the head of the network, Whitaker (Rob Reiner) senses a disaster in the making. When a sleepy Ed finally gets up enough energy to fix himself some pop tarts, Whitaker sarcastically calls it an action sequence. Filled with incredibly boring minutia -- Ed's lack of skill as a toe nail clipper, for example -- the show looks like it may not last the week, if that far.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Whitaker never lets his underlings forget who is in charge. &amp;quot;You know how I know I'm right?&amp;quot; he tells Cynthia in the parking lot as they stand beside their respective cars. &amp;quot;Because I'm driving the big car, and you're driving the little one.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;It is the introduction of Shari, who starts off as Ray's girlfriend, into the story that saves Ed's show from instant oblivion. With love and conflict in the storyline, the show hooks America from college campuses to tattoo parlors. Ed becomes such an enormous celebrity -- &amp;quot;He's a Spice Girl. He's a Beanie Baby&amp;quot; Cynthia proclaims -- that he needs security and police escorts wherever he goes. To ground this notoriety, Shari plays a sweet UPS driver, who hates the publicity as much as Ed laps it up.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Even talk shows get in the act. &amp;quot;Fame has become a moral goal in this country,&amp;quot; one pipe smoking intellectual pontificates on the air. &amp;quot;It's its own virtue.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In contrast to the-girl-next-door, Shari, Elizabeth Hurley plays a gold digging model who comes on to Ed. She breaks off her kisses to pose for the cameras.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The mystery in the story is whether Ed will ever be able to quit, and, if so, how? An even bigger one is whether the writers will be able to do it in a way that audiences feel satisfying. Suffice it to say that the ending undoubtedly passed all of the test screenings with flying colors. With Ron Howard as the director, you can be sure that you'll leave with a satisfied smile on your face.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;So then we have that one final question. How does this movie differ from THE TRUMAN SHOW? EDTV never tries to be anything more than a diverting little comedy. THE TRUMAN SHOW aimed much higher and succeeded. It was funny and insightful with very serious themes whereas EDTV just wants to entertain you. Both achieve their goals.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;EDTV runs 2:00. It is rated PG-13 for mature themes and some profanity and would be fine for kids around 11 and up.&lt;/p&gt;'
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__domel__body => '&lt;p&gt; Why are disaster movies so frequently disasters? Probably because they are disasters first and movies second.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;That director Roger Donaldson's DANTE'S PEAK would be unsuccessful is obvious from the first scene. Rule number one of horror movies is that the length of time until the monster appears is directly proportional to the quality of the film. (Natural disaster movies are little more than glorified horror flicks.) DANTE'S PEAK starts with people dying under the flying boulders and burning debris of a volcanic eruption.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In the opening, Pierce Brosnan makes his debut as shrill vulcanologist Harry Dalton. In Harry's first words he screams something incomprehensible that sounds like &amp;quot;Get out of here.&amp;quot; The bad news is that you will be able to hear the rest of the dialog in the film. (&amp;quot;I've always been better at volcanoes than figuring out people and politics,&amp;quot; Harry tells us. &amp;quot;I move around a lot, wherever there's a volcano with an attitude,&amp;quot; he explains in another scene.)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;If you liked TWISTER, you'll probably find DANTE'S PEAK equally satisfying. In both films, the star is backed up by a rag-tag team of nerds ready to save their hero at a moment's notice. (The team is at its funniest when the volcano erupts. When the team runs to their computers to see the images, the only female nerd, looking out the window, chides them, &amp;quot;Why look at the computer when you can look at the real thing.&amp;quot;) Like TWISTER, the only reason for the film to exist are the special effects. Although the special effects by Thomas Kittle are spectacular, the sound effects by David MacMillan are even more impressive. Some of the explosions had me almost jumping out of my seat.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The story happens in the small and isolated town of Dante's Peak. Linda Hamilton plays the town's miniskirted mayor, Rachel Wando. Unlike her usual, harsh macho role, Hamilton gives a tender and vulnerable performance. She is lovelier and more alluring than I have ever seen her. With better acting than Brosnan's, there could have been a believable love story.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The plot is pure formula. Dante's Peak has just been voted by Money Magazine as &amp;quot;the second-best place to live in America for cities under 20,000,&amp;quot; but trouble is brewing. Harry arrives and soon warns the town he thinks their long dormant volcano is about to blow. (Key evidence: He finds 2 dead squirrels, and 2 nude campers who got cooked in a natural hot springs.) The city council refuses to warn the town lest a rich developer pull out. Harry's boss comes in and decides that it would be better not to alert the town prematurely since property values might plummet.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;After leaving the theater, my wife and I shared our oral reviews with each other as is our tradition. This time it became almost a contest of who could come up with the largest number of ridiculous and predicable scenes. Let me give you some samples.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Shortly after our would-be lovers touch, they are interrupted by the volcano's evidence of imminent eruption. Rachel's young kids drive a car by themselves up a winding mountain road through ash so thick that they cannot see anything at all. When confronted with a long river of fiery lava, Harry drives his car through it but only the tires melt -- the gas tank does not explode. When the roads are full, Harry drives his car through a river almost as deep as his car is tall. Rachel's mother-in-law decides she can ride out the lava flow and does not need to evacuate her home. Finally, I learned one rule not in my chemistry book. If you have to keep your hand in acid, you can protect yourself completely by wrapping a coat around your hand. And the list goes on.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;DANTE'S PEAK runs 1:52. It is rated PG-13 for gory and frightening images of disaster's carnage. Several times the filmmaker is gratuitous in his use of violence. In one scene, for example, Harry breaks his arm and the camera moves in for a close-up of the bone sticking out. Some kids under 13 will probably get a kick out of the show, but I would be quite careful since the chance of significant fright is substantial. I found the film so bad that I was laughing frequently. It could easily have been altered slightly into a very funny parody, but as is, I could not recommend it to anyone. For the tremendous special effects and the massive sound, I give it * 1/2.&lt;/p&gt;'
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short-body => ' Why are disaster movies so frequently disasters? Probably because they are disasters first and movies second. That director Roger Donaldson's DANTE'S PEAK would be unsuccessful is obvious from the first scene. Rule number one of horror movies is that the length of time until the monster appears is directly proportional to the quality of the film. (Natural disaster movies are little more than glorified horror flicks.) DANTE'S PEAK starts with people dying under the flying boulders and burning debris of a volcanic eruption. In the opening, Pierce Brosnan makes his debut as shrill vulcanologist Harry Dalton. In Harry's first words he ...'
teaser => 'After leaving the theater, my wife and I shared our oral reviews with each other as is our tradition.'
title => 'Dante’s Peak'
type-id => 7
3 =>
__attr__id => 1086
__domel__body => '&lt;p&gt;What's the hardest thing for a filmmaker to do? Ambiguity.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Fictional and non-fictional films possess an inherent desire to take a stand, if not in the movie's message, at least in what is and is not a &amp;quot;fact.&amp;quot; Andrew Jarecki's CAPTURING THE FRIEDMANS, a documentary masterpiece that won the Grand Jury Prize at the 2003 Sundance Film Festival, boldly takes no stand on the movie's contradictory messages, of which there are many, or its facts, of which only a crucial few are uncontested and absolutely certain.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Slowly unpeeling the true story like layers of an onion, Jarecki's unmanipulative and always lucid approach makes the movie work as an incredible detective story. It's one of the fastest 107 minutes that you'll ever spend. You'll be so frozen in your seat with your eyes glued to the screen that you're liable to end up with a sore buttock for lack of movement.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The movie concerns the fun loving but dysfunctional Friedman family. Arnold, the father and central character of the tale, is a middle age, award-winning teacher. Adored by three sons, David, Seth and Jessie, and tolerated by his wife Elaine, Arnold is a nebbish and a workaholic who teaches computer classes in his house after school.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Thanks to miles of old film and video footage from the family's homemade archives, we see the story more often than we hear about it. Although there are some contemporary talking heads, most of the movie was filmed in past as the tragic events unfolded.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The crux of story concerns 56-year-old Arnold and 18-year-old Jessie's arrest for child molestation. Part of it, definitely, was an egregious example of prosecutorial misconduct. The charges were so voluminous, outrageous and off the wall that you'd expect the judge to laugh them out of court. But, with the &amp;quot;help&amp;quot; of hypnosis and other suggestive techniques by the police, the kids in Arnold's computer classes began to remember that every day was a big orgy with Arnold and Jessie physically abusing the kids and participating in daily rapes. The parents regularly came in unannounced, yet no one ever saw or heard any thing until years later when the police started interviewing the uncomplaining children about abuses.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Some of the kids claimed that the class was typically boring and nothing whatsoever happened. Parents with such kids, however, were told by the police that they were just &amp;quot;in denial.&amp;quot; Hysteria ran rampant in the wealthy suburb of Long Island where the Friedman's lived. The hysterical included the law enforcement officers, parents and kids.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;But before you start looking for your soapbox to defend poor Arnold and Jessie, you should know that Arnold, at least, was no saint -- far from it. And, if you're the type who's inclined to convict a guilty man, even if it's for the wrong crime, you might be inclined to send the police a thank you note.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In addition to the movie's mesmerizing mysteries, the story also works marvelously as a chilling examination of the inner workings of a family in trouble. The most frightening part of the tale is probably the Friedman's normality. The story would be easier to ignore if weren't the family didn't appear so ordinary. Some of the Friedmans will earn your sympathy and others your disdain. They will all earn your complete attention.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Jessie succinctly poses the movie's central conundrum. &amp;quot;You have to find a way to explain the unexplainable,&amp;quot; he says of the charges. It's not easy and may be impossible.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In the movie's most ironic moment, Jessie, for the sex crime he probably didn't commit, is sent to the &amp;quot;Clinton Correctional Facility.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;CAPTURING THE FRIEDMANS runs a lightning fast 1:47. The film is not rated but would be an R for language and mature themes and would be acceptable for teenagers.&lt;/p&gt;'
alias => 'capturing_the_friedmans'
dt-publish => '9 years ago'
genre =>
__attr__id => 3
name => 'Documentary'
logo => 'logo.jpg'
movie =>
__attr__id => 888
cover => 'cover.jpg'
title => 'Capturing the Friedmans'
rating => 100
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => 'What's the hardest thing for a filmmaker to do? Ambiguity. Fictional and non-fictional films possess an inherent desire to take a stand, if not in the movie's message, at least in what is and is not a "fact." Andrew Jarecki's CAPTURING THE FRIEDMANS, a documentary masterpiece that won the Grand Jury Prize at the 2003 Sundance Film Festival, boldly takes no stand on the movie's contradictory messages, of which there are many, or its facts, of which only a crucial few are uncontested and absolutely certain. Slowly unpeeling the true story like layers of an onion, Jarecki's unmanipulative and always lucid approach makes the movie work as...'
teaser => 'The movie concerns the fun loving but dysfunctional Friedman family.'
title => 'Capturing the Friedmans'
type-id => 7
4 =>
__attr__id => 1085
__domel__body => '&lt;p&gt; After the recent I SHOT ANDY WARHOL, the new movie BASQUIAT (also as BUILD A FORT, SET IT ON FIRE) begs the question of whether we need another movie about Andy Warhol's world. Ignoring the answer, artist Julian Schnabel wrote his first script and directed his first movie about Jean Michel Basquiat (Jeffrey Wright) who was a black painter who died at the age of 27 from a heroin overdose. Basquiat's paintings have been exhibited alongside both those of Warhol's and of Schnabel's, and Basquiat was a personal friend of Andy's and a full fledged member of his entourage.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As the show opens, 22 year old Basquiat is getting out of the cardboard box in which he lives. Although he grew up in a middle-class family, he spends his days spraying graffiti on the walls all over the city. He goes into a coffee shop and pours syrup all over the table and then begins to finger-paint in it before they throw him out. There are quotes from the narrator about van Gogh - how he was considered crazy in his day and managed to sell only one painting before he died. The show tries hard to convince us Basquiat could be the van Gogh of our time.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Although Basquiat is considered important since he was one of the first African Americans to become a famous pop artist, I found his work on a par with a typical kindergarten class. In one scene in the movie, Warhol and Basquiat comment on a guy who is urinating on Warhol's painting to give it just the right look. If you can get beyond the drug culture aspects, they smoke dope and blow it up their nose in the show, and can ignore the quality of the &amp;quot;art&amp;quot;, the acting is quite good.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The artists you meet in the film are a strange lot to say the least. Everyone is an artist. As Andy's electrician (Willem Dafoe) explains to Basquiat that he is an artist too, but &amp;quot;I'll be 40 in July, and I'm glad I never got recognition. It gives me time to develop.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The show is full of the people that swarm around Basquiat as soon as they realize that there is money to be made. Every agent wants to represent him, and every gallery owner wants to display his works. One of the earliest to write about him is Rene Ricard (Michael Wincott from DEAD MAN). As Rene explains it, &amp;quot;when I speak nobody believes me, but when I write it down everybody knows it to be true.&amp;quot; Later Rene goes on to claim that, &amp;quot;We're no longer collecting art; we're buying people.&amp;quot; One of his first agents, Gina Cardinale (Clair Forlani), glowing describes his art as, &amp;quot;This is the true voice of the gutter.&amp;quot; Gosh, I'll guess take two then.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Unlike Jared Harris's more remote characterization of Andy Warhol in I SHOT ANDY WARHOL, here David Bowie is great as the legendary pop artist. He throws himself into the role with gusto. Andy's friend and agent Bruno Bischofberger is played with amazing restraint by the frequently combustible Dennis Hopper.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Even after he becomes famous, Basquiat still dresses like a homeless person. The costumes by John Dunn are dead on. Kind of shocking having an apparent bum going into a fancy department store, asking to taste the caviar and buying a three thousand dollar tin of the best in the store.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;One of the more ironic lines in the film comes from his friend and fellow artist Albert Milo (Gary Oldman). Albert tells Basquiat that &amp;quot;good conversation is hard to find in this town.&amp;quot; The irony is that Basquiat seems incapable of forming coherent sentences. Jeffrey Wright is brilliant in his interpretation of the artist. A nice piece of acting.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The music by John Cale and all of the songs chosen are one of the high points of the show. Frequently the camera (Ron Fortunato) will slowly pan a scene without dialog but with beautiful songs being song. I wish there had been even more of these scenes.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Rounding out the cast, we have Benicio Del Toro, Christopher Walken, Jean Claude Le Marre, Parker Posey, Elina Lowensohn, Paul Bartel, Courtney Love, and Tatum O'Neal among many others. It looks like half of Hollywood wanted a part. Although you may not care about the people they play, the acting, as I said earlier, is worth seeing.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;BASQUIAT is incorrectly listed in the press kit as running 1:26. I timed it at about 1:50. The shorter length would have been better, and we could have stood a few less stars and parts. The film is rated R for drug use and some bad language. There is no sex, nudity, and only one mildly violent scene. It is possible to misinterpret the show's message as graffiti is a way to great riches and drug usage is cool. As an adult, I can see beyond that, but teenagers might not. For that reason, I am recommending that teenagers not see the show. For adults, I give it a marginal thumbs up for the acting and the music. His paintings get a big thumbs down from me, but this is a movie review, not an art review. I award the film ** 1/2.&lt;/p&gt;'
alias => 'basquiat'
dt-publish => '9 years ago'
genre =>
__attr__id => 4
name => 'Drama'
logo => 'logo.jpg'
movie =>
__attr__id => 887
cover => 'cover.jpg'
title => 'Basquiat'
rating => 60
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => ' After the recent I SHOT ANDY WARHOL, the new movie BASQUIAT (also as BUILD A FORT, SET IT ON FIRE) begs the question of whether we need another movie about Andy Warhol's world. Ignoring the answer, artist Julian Schnabel wrote his first script and directed his first movie about Jean Michel Basquiat (Jeffrey Wright) who was a black painter who died at the age of 27 from a heroin overdose. Basquiat's paintings have been exhibited alongside both those of Warhol's and of Schnabel's, and Basquiat was a personal friend of Andy's and a full fledged member of his entourage. As the show opens, 22 year old Basquiat is getting out of the cardboard...'
teaser => 'The artists you meet in the film are a strange lot to say the least. Everyone is an artist.'
title => 'Basquiat'
type-id => 7
5 =>
__attr__id => 1084
__domel__body => '&lt;p&gt;NANCY DREW, which plays like a rejected pilot for the Nickelodeon cable network, cries out for a new MPAA rating of G-12. Only girls under the age of twelve -- and not their parents -- should be admitted to this minimal movie, which is made expressly for preteen girls. But, based on the reaction of our packed audiences of just the right demographics, even girls of the right age may find themselves pretty bored by this lame and lifeless production.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Trying to make NANCY DREW into the next LEGALLY BLONDE, director Andrew Fleming (THE IN-LAWS) turns Nancy into such an over-the-top type-A personality with OCD that you half expect her to be sent to a mental institution. Emma Roberts, giving a perfunctory rendition of the famous girl detective, doesn't have a clue as to how to connect with her audience.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Like Elle Woods in LEGALLY BLONDE, Nancy is all about fashion, albeit in an anti-fashion kind of way. Although Nancy isn't an overachieving blonde like Elle, Nancy does give out blondies as a bribe to encourage potential sources to reveal their secrets. Favoring retro clothes, heavy on the penny loafers and tweed skirts, Nancy looks like she was blasted off in BACK TO THE FUTURE's time machine and delivered from the 1950s straight to the present day. Of course, the all-too-hip students of Hollywood High, Nancy's new school, ridicule the geeky girl from the sticks. The whole setup is straight out of MEAN GIRLS. Nancy isn't a girl who watches &amp;quot;American Idol,&amp;quot; hangs out on MySpace or IMs her friends. She's the dorky type who curls up with a good book like her current favorite, &amp;quot;Advanced Sandcastle Making.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Nancy has promised dear old dad that she has given up her sleuthing obsession, which, of course, she hasn't. The plot of the film concerns Nancy's investigation into the lost will and lost offspring of the dead starlet whose house Nancy has rented for her dad and her to live in. Bad guys come after Nancy, which gives her lots of opportunities to utter really cheesy dialog. &amp;quot;It really gets my goat when someone tries to kill me,&amp;quot; she tells Ned Nickerson (Max Thieriot), her boyfriend from back home who has come to visit her.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;No, the bad guys don't do Nancy in, so, if enough girls see this film, I'm sure the studio will be happy to churn out several more.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;NANCY DREW runs a long 1:40. It is ridiculously rated PG for &amp;quot;mild violence, thematic elements and brief language&amp;quot; and would be acceptable for all ages. There is nothing in this movie that should keep it from being rated G.&lt;/p&gt;'
alias => 'nancy_drew'
dt-publish => '9 years ago'
genre =>
__attr__id => 2
name => 'Comedy'
logo => 'logo.jpg'
movie =>
__attr__id => 886
cover => 'cover.jpg'
title => 'Nancy Drew'
rating => 60
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => 'NANCY DREW, which plays like a rejected pilot for the Nickelodeon cable network, cries out for a new MPAA rating of G-12. Only girls under the age of twelve -- and not their parents -- should be admitted to this minimal movie, which is made expressly for preteen girls. But, based on the reaction of our packed audiences of just the right demographics, even girls of the right age may find themselves pretty bored by this lame and lifeless production. Trying to make NANCY DREW into the next LEGALLY BLONDE, director Andrew Fleming (THE IN-LAWS) turns Nancy into such an over-the-top type-A personality with OCD that you half expect her to be ...'
teaser => 'Like Elle Woods in LEGALLY BLONDE, Nancy is all about fashion, albeit in an anti-fashion kind of way.'
title => 'Nancy Drew'
type-id => 7
6 =>
__attr__id => 1083
__domel__body => '&lt;p&gt; MAD LOVE is a troubled teen movie starting two people in their twenties playing a couple of high schoolers. Drew Barrymore as Casey plays another disaffected teen as she has done so many times before (&amp;quot;The Amy Fisher Story&amp;quot; (TV), POISON IVY, GUNCRAZY, etc.). Chris O'Donnell plays Matt, an All American boy who hitches up with the wrong girl and goes astray. O'Donnell, who is usually much smarter in choosing his roles, has a wide repertoire for such a short career including FRIED GREEN TOMATOES, SCENT OF A WOMAN, and CIRCLE OF FRIENDS. I actually liked him best in a small movie called SCHOOL TIES.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Casey is a troubled teen because she has a strict father. This causes her to become, in the vernacular of the 50s, a juvenile delinquent. Now, this show, especially the cinematography by Fred Tammes, is sympathetic to and trivializes her actions. The motivation for her behavior is never developed and hence her actions are not believable.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Matt, on the other hand, has an idyllic childhood and is an honor student and an amateur astronomer. The script by, apparently first time, screenwriter Paula Milne is so full of holes, unexplained rationales, and unbelievability, that one wishes she would flunked her college writing exams and taken up any other occupation. Matt is one minute an A student and the next minute off getting into trouble in a big way with Casey. Even worse, the director (Antonia Bird) is unable to develop any genuine chemistry between the two leads. This means Matt's actions seem totally off the wall.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The director may have realized what a dog she had on her hands, because she released it with a mind numbing rock music background. Whenever the show gets particularly boring, she cranks up the volume to anesthetize the audience from their pain of watching such drivel.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Perhaps the worst part of the show is the dangerous stunts the movie has the teenagers get involved in. MAD LOVE seems to be saying to them, try this, it is really cool and hey, you won't get hurt.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The acting is all of the understated variety. The parents, especially the dads, are portrayed as evil in some unknown way that the movie only hints at but never describes.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;MAD LOVE runs too long at 1:39. It is rated PG-13 for criminal behavior, a hint of nudity, underage drinking and smoking, and some profanity. It manages subtly to teach teenagers, who are the only possible audience for this movie, some bad morals and dubious lessons about life. Avoid this picture. I award it 1/2 of a star because it did not quite reach the threshold of pain that I reserve for zero stars. On the whole it is much more soporific than painful. Vote with your feet and leave if you accidentally buy a ticket. I wish had left. I wanted to demand my time back when I left the theater.&lt;/p&gt;'
alias => 'mad_love'
dt-publish => '9 years ago'
genre =>
__attr__id => 10
name => 'Romance'
logo => 'logo.jpg'
movie =>
__attr__id => 885
cover => 'cover.jpg'
title => 'Mad Love'
rating => 20
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => ' MAD LOVE is a troubled teen movie starting two people in their twenties playing a couple of high schoolers. Drew Barrymore as Casey plays another disaffected teen as she has done so many times before ("The Amy Fisher Story" (TV), POISON IVY, GUNCRAZY, etc.). Chris O'Donnell plays Matt, an All American boy who hitches up with the wrong girl and goes astray. O'Donnell, who is usually much smarter in choosing his roles, has a wide repertoire for such a short career including FRIED GREEN TOMATOES, SCENT OF A WOMAN, and CIRCLE OF FRIENDS. I actually liked him best in a small movie called SCHOOL TIES. Casey is a troubled teen because she has ...'
teaser => 'MAD LOVE is a troubled teen movie starting two people in their twenties playing a couple of high schoolers.'
title => 'Mad Love'
type-id => 7
7 =>
__attr__id => 1082
__domel__body => '&lt;p&gt;&amp;quot;You got lanes going east,&amp;quot; 15-year-old Howie Blitzer (Paul Franklin Dano) says of the L.I.E. (Long Island Expressway) as he cheats death by balancing precariously on an overpass guardrail over the L.I.E. &amp;quot;You got lanes going west. You also got lanes going straight to hell.&amp;quot; Having recently lost his mother in a car accident on the L.I.E., he sees the freeway as a metaphor for his disastrous life.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The movie L.I.E., by commercial director Michael Cuesta and co-writers Stephen Ryder, Michael Cuesta and Gerald Cuesta, is about a lot of things. It's a tragic coming of age story. It's a story about restless youth. It's about a relationship between a boy and his parents. But what you're most likely to hear is that it is about pedophilia. The movie tries hard not to sensationalize this latter subject, but it doesn't back away from it either.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;One thing is certain. Cuesta is an impressive visual stylist. He mixes intriguing long shots, as when he shoots Howie squirming uncomfortably on a wooden bench at a police station, with close-ups, as when he films Howie and his best bud, Gary Terrio (Billy Kay), chatting in silhouette next to a roaring bonfire.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Howie, Gary and a few of his friends have been robbing the upper middle class houses of their Long Island neighbors. They don't need the money really. They just like the momentary thrill of almost being caught. It provides them a drug-like rush that numbs the pain of their self-inflicted boredom.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Howie, a kid with a confused sexuality, is embarrassed to have never had sex with a girl. One telling day, he sneaks into his mom's makeup kit and puts her lipstick on his babyish lips, which house a mouth of metal braces. Thanks to Gary, who makes money by selling his body to other guys, Howie comes to know Big John Harrigan, a Vietnam vet who drives a sexy red 442 and who might have been a spy. Big John likes befriending young guys, which is certainly no crime. He also likes having sex with them, which wouldn't be illegal either, except that he is way too flexible on such matters as the age of consent. As Big John, Brian Cox, a veteran actor, would be up for Oscar consideration for his acting in this role, except there is probably zero chance of the Academy nominating an actor playing a pedophile. You can just imagine what hay an ambitious Senator could make with that nomination.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Exploring issues from sexuality to crime -- including that of Howie's father (Bruce Altman) who has his own run-in with the law over some shady business practices -- the movie is complex and engrossing. The film's only downfall is a needlessly pat ending that makes you wish that they would have made one more pass over the script before they started filming.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;L.I.E. runs 1:48. It is rated NC-17 for &amp;quot;some explicit sexual content,&amp;quot; and would be acceptable for college students.&lt;/p&gt;'
alias => 'l_i_e'
dt-publish => '9 years ago'
genre =>
__attr__id => 4
name => 'Drama'
logo => 'logo.jpg'
movie =>
__attr__id => 884
cover => 'cover.jpg'
title => 'L.I.E.'
rating => 80
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => '"You got lanes going east," 15-year-old Howie Blitzer (Paul Franklin Dano) says of the L.I.E. (Long Island Expressway) as he cheats death by balancing precariously on an overpass guardrail over the L.I.E. "You got lanes going west. You also got lanes going straight to hell." Having recently lost his mother in a car accident on the L.I.E., he sees the freeway as a metaphor for his disastrous life. The movie L.I.E., by commercial director Michael Cuesta and co-writers Stephen Ryder, Michael Cuesta and Gerald Cuesta, is about a lot of things. It's a tragic coming of age story. It's a story about restless youth. It's about a relationship ...'
teaser => 'It's a tragic coming of age story. It's a story about restless youth. It's about a relationship between a boy and his parents.'
title => 'L.I.E.'
type-id => 7
8 =>
__attr__id => 1081
__domel__body => '&lt;p&gt;K-PAX, a ONE ALIEN FLEW OVER THE CUCKOO'S NEST story, concerns a being who may or may not be human and who goes by the name of Prot. Prot is played in another wonderful performance by Kevin Spacey who gives his all to what is essentially a one-note character. Jeff Bridges plays Prot's examining psychiatrist, Dr. Mark Powell.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As in the recent HAPPY ACCIDENTS, in which the central character might be a time-traveler or just a wacko, Prot may be an alien, a crazy alien or just crazy. As the story develops, it isn't quite clear where it is headed and to what extent it will resolve the central issues it poses. Will it, like the film LIMBO, leave most of the audience frustrated with its lack of resolution, or will the answers be spelled out with some clarity? As the movie evolves, most will probably hope to learn that Prot is exactly what he claims to be, a guy from another planet who has mastered flying at seven times the speed of light.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Asked by the cops who first find him to take off his sunglasses, he tells them that he'd rather not since &amp;quot;Your planet is really bright.&amp;quot; Prot, who looks sort of like a homeless guy, has hypersensitive eyesight which allows him to see even ultraviolet light. He also has some amazing astronomical knowledge&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;&amp;quot;Let's hope extraterrestrials qualify for Medicaid,&amp;quot; Mark comments when he first gets the bizarre case. Prot is disarmingly funny. He tries to reassure the doc by telling him, &amp;quot;Don't worry. I'm not going to leap out of your chest.&amp;quot; Another time, as he munches on a banana like an elephant, eating peel and all, Prot says smiling, &amp;quot;Your produce alone is worth the worth the trip.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;K-PAX, directed clumsily by Iain Softley (HACKERS and THE WINGS OF THE DOVE), meanders when it should stay focused and has trouble making the shift from the relatively comedic first half to the more serious second. The movie's two leads, Spacey and Bridges, are quite good, but the supporting cast isn't. Mary McCormack, in particular, brings nothing to the part of Mark's wife.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Our audience broke into applause at the end so they must have really liked it. In the car afterwards, I heard various interpretations of the story, especially the ending, from my wife and son. Personally, I would have preferred a slightly different ending resolution, but the one chosen is fairly satisfying. Suffice it to say that you will have things to talk about on the drive home.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;K-PAX runs a little too long at 2:05. It is rated PG-13 for &amp;quot;a sequence of violent images, and brief language and sensuality&amp;quot; and would be acceptable for kids around 11 and up.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;My son Jeffrey, age 12, gave the film ***. He thought the plot was very, very interesting, and he liked the twists along the way. On the other hand, he disagreed vehemently with his mother, who thought it was a great film. He liked it but not near as much as she did.&lt;/p&gt;'
alias => 'k_pax'
dt-publish => '9 years ago'
genre =>
__attr__id => 11
name => 'Sci-Fi & Fantasy'
logo => 'logo.jpg'
movie =>
__attr__id => 883
cover => 'cover.jpg'
title => 'K-PAX'
rating => 80
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => 'K-PAX, a ONE ALIEN FLEW OVER THE CUCKOO'S NEST story, concerns a being who may or may not be human and who goes by the name of Prot. Prot is played in another wonderful performance by Kevin Spacey who gives his all to what is essentially a one-note character. Jeff Bridges plays Prot's examining psychiatrist, Dr. Mark Powell. As in the recent HAPPY ACCIDENTS, in which the central character might be a time-traveler or just a wacko, Prot may be an alien, a crazy alien or just crazy. As the story develops, it isn't quite clear where it is headed and to what extent it will resolve the central issues it poses. Will it, like the film LIMBO, ...'
teaser => 'Our audience broke into applause at the end so they must have really liked it.'
title => 'K-PAX'
type-id => 7
9 =>
__attr__id => 1080
__domel__body => '&lt;p&gt;It's war out there. The seventh graders control the prized high ground and are raining snowballs down on their younger classmates. Brave 11-year-old Charlie Frost (Joseph Cross) is leading an insurrection from the field of battle below. With an audacious strategy, he goes mano a mano with the biggest bully in the class and wins.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;After this promising opening, director Troy Miller's JACK FROST proceeds to go nowhere. Most of the time it wants to be a poignant story of a boy and his reincarnated father. Sometimes it thinks its mission is as a slapstick comedy. The weak script by Mark Steven Johnson and Steven Bloom succeeds at neither. Although its hero, a snowman, cries, the audience is unlikely to shed any tears, and the comedy provides no more than a few modest laughs. A project with a good idea but nothing more, the movie needs a complete rewrite.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;During the long and dull first half-hour, we are introduced to the characters. A completely wasted Michael Keaton plays Charlie's dad, Jack Frost. Jack's desire to be a famous musician makes him into an absentee father. He's the type who will promise to be at his son's important hockey game but will forget as soon as he gets involved with his work. Kelly Preston plays Charlie's mom, Gabby.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;When Jack dies, you may feel like applauding silently in hope that his transformation into three frozen balls will finally get the movie going. You will be wrong. Keaton, who is a great comedian, gets lines so lame that even he can't do much with them. The writers think the word &amp;quot;butt&amp;quot; is funny so they proceed to go for the world record for the maximum uses in a single movie. Suffice it to say that few of the uses are humorous.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;After cutting to a year later, Jack does come back as a snowman. With two branches for arms and what looks like a Halloween costume of a snowman for the torso, he comes alive. Between the scenes that attempt to manipulate our emotions, the movie becomes a buddy picture with Dad and son employing snowballs to take on the school bullies. Filled with long chase scenes on snowboards and sleds, the movie tries hard to gain some momentum but fails.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;With a schmaltzy finale, the movie finally decides to give up.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Don't be surprised if you end up thinking of the old Samuel Goldwyn quote: &amp;quot;Why should people go out and pay to see bad movies when they can stay at home and see bad television for nothing?&amp;quot; Why indeed.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;JACK FROST is rated PG for sexuality and bathroom humor and would be acceptable for kids 8 and up.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;My son Jeffrey, age 9, was bored stiff. He said he thought the film &amp;quot;stunk,&amp;quot; especially the long, first part. He thought there was nothing to the plot. A normally generous grader, he gave the movie just a single *.&lt;/p&gt;'
alias => 'jack_frost'
dt-publish => '9 years ago'
genre =>
__attr__id => 9
name => 'Kids & Family'
logo => 'logo.jpg'
movie =>
__attr__id => 882
cover => 'cover.jpg'
title => 'Jack Frost'
rating => 40
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => 'It's war out there. The seventh graders control the prized high ground and are raining snowballs down on their younger classmates. Brave 11-year-old Charlie Frost (Joseph Cross) is leading an insurrection from the field of battle below. With an audacious strategy, he goes mano a mano with the biggest bully in the class and wins. After this promising opening, director Troy Miller's JACK FROST proceeds to go nowhere. Most of the time it wants to be a poignant story of a boy and his reincarnated father. Sometimes it thinks its mission is as a slapstick comedy. The weak script by Mark Steven Johnson and Steven Bloom succeeds at neither. ...'
teaser => 'A project with a good idea but nothing more, the movie needs a complete rewrite.'
title => 'Jack Frost'
type-id => 7
rss-link => 'reviews/updates/?'
user-reviews =>
reviews =>
0 =>
__attr__id => 1113
alias => 'one_of_the_best'
body => 'one of the best. you are provide many more information'
dt-publish => '3 years ago'
object-title => 'Frida'
reviewer =>
__attr__id => 23410
avatar => 'default.jpg'
login => 'limolink'
staff-review-alias => 'frida'
title => 'one of the best'
1 =>
__attr__id => 1112
alias => 'great_review'
body => 'Great Review. Rally Great Article. Enjoyed the Read'
dt-publish => '7 years ago'
object-title => 'jonkajtys'
reviewer =>
__attr__id => 4717
avatar => 'default.jpg'
login => 'TheLodgeShop'
staff-review-alias => 'interview_with_jonkajtys'
title => 'Great Review'
2 =>
__attr__id => 1110
alias => 'the_road_'
body => 'the road . When it comes to movies that start as novel then movie Ive got a tendancy to see the ...'
dt-publish => '8 years ago'
object-title => 'The Road'
reviewer =>
__attr__id => 3364
avatar => '1baff70e2669e8376347efd3a874a341.jpg'
login => 'ThePeoplesMovies'
staff-review-alias => 'the_road'
title => 'the road '
3 =>
__attr__id => 886
alias => 'odd_in_presentation_and_pace.'
body => 'Odd in presentation and pace. While some elements of the film are done in an avant garde manner, the...'
dt-publish => '9 years ago'
object-title => 'Fritz, Francis an...'
reviewer =>
__attr__id => 1930
avatar => 'default.jpg'
login => 'cannesmann'
staff-review-alias => 'fritz_francis_and_frederick'
title => 'Odd in presentation and pace.'
4 =>
__attr__id => 630
alias => 'but_i_must_say...'
body => 'but I must say... ...The Happening? harsh! I couldn't get through 30 minutes of that movie online ...'
dt-publish => '9 years ago'
object-title => 'The Box'
reviewer =>
__attr__id => 1447
avatar => 'FriendlyMisanthrope_1256257531.jpg'
login => 'FriendlyMisanthrope'
staff-review-alias => 'the_box'
title => 'but I must say...'
rss => 'http://www.filmnet.com/rss/reviews/updates/'
schoolFiles => 'http://i.filmnet.com/school_files/'
search =>
form-action => 'reviews'
userFiles => 'http://i.filmnet.com/user_files/'
videoFiles => 'http://i.filmnet.com/video_files/'

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  59. [0.23 ms] SELECT `users`.* FROM `users` WHERE (user_id='193')
  60. [0.13 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '9')
  61. [100.49 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 193 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  62. [0.27 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '882')

File Information

146 Files Included
Total Size: 1495.1K
Basepath: /mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/../../../

Application Files

/mnt/fs.9/disk1/local/www/filmnet/application/Bootstrap.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/channels/models/Channels.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Assistant.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Filters.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/controllers/ReviewsController.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Movies.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/ReviewGenres.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Reviews.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/users/models/Users.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/videos/models/Videos.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/config.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/acl.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/routes.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AjaxCheck.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AutoLogin.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/InmailMessageCount.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Paginator/Adapter/DbSelect.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Serializer.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Xslt.php
/mnt/fs.9/disk1/local/www/filmnet/www/index.php

Zend Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Assert/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/ExtendedInterface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Memcached.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Core.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Config.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/ViewRenderer.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker/PriorityStack.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Standard.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Front.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Broker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/ErrorHandler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Rewrite.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Module.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Regex.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Mysql.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler/Query.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Select.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Pdo.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Table/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Inflector.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/PregReplace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/StringToLower.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToDash.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/Separator/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/SeparatorToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/UnderscoreToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Form.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/Autoloader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale/Data/Translation.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Priority.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Simple.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Stream.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 10258.93K

Custom Timers

Controller: 2217.83 ms

Overall Timers

reviews
reviews
index
Avg: 2899.18 ms / 1 requests
Min: 2899.18 ms
Max: 2899.18 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 62 in 1892.7 msfile 146 Filesmemory 20254K of 1024Mtime 2899.18 msregistry Registry (7)«