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Frida

Genre: Drama

Julie Taymor's FRIDA is a solidly entertaining biopic that's as easy to admire as a Grant Wood painting.

Julie Taymor's FRIDA is a solidly entertaining biopic that's as easy to admire as a Grant Wood painting, which is surprising since the movie tells the story of controversial Mexican painter Frida Kahlo. At its worst it's like a paint-by-numbers picture, but at its best...

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Review by: SteveRhodes

Added: 9 years ago

The last act of CAPTIVES is the best as the tension.

Rachel Clifford once had a husband, but now she's got a lover instead. She and her husband split up recently after she found out that he was having an affair. So she has taken up with a man named Philip Chaney, who broke up with his ex-wife after he found out that she was having an affair. This little soap opera of affairs on top of affairs is even more complicated because of Rachel and Philip's current situations. She is a part-time dentist at a male prison in Britain, where Philip is a prisoner. Soon after he comes to her with grinding-teeth syndrome, they begin to get the hots for each other. Since Philip is on a program where he can...

Read more

Review by: SteveRhodes

Added: 9 years ago

Why this film rather than so many better ones is a mystery to me, although there are those who have called BAND OF OUTSIDERS a classic.

Jean-Luc Godard's 1964 film BAND OF OUTSIDERS (BANDE А PART) tells a remarkably inconsequential story about three young adults, Odile (Anna Karina), Arthur (Claude Brasseur) and Frantz (Sami Frey), who decide to steal a stash of cash from someone's room. With a fresh print, the movie is being re-released to theaters. Why this film rather than so many better ones is a mystery to me, although there are those who have called BAND OF OUTSIDERS a classic. Godard fans, of course, will need no reason to see it other than the director's name on the marquee. So little happens in BAND OF OUTSIDERS that the small incidents become the most memorable...

Read more

Review by: SteveRhodes

Added: 9 years ago

NORTH COUNTRY is another very solid effort by director Niki Caro.

NORTH COUNTRY is another very solid effort by director Niki Caro (WHALE RIDER). Featuring an amazing performance by Charlize Theron, in a part certain to get her another Oscar nomination, the movie tells the story of a character named Josey Aimes. Based on a true story, the movie tells about one woman's struggle to fight sexual harassment, and not just her own but that of her female coworkers as well. The movie is based on a 1980s case against a mining company, which was the first successful class action case for sexual harassment. The movie offers a one-sided view, which is completely convincing with only two exceptions, which I'll get ...

Read more

Review by: SteveRhodes

Added: 9 years ago

Christopher Guest's BEST IN SHOW is a delightful change of pace.

Beatrice, lying sad and limp on her psychiatrist's couch, is emotionally devastated. After walking into her parents bedroom and witnessing, well, you know, she hasn't been the same sense. Her parents, Meg (Parker Posey) and Hamilton Swan (Michael Hitchcock), two type-A yuppie lawyers, are actually her owners -- not that they'd admit it -- since Beatrice is a dog. Of the three, Beatrice is by far the sanest. In an age in which comedies seem to come only in two flavors, mean and meaner (or crude and cruder), Christopher Guest's BEST IN SHOW is a delightful change of pace. It's a good-spirited comedy that gets laughs the old-fashioned way ...

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Review by: SteveRhodes

Added: 9 years ago

The strength of the new film GROSSE POINTE BLANK lies in its intelligent and funny script by John Cusack and Tom Jankiewicz, which they based on a story by Jankiewicz.

"What am I going to say?" wonders 28-year-old hit man Martin Blank (John Cusack.) "I killed the President of Paraguay with a fork." Going back to your tenth high school reunion is hard, particularly for those with difficult-to-explain professions. Poor Martin tries the truth on the people, but they will not take him seriously. "I'm a professional killer," he tells David, his ex-classmate and now real estate salesmen. "Do you have to do post-graduate work for that?" asks David. When Mr. Newberry, his ex-girlfriend's dad, asks "What have you been doing with yourself?" he retorts, "Uh, professional killer." Beaming, the dad compliments him...

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Review by: SteveRhodes

Added: 9 years ago

It is a delight for all ages, and miracle of miracles, it does this without any crude jokes or anything offensive.

Fantasies that the whole family can enjoy are few and far between. Studios executives generally look for kids' shows with minimum intelligence and maximum slapstick humor. The result is that these films are either major silly in an attempt to play down to the little tykes or they are full of gross bathroom humor thinking that is the only type that will keep the attention of the teens and subteens. FLY AWAY HOME proves them wrong. It is a delight for all ages, and miracle of miracles, it does this without any crude jokes or anything offensive. The story opens in New Zealand where a car crash leaves 14 year old Amy Alden (Anna Paquin) ...

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Review by: SteveRhodes

Added: 9 years ago

When you find yourself shedding a tear at the ending, it is both for the death of an individual and for a large missed opportunity.

FINDING NEVERLAND has to rank high among the disappointments of this holiday movie season. Except for a good but inconsequential performance by Johnny Depp and for the story's tearjerker ending, there is little to recommend this pedestrian melodrama about the life of J.M. "James" Barrie and the making of his famous play, "Peter Pan." Even with a fine cast (Depp, Kate Winslet, Julie Christie, Dustin Hoffman and Radha Mitchell), director Marc Forster crafts a remarkably dull production. The movie may indeed be "inspired by true events," but I suspect real-life had a lot more energy. With the possible exceptions of a few purposely hokey ...

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Review by: SteveRhodes

Added: 9 years ago

Atmospherics trump story in EYE OF THE BEHOLDER, starring Ashley Judd in a hodgepodge of silly wigs.

Atmospherics trump story in EYE OF THE BEHOLDER, starring Ashley Judd in a hodgepodge of silly wigs. Writer/director Stephan Elliott (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT), who appears to have studied at the Oliver Stone School of Theatrics, devotes all of his energy to the picture's look, leaving no time for storytelling. The resulting mess is a muddled and befuddled film that makes Judd's last picture, the critically derided DOUBLE JEOPARDY, look like a cinematic masterpiece in comparison. Pulling out all of the tired, old clichйs and trying to invent a few new ones, Elliott gives us an ant's-eye view of walking feet in one...

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Review by: SteveRhodes

Added: 9 years ago

LOST IN TRANSLATION, brilliantly written and directed by Sofia Coppola.

LOST IN TRANSLATION, brilliantly written and directed by Sofia Coppola (THE VIRGIN SUICIDES), is a precious, bittersweet, comedic drama starring Bill Murray, doing his best work in years. Giving an equally strong performance is GHOST WORLD's Scarlett Johansson. They play Bob and Charlotte, two lost and lonely souls in a strange land. Striking up an acquaintance of convenience, they bond strongly, if temporarily, and their relationship stays platonic. A less gifted writer would probably have felt the need to sex up the story. Instead, Coppola crafts a compelling tale, filled with understated moments of insightfulness and humor. You'll think...

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Review by: SteveRhodes

Added: 9 years ago

Kids

Genre: Drama

KIDS is a film by first time director Larry Clark about a group of kids from about 10 to 15 years in age.

KIDS is a film by first time director Larry Clark about a group of kids from about 10 to 15 years in age. They are a culturally diverse group of boys and girls who share a common trait, they represent a good parent's worst nightmare and they have zero moral values. Let me warn you upfront that as a parent, watching this show was about as enjoyable as having boiling oil poured over my body. Non-parents may be able to view the movie more dispassionately and give it higher marks. On the other hand, the people who should probably see KIDS are parents, especially poor to mediocre ones. Having thus been forewarned, let me continue with the ...

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Review by: SteveRhodes

Added: 9 years ago

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Frida

3 years ago

By: limolink

one of the best. you are provide many more information

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jonkajtys

7 years ago

By: TheLodgeShop

Great Review. Rally Great Article. Enjoyed the Read

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The Road

8 years ago

By: ThePeoplesMovies

the road . When it comes to movies that start as novel then movie Ive got a tendancy to see the ...

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By: cannesmann

Odd in presentation and pace. While some elements of the film are done in an avant garde manner, the...

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The Box

9 years ago

By: FriendlyMisanthrope

but I must say... ...The Happening? harsh! I couldn't get through 30 minutes of that movie online ...

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__domel__body => '&lt;p&gt; Rachel Clifford once had a husband, but now she's got a lover instead. She and her husband split up recently after she found out that he was having an affair. So she has taken up with a man named Philip Chaney, who broke up with his ex-wife after he found out that she was having an affair.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;This little soap opera of affairs on top of affairs is even more complicated because of Rachel and Philip's current situations. She is a part-time dentist at a male prison in Britain, where Philip is a prisoner. Soon after he comes to her with grinding-teeth syndrome, they begin to get the hots for each other. Since Philip is on a program where he can leave the prison one day a week to go to college, there are more opportunities than just the dental chair to become intimate with each other. (They manage clandestinely to fondle each other so much in the chair that viewers may come to think of the dental office in an entirely different way.)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Julie Ormond plays Rachel, and Tim Roth is Philip in the 1994 movie CAPTIVES. Ormond has gotten few good roles to display her talents other than SABRINA. Roth, on the other hand, plays basically the same evil character, and quite well, in most of his films (HOODLUM, PULP FICTION, ROB ROY), but the best is his self-parody role in the Woody Allen musical EVERYONE SAYS I LOVE YOU.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As Rachel and Philip begin an improbable romance, and she literally lets her hair down when she comes through the visitor's rather than the staff entrance to see him one visiting day.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Their trysting spot is a women's restroom at a bus stop, where they engage in passionate and intense, but not particularly graphic, sex. Soon Rachel doesn't just like Philip, she is sending him erotic tapes to listen to in the comfort of his prison cell.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Given his long lack of female companionship, the fact that Philip falls for someone as beautiful as Rachel is completely believable, but that she would fall for the crude looking and acting Philip is pretty hard to buy. Badly miscast, Roth is convincing as a prisoner but not as an irresistible lover.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In the film's least believable aspect, she's willing to risk her job and his upcoming release to have sex with him in public places, but she doesn't feel that she knows him well enough to be able to ask him why he was sent to prison in the first place. Sure. It's halfway through the story before she finally gets up the courage to find out what he did, and by then you can probably guess his crime.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Another hard to fathom part is the way Rachel leaves all of the sharp instruments of her trade in plain view so that the prisoners could easily steal them.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Not nearly creepy enough and only sporadically romantic, the film drifts along in fits and spurts. CAPTIVES's director Angela Pope is much better in her subsequent film, the devastating HOLLOW REED.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The last act of CAPTIVES is the best as the tension finally ratchets up when Rachel begins to experience some of the dangers involvement with the criminal element of society.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;CAPTIVES runs 1:40. It is rated R for a strong sex scene, profanity and violence and would be fine for older and mature teenagers.&lt;/p&gt;'
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short-body => ' Rachel Clifford once had a husband, but now she's got a lover instead. She and her husband split up recently after she found out that he was having an affair. So she has taken up with a man named Philip Chaney, who broke up with his ex-wife after he found out that she was having an affair. This little soap opera of affairs on top of affairs is even more complicated because of Rachel and Philip's current situations. She is a part-time dentist at a male prison in Britain, where Philip is a prisoner. Soon after he comes to her with grinding-teeth syndrome, they begin to get the hots for each other. Since Philip is on a program where he can...'
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__domel__body => '&lt;p&gt;Jean-Luc Godard's 1964 film BAND OF OUTSIDERS (BANDE А PART) tells a remarkably inconsequential story about three young adults, Odile (Anna Karina), Arthur (Claude Brasseur) and Frantz (Sami Frey), who decide to steal a stash of cash from someone's room. With a fresh print, the movie is being re-released to theaters. Why this film rather than so many better ones is a mystery to me, although there are those who have called BAND OF OUTSIDERS a classic. Godard fans, of course, will need no reason to see it other than the director's name on the marquee.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;So little happens in BAND OF OUTSIDERS that the small incidents become the most memorable parts of the story. In a noisy French cafe -- are there any others? -- one of the would-be robbers remarks, &amp;quot;If there's nothing to say, let's have a minute of silence.&amp;quot; Shortly thereafter, all sound of any kind is eliminated, which produces an eerie sixty seconds of quiet in the theater. Later in the cafe, the three of them start doing an amateurish tap dance routine. Both of these actions are at least completely unexpected.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Perhaps the best scene occurs when they are traveling on the Paris Metro. Observing a sad looking guy clutching a package, they dream up a story behind the visual. He could, for example, be bringing a teddy bear to a sick girl, or he might be taking TNT to blow up the city. Depending on the story, our feelings for this minor character differ dramatically.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Most of the movie is like a death which occurs at the end. After taking a half-dozen shots at close range, the victim sweeps around and around like the exaggerated gestures of a ballet dancer feigning death. This scene, like most of the rest of the movie, leaves one more bemused than amused.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;BAND OF OUTSIDERS runs 1:37. The film is in black and white and is in French with English subtitles. It is not rated but might be PG for thematic elements and cartoonish violence and would be acceptable for kids around 7 and up. Kids, however, will likely be quite bored.&lt;/p&gt;'
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short-body => 'Jean-Luc Godard's 1964 film BAND OF OUTSIDERS (BANDE А PART) tells a remarkably inconsequential story about three young adults, Odile (Anna Karina), Arthur (Claude Brasseur) and Frantz (Sami Frey), who decide to steal a stash of cash from someone's room. With a fresh print, the movie is being re-released to theaters. Why this film rather than so many better ones is a mystery to me, although there are those who have called BAND OF OUTSIDERS a classic. Godard fans, of course, will need no reason to see it other than the director's name on the marquee. So little happens in BAND OF OUTSIDERS that the small incidents become the most memorable...'
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__domel__body => '&lt;p&gt;NORTH COUNTRY is another very solid effort by director Niki Caro (WHALE RIDER). Featuring an amazing performance by Charlize Theron, in a part certain to get her another Oscar nomination, the movie tells the story of a character named Josey Aimes. Based on a true story, the movie tells about one woman's struggle to fight sexual harassment, and not just her own but that of her female coworkers as well. The movie is based on a 1980s case against a mining company, which was the first successful class action case for sexual harassment.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The movie offers a one-sided view, which is completely convincing with only two exceptions, which I'll get to in a minute. Josey and her female coworkers are very much resented by their &amp;quot;fellow&amp;quot; union members. The resentment is so intense that the guys will stop at nothing in their dealings with their new female coworkers. Writing filthy words in excrement on the &amp;quot;ladies&amp;quot; locker room walls is one of the milder acts of degradation that the women have to endure. Being groped, raped and choked are some of the more intense forms of abuse they have to put up with if they want to keep their jobs. Since they can make several times the salary of other local jobs, these women put up with more than they might otherwise. Complainers are physically threatened and told to quit.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Josey, as we learn in her back story, has a long history of trouble, which started when she was raped and impregnated by her teacher when she was only sixteen. Since then she has gone through a string of men, some abusive, as she tries to keep her little family together in the very blue collar, company town where they live. Her young teenage son, Sammy (Thomas Curtis), hates his mom and seems like he is probably on his way to a drinking problem. His little sister is still too young to realize all of the trouble her mother is experiencing.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The movie, which frequently borders on being a really good soap opera, has two drawbacks. First, the men in the mine are all too completely despicable. Having a few guys with a moral compass among the oafs would have added to the story's credibility. Second, the movie keeps feeling the need to highlight the Clarence Thomas Supreme Court hearings. This is problematic, since the movie does an excellent job of convincing us that Josey is 100% right and her employer is 100% wrong. Why does screenwriter Michael Seitzman (HERE ON EARTH) want to keep linking Josey's story with one in which about half of the United States thinks that Anita Hill was lying in order to bring a distinguished man down? Is Seitzman trying to introduce doubt into Josey's rock-solid case?&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;A pleasant surprise in the casting is that of Woody Harrelson as a bumbling lawyer named Bill White, who is either very lucky or secretly savvy in his legal approach. Harrelson, who frequently derails movies, adds to this one nicely by providing some much needed comedic relief in a serious story.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The ending is both predicable and satisfying. Expect many audiences to cheer.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;NORTH COUNTRY runs 2:10. It is rated R for &amp;quot;sequences involving sexual harassment including violence and dialogue, and for language&amp;quot; and would be acceptable for older teenagers.&lt;/p&gt;'
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short-body => 'NORTH COUNTRY is another very solid effort by director Niki Caro (WHALE RIDER). Featuring an amazing performance by Charlize Theron, in a part certain to get her another Oscar nomination, the movie tells the story of a character named Josey Aimes. Based on a true story, the movie tells about one woman's struggle to fight sexual harassment, and not just her own but that of her female coworkers as well. The movie is based on a 1980s case against a mining company, which was the first successful class action case for sexual harassment. The movie offers a one-sided view, which is completely convincing with only two exceptions, which I'll get ...'
teaser => 'NORTH COUNTRY is another very solid effort by director Niki Caro.'
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__domel__body => '&lt;p&gt;Beatrice, lying sad and limp on her psychiatrist's couch, is emotionally devastated. After walking into her parents bedroom and witnessing, well, you know, she hasn't been the same sense. Her parents, Meg (Parker Posey) and Hamilton Swan (Michael Hitchcock), two type-A yuppie lawyers, are actually her owners -- not that they'd admit it -- since Beatrice is a dog. Of the three, Beatrice is by far the sanest.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In an age in which comedies seem to come only in two flavors, mean and meaner (or crude and cruder), Christopher Guest's BEST IN SHOW is a delightful change of pace. It's a good-spirited comedy that gets laughs the old-fashioned way with sweetness and charm. Guest, whose specialty is mockumentaries, acted in THIS IS SPINAL TAP and acted in, directed and co-wrote WAITING FOR GUFFMAN, which he does again for BEST IN SHOW.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;This fake documentary about the world of competitive dog shows is, of course, not really about the dogs but about their owners. With a terrific ensemble cast, many of whom appeared in WAITING FOR GUFFMAN, the story moves from one hilarious episode to another. Although Christopher Guest and Eugene Levy are credited as the writers, the press notes say that most of the lines were purposely improvised, which adds to the mock authenticity.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Guest plays Harlan Pepper, a good olde boy from Pinenut, North Carolina, whose obsession with nut-naming used to drive his mother, well, nuts. His dog, Hubert, is a Bloodhound who bears a resemblance to his owner. Or is it the other way round? Actually this is a trait common to most of the dogs and their owners in BEST IN SHOW.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Beatrice, a tall, thin Weimaraner, looks like her tall, lanky owners except that she doesn't have matching braces like they do. Meg and Hamilton are clothes horses and catalog fanatics, whose favorite game is to take the latest L.L. Bean catalog and try to name all of the new items in less than five minutes. As Meg puts it gushingly, &amp;quot;We are so lucky to have been raised among catalogs!&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;No one can play the hyperactive bitch role with more charm and grace than Posey, who may be best known for her role as Tom Hank's live-in girlfriend in YOU'VE GOT MAIL. Her best performance, however, was probably her office rebel in CLOCKWATCHERS, a great black satire on cubicle life.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;A wealthy, non-talking octogenarian named Leslie Ward Cabot (Patrick Cranshaw) and his cheesy, younger wife, Sherri Ann (Jennifer Coolidge), are proud owners of the two-time Best in Show champion, Rhapsody in White, a Standard Poodle with an outlandish haircut. Sherri Ann, with her bee-stung lips and jumbo-sized breasts, brags about all of things that she and her husband have to talk and to not talk about.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In order to ensure that they'll win the crown again, Sherri has hired professional handler Christy Cummings (Jane Lynch). Christy tells us about her family. Her father was the disciplinarian, whereas her mother's role was to give &amp;quot;unconditional love,&amp;quot; which she did until she committed suicide in 1981.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The beauty of the casting is the way that the actors don't seem like actors at all but just ordinary folks. And the most ordinary of the lot is the movie's co-writer Eugene Levy, who plays Gerry Fleck, a gregarious bad-dresser. Gerry, ironically, makes his living as a menswear salesman. He was nicknamed &amp;quot;looper&amp;quot; in school for his tendency to walk in loops since he literally has two left feet.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Gerry and his wife, Cookie (Catherine O'Hara), have a Norwich Terrier. Every guy Cookie runs into seems to have had a liaison with her at some time. (&amp;quot;I banged a lot of waitresses in my day, but you were the best,&amp;quot; a man tells her in front of her embarrassed husband at a cocktail party. She smiles, slightly bemused, and the guy walks away.)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;When everyone finally gets to the big show, the commentary is provided by a smooth talking Brit, Trevor Beckwith (Jim Piddock), and his obnoxious sidekick, Buck Laughlin (Fred Willard). With everything from sports analogies to proctology analogies, Buck successfully drives his companion and the audience crazy. At our press screening, one of the critics got so into it that he yelled, &amp;quot;Oh shut-up!&amp;quot; to Buck. BEST IN SHOW is the kind of movie that has you forgetting that it is a movie.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;I don't want to give too much away, but the winner of the big show is a real dog. After the canine equivalent of the big game ending, the movie has an extended epilogue that is perhaps the best part of the picture. But with a film this funny, it is hard to pick favorites.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;BEST IN SHOW runs a fast 1:30. It is rated PG-13 for language and sex-related material and would be fine for kids around 11 and up.&lt;/p&gt;'
alias => 'best_in_show'
dt-publish => '9 years ago'
genre =>
__attr__id => 2
name => 'Comedy'
logo => 'logo.jpg'
movie =>
__attr__id => 868
cover => 'cover.jpg'
title => 'Best in Show'
rating => 80
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
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short-body => 'Beatrice, lying sad and limp on her psychiatrist's couch, is emotionally devastated. After walking into her parents bedroom and witnessing, well, you know, she hasn't been the same sense. Her parents, Meg (Parker Posey) and Hamilton Swan (Michael Hitchcock), two type-A yuppie lawyers, are actually her owners -- not that they'd admit it -- since Beatrice is a dog. Of the three, Beatrice is by far the sanest. In an age in which comedies seem to come only in two flavors, mean and meaner (or crude and cruder), Christopher Guest's BEST IN SHOW is a delightful change of pace. It's a good-spirited comedy that gets laughs the old-fashioned way ...'
teaser => 'Christopher Guest's BEST IN SHOW is a delightful change of pace.'
title => 'Best in Show'
type-id => 7
4 =>
__attr__id => 1065
__domel__body => '&lt;p&gt; &amp;quot;What am I going to say?&amp;quot; wonders 28-year-old hit man Martin Blank (John Cusack.) &amp;quot;I killed the President of Paraguay with a fork.&amp;quot; Going back to your tenth high school reunion is hard, particularly for those with difficult-to-explain professions.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Poor Martin tries the truth on the people, but they will not take him seriously. &amp;quot;I'm a professional killer,&amp;quot; he tells David, his ex-classmate and now real estate salesmen. &amp;quot;Do you have to do post-graduate work for that?&amp;quot; asks David. When Mr. Newberry, his ex-girlfriend's dad, asks &amp;quot;What have you been doing with yourself?&amp;quot; he retorts, &amp;quot;Uh, professional killer.&amp;quot; Beaming, the dad compliments him, &amp;quot;Good for you -- growth industry.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;After a while Martin gives up and starts inventing occupations. When a soused ex-classmate named Amy (his sister Ann Cusack) asks him the canonical, &amp;quot;What do you do?&amp;quot;, he flippantly tells her, &amp;quot;I work at Kentucky Fried Chicken. I sell biscuits all over the Southlands.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As you can see, the strength of the new film GROSSE POINTE BLANK lies in its intelligent and funny script by John Cusack and Tom Jankiewicz, which they based on a story by Jankiewicz. Equally good is the casting, the acting, and the directing. Director George Armitage, who last did the excellent, but underappreciated, MIAMI BLUES, brings a perfect sense of comedic timing and an ability to orchestrate action sequences perfectly to blend in with the humor. The ending montage, for example, is pure spaghetti Western, but Armitage's approach is fresh and funny. Although the film has a surfeit of cartoonish violence, it remains good spirited and charming throughout.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;John Cusack sets the comedic pace for the film by approaching his position of hired gun with total sincerity. Complementing him is his secretary Marcella, played by his sister Joan Cusack. Marcella, who stays on the phone in most of her scenes, alternates between ordering major weapons caches and giving culinary advice. She is the one who encourages Martin to go to his reunion although she warns him that everyone looked &amp;quot;swelled&amp;quot; at hers.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;A great subplot has a rival killer named Grocer (Dan Aykroyd) trying to get Martin to join an assassins' union, which Martin rejects because he hates meetings. (Don't we all.) The casting of Aykroyd as a paid killer is so unlikely that it ends up being a perfect choice.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In a scene that starts off like the bar scene in STAR WARS, the rival murderers go with hidden guns into a coffee shop. &amp;quot;Whoa Chatty Cathy!&amp;quot; Grocer tells Martin as Martin starts to talk. &amp;quot;Clip your string.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The scene quickly changes to a homage to the classic scene from FIVE EASY PIECES. &amp;quot;What do you want in your omelet?&amp;quot; the incessantly perky waitress demands. &amp;quot;Nothing,&amp;quot; replies a tense Martin. &amp;quot;Well, that's not technically an omelet,&amp;quot; corrects the waitress.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The film bursts at the seams with great minor characters, including the security guard with not much upstairs who scares the people he is hired to protect and the drunk car dealer who sounds like mister tough guy but is actually a poetry-reciting Pillsbury Dough Boy look-alike. The oddest choice is Alan Arkin as a doctor named Oatman who is Martin's reluctant therapist. (&amp;quot;Don't kill anybody for a few days,&amp;quot; advises the doctor. &amp;quot;See what it feels like.&amp;quot; Martin assures him, &amp;quot;I'll give it a shot.&amp;quot; But the doctor corrects him, &amp;quot;No, don't shoot anybody.&amp;quot;)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;I have left out one of my favorite actresses, Minnie Driver, who plays Debi Newberry, the high school flame whom Martin stood up ten years ago for the prom. They rekindle their romance in the film, and it almost works, but gets lost in the direction. Armitage can not decide if he wants to go for the romantic angle or the comedic with the result that neither is fully satisfying. He should have approached it with complete earnestness as he did the whole assassin part.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;There is only one part of the story where our hero Martin is frightened, the reunion. The people at it are so weird that he becomes the sanest person there. As someone who has been to all of my high school reunions, I can vouch for the fact that some strange people do show up. One of my favorite films, SOMETHING WILD, also deals with the high school reunion venue. (At the Grosse Pointe reunion, one could quibble with hairdos from 60s and 70s being on women who went to high school in the mid-80s, but in the context of a reunion spoof it was funny.)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;A film with several big laughs, but my best time was with all of the inventive, smaller snippets of dialog. An unapologetically funny film that was happy to have no message other than laughter and no intention other than making a well deserved profit -- just like Martin. (&amp;quot;You're a psychopath,&amp;quot; said Debi. &amp;quot;No, psychopaths do it for no reason,&amp;quot; said Martin. &amp;quot;I do it for money.&amp;quot;)&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;GROSSE POINTE BLANK runs 1:46. It is rated R for cartoonish violence, one gory scene, a drug usage scene, and some profanity. Teenagers and adults alike will love the show, and the film should be fine for any kid over twelve. I recommend this fast paced and good spirited comedy to you and give it ***.&lt;/p&gt;'
alias => 'grosse_pointe_blank'
dt-publish => '9 years ago'
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name => 'Comedy'
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movie =>
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title => 'Grosse Pointe Blank'
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reviewer =>
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avatar => 'default.jpg'
login => 'SteveRhodes'
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user-dir => 'user_files/'
short-body => ' "What am I going to say?" wonders 28-year-old hit man Martin Blank (John Cusack.) "I killed the President of Paraguay with a fork." Going back to your tenth high school reunion is hard, particularly for those with difficult-to-explain professions. Poor Martin tries the truth on the people, but they will not take him seriously. "I'm a professional killer," he tells David, his ex-classmate and now real estate salesmen. "Do you have to do post-graduate work for that?" asks David. When Mr. Newberry, his ex-girlfriend's dad, asks "What have you been doing with yourself?" he retorts, "Uh, professional killer." Beaming, the dad compliments him...'
teaser => 'The strength of the new film GROSSE POINTE BLANK lies in its intelligent and funny script by John Cusack and Tom Jankiewicz, which they based on a story by Jankiewicz.'
title => 'Grosse Pointe Blank'
type-id => 7
5 =>
__attr__id => 1064
__domel__body => '&lt;p&gt; Fantasies that the whole family can enjoy are few and far between. Studios executives generally look for kids' shows with minimum intelligence and maximum slapstick humor. The result is that these films are either major silly in an attempt to play down to the little tykes or they are full of gross bathroom humor thinking that is the only type that will keep the attention of the teens and subteens. FLY AWAY HOME proves them wrong. It is a delight for all ages, and miracle of miracles, it does this without any crude jokes or anything offensive.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The story opens in New Zealand where a car crash leaves 14 year old Amy Alden (Anna Paquin) without a mother. She goes to live in Ontario, Canada with her Dad, Thomas (Jeff Daniels). He is an inventor and sculptor whose chief passion is building and flying ultralight planes and gliders. Amy has not seen him in ages. He rationalizes that New Zealand is far away, to which she grumbles, &amp;quot;That's a lame excuse.&amp;quot; So far the show is nothing more than your formulaic despondent adolescent flick.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The fantasy kicks in when loggers come and cut down the trees nearby where Canadian geese are nesting. Amy finds about 15 eggs left by the scared mother geese. She takes them to her room and creates an incubator out of nothing more than a blanket, a chest, and a portable light. One of the attractions of the show for parents is it provides good role models for their children. Amy is inventive, dedicated, and compassionate. In a perfect metaphor, Amy comes out of her shell when the cute little geese come out of theirs, and she discovers that her dad is a great resource and her biggest supporter.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Jeff Daniels is one of my favorite lessor known actors. From his recent 2 DAYS IN THE VALLEY to his best performance ever in GETTYSBURG, he adds something special to the roles he plays. Here his relentless approach is both exhausting and inspiring to watch.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Anna Paquin (THE PIANO and JANE EYRE), who is a dead ringer for a Welsh girl named Lizzie that Jeffrey met on vacation this summer in Denmark, is charm personified. Her every motion is graceful, and when she is one with the geese, it becomes hard not to cry for reasons having to do with nothing more than the love of life that she radiates.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Also visiting and sometime living in Tom's house is his girlfriend Susan Barnes (Dana Delany) and his sort of daffy brother David (Terry Kinney). On meeting Amy, David greets her with, &amp;quot;You must be Amy. I gave you Silly Putty once for Christmas. You ate it.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Besides the fantasy aspect there are two compelling reasons to see the show. One is the inventiveness previously mentioned, but the most enchanting is the rapport between Amy and her geese. She becomes their mother, and a better mother or more loyal children could not be imagined.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The tension in the story is that the geese must migrate in two months or they will die, and without adult geese to show them the way, they will not know how to get there or ever get back. Soon a plan is hatched whereby they built an ultralight plane that can fly at the slow speed of the geese and can direct them to a preserve in North Carolina. Amy ends up flying the plane. The show then is about the geese growing up while Amy prepares for and then flies the big flight.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;You will soon lose count of the many precious scenes in the picture, but let me cover a few lovely ones that brought me joy and mirth. When they are young, Amy has the geese on a cloth on the kitchen table where they demonstrate their lack of litter box training. Tom shakes his head about what he has gotten himself into.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The scenes of the geese waddling behind Amy had the entire audience smiling and was mentioned as a favorite by the kids that accompanied us to the picture. The most breathtaking scene and the one most likely to engender tears was the sheer majesty of the scene where Amy's minions follow her on her first big flight.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The cinematography by Caleb Deschanel (THE NATURAL, THE RIGHT STUFF, and THE BLACK STALLION) is the key underpinning to the film's success. He has a genius for knowing just how to form a visual. When filming the egg breaking he alternates between sharp close-up work on the eggs to a wide-angle look at Amy's face as it glows in awe of the new, little life forms. In FLY AWAY HOME he uses a lot of shadow work to accentuate the warm browns and earth tones of his color palette. His aerial shots are certainly the most spectacular. That crazy little plane with the geese flying behind filmed against the clouds and the sunset is a marvelous sight to behold.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The villain is provided effectively by the local wildlife agent. Since the geese are the &amp;quot;property of the crown,&amp;quot; he tries to clip their wings. In this show, his fingernail clippers were as effective as the weapon in THE TEXAS CHAINSAW MASSACRE. Amy steps in and saves her geese, but the villain will return.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Taken as a fantasy, the film makes perfect sense. Don't ruin it for yourself by over analyzing it. When they finish the plane that will make the journey, Uncle Dave says, &amp;quot;With this baby you could fly over the Empire State Building.&amp;quot; Less confident Tom concludes, &amp;quot;or end up as a big pound of ground round. One of the two.&amp;quot; This was my son's favorite line. Only Susan is concerned with reality so she warns Tom, &amp;quot;Broken promises are the worst. Better not to promise anything.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Director Carroll Ballard (THE BLACK STALLION and NEVER CRY WOLF) has an imaginative and deft touch. Why Ballard has only made five films in seventeen years is a mystery to me. The fine script was written by Robert Rodat and Vince McKewin, and is based on the autobiography by Bill Lishman.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;I do have two quibbles with the movie. First, why do we have the scene where the Uncle gives Amy a nose ring which she then wears for the rest of the picture. This would get her kicked out of school in most school districts, and she is the only person in the film with such body jewelry. If this was a film about generation Xers, I would understand, but this little fourteen year old is the epitome of sweetness and innocence. The nose ring is just out of character.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Second, why did we need the cliched subplot where the environmentalists are shown confronting evil capitalists, or is that an oxymoron in movies, who are raping nature. Rather than just have her racing to get the geese to the preserve before winter, we have her getting there before a developer bulldozes down the land to build houses. We have a guy putting his body in front of the bulldozer while waiting for Amy's plane to arrive. Kids' movies uniformly show environment issues as totally one sided. That these kids live in houses made of lumber, drive cars powered by gasoline, and generally do lots of things where environmental tradeoffs are made every day is never discussed. Just mention the word environment and you have trumped any possible argument.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;FLY AWAY HOME runs 1:47. It is rated PG for three mild cuss words and a very subtlety handled car crash. There is no sex, nudity, or violence. The film would be fine for kids of absolutely any age, but should delight adults as well. We took Jeffrey (age 7) and his neighborhood friends Jessica (age 7) and George (age 5) to see the picture. They all loved it with Jeffrey giving it six thumbs up. Never were they scared, and they were entranced with it from beginning to end. I loved the show and think you will too so I recommend it and give it ***.&lt;/p&gt;'
alias => 'fly_away_home'
dt-publish => '9 years ago'
genre =>
__attr__id => 9
name => 'Kids & Family'
logo => 'logo.jpg'
movie =>
__attr__id => 866
cover => 'cover.jpg'
title => 'Fly Away Home'
rating => 80
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => ' Fantasies that the whole family can enjoy are few and far between. Studios executives generally look for kids' shows with minimum intelligence and maximum slapstick humor. The result is that these films are either major silly in an attempt to play down to the little tykes or they are full of gross bathroom humor thinking that is the only type that will keep the attention of the teens and subteens. FLY AWAY HOME proves them wrong. It is a delight for all ages, and miracle of miracles, it does this without any crude jokes or anything offensive. The story opens in New Zealand where a car crash leaves 14 year old Amy Alden (Anna Paquin) ...'
teaser => 'It is a delight for all ages, and miracle of miracles, it does this without any crude jokes or anything offensive.'
title => 'Fly Away Home'
type-id => 7
6 =>
__attr__id => 1063
__domel__body => '&lt;p&gt;FINDING NEVERLAND has to rank high among the disappointments of this holiday movie season. Except for a good but inconsequential performance by Johnny Depp and for the story's tearjerker ending, there is little to recommend this pedestrian melodrama about the life of J.M. &amp;quot;James&amp;quot; Barrie and the making of his famous play, &amp;quot;Peter Pan.&amp;quot;&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Even with a fine cast (Depp, Kate Winslet, Julie Christie, Dustin Hoffman and Radha Mitchell), director Marc Forster crafts a remarkably dull production. The movie may indeed be &amp;quot;inspired by true events,&amp;quot; but I suspect real-life had a lot more energy. With the possible exceptions of a few purposely hokey fantasy sequences, the movie is as uninspired and lifeless as &amp;quot;Peter Pan&amp;quot; is inspired and imaginative.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;When we meet James (Depp), he is a wealthy and famous playwright coming off of a big flop. Charles Frohman (Hoffman), his financial backer, and Mary (Mitchell), James's wife, aren't especially concerned.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;James finds his inspiration for his next play in the four boys of Sylvia Llewelyn Davies (Kate Winslet), a widow he meets in a London park. Her husband has recently died, and, with her horrendous cough, it's pretty obvious they she'll soon be joining him in the grave. James effectively adopts them all, which causes a not especially surprising strain in his marriage to Mary.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Only in the brief and cheesy sequences from the first production of &amp;quot;Peter Pan&amp;quot; does the movie show much sparkle. When you find yourself shedding a tear at the ending, it is both for the death of an individual and for a large missed opportunity.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;FINDING NEVERLAND runs 1:41. It is rated PG for &amp;quot;mild thematic elements and brief language&amp;quot; and would be acceptable for all ages, although most kids will be bored stiff by it.&lt;/p&gt;'
alias => 'finding_neverland_by_steve_rhodes'
dt-publish => '9 years ago'
genre =>
__attr__id => 4
name => 'Drama'
logo => 'logo.jpg'
movie =>
__attr__id => 335
cover => 'cover.jpg'
title => 'Finding Neverland'
rating => 60
reviewer =>
__attr__id => 193
avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => 'FINDING NEVERLAND has to rank high among the disappointments of this holiday movie season. Except for a good but inconsequential performance by Johnny Depp and for the story's tearjerker ending, there is little to recommend this pedestrian melodrama about the life of J.M. "James" Barrie and the making of his famous play, "Peter Pan." Even with a fine cast (Depp, Kate Winslet, Julie Christie, Dustin Hoffman and Radha Mitchell), director Marc Forster crafts a remarkably dull production. The movie may indeed be "inspired by true events," but I suspect real-life had a lot more energy. With the possible exceptions of a few purposely hokey ...'
teaser => 'When you find yourself shedding a tear at the ending, it is both for the death of an individual and for a large missed opportunity.'
title => 'Finding Neverland'
type-id => 7
7 =>
__attr__id => 1062
__domel__body => '&lt;p&gt;Atmospherics trump story in EYE OF THE BEHOLDER, starring Ashley Judd in a hodgepodge of silly wigs. Writer/director Stephan Elliott (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT), who appears to have studied at the Oliver Stone School of Theatrics, devotes all of his energy to the picture's look, leaving no time for storytelling. The resulting mess is a muddled and befuddled film that makes Judd's last picture, the critically derided DOUBLE JEOPARDY, look like a cinematic masterpiece in comparison.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Pulling out all of the tired, old clichйs and trying to invent a few new ones, Elliott gives us an ant's-eye view of walking feet in one scene and lots of flashing lightning in another. His staging choices never consider issues of plausibility. Would-be undercover cops keep going in tandem to a crowded diner but never remove their sunglasses indoors. And big plate glass windows attract naked fornicators like flies to honey.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As the boyish snoop known as The Eye, Ewan McGregor (THE PHANTOM MENACE) gives a dense and impenetrable performance. Actually none of the cast manage anything approaching a decent performance. Given Elliott's bizarre direction, maybe the actors shouldn't be criticized too harshly. Still, if you are one of their fans, you'll be grimacing a lot.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Joanna (Judd) is a serial killer. The Eye, who works for a secretive -- is there any other? -- government agency, is trailing her using a variety of technical gadgets. His weapon of choice is a rifle with a hunting scope and a super-sensitive listening device. It also fires bullets when necessary. The Eye is accompanied by his missing daughter, who may or may not be dead. They have long conversations, not that you'll care.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The illogical and choppy script reminds one of a story told by a rambling first-grade student. Sometimes The Eye seems to be trying to stop Joanna, sometimes he seems to be falling in love with her and at other times he acts likes a compulsive voyeur who just can't stop staring.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Some movies are frustrating because you can't figure out where they are heading. EYE OF THE BEHOLDER is even more infuriating because you realize that, not only do you have no idea where it's going, you don't even care.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Are there any interesting parts to this putative thriller? I counted two. Once, when I closed my eyes, which I should have done more often, I realized how nice the music was when the ridiculousness of the visuals didn't intrude. The other, a bit of eye candy, occurs during a bath scene at a hotel. As Joanna lies naked in a bubble bath, The Eye fondles the smooth tile on the other side of the wall in his room. For Judd's many adoring male fans, the scene provides an apt metaphor for their perpetually unrequited love.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;EYE OF THE BEHOLDER runs 1:47. It is rated R for some strong violence, sexuality, language and brief drug content. The picture would be acceptable only for older teenagers.&lt;/p&gt;'
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dt-publish => '9 years ago'
genre =>
__attr__id => 13
name => 'Mystery & Suspense'
logo => 'logo.jpg'
movie =>
__attr__id => 865
cover => 'cover.jpg'
title => 'Eye of the Beholder'
rating => 40
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login => 'SteveRhodes'
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short-body => 'Atmospherics trump story in EYE OF THE BEHOLDER, starring Ashley Judd in a hodgepodge of silly wigs. Writer/director Stephan Elliott (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT), who appears to have studied at the Oliver Stone School of Theatrics, devotes all of his energy to the picture's look, leaving no time for storytelling. The resulting mess is a muddled and befuddled film that makes Judd's last picture, the critically derided DOUBLE JEOPARDY, look like a cinematic masterpiece in comparison. Pulling out all of the tired, old clichйs and trying to invent a few new ones, Elliott gives us an ant's-eye view of walking feet in one...'
teaser => 'Atmospherics trump story in EYE OF THE BEHOLDER, starring Ashley Judd in a hodgepodge of silly wigs.'
title => 'Eye of the Beholder'
type-id => 7
8 =>
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__domel__body => '&lt;p&gt;LOST IN TRANSLATION, brilliantly written and directed by Sofia Coppola (THE VIRGIN SUICIDES), is a precious, bittersweet, comedic drama starring Bill Murray, doing his best work in years. Giving an equally strong performance is GHOST WORLD's Scarlett Johansson. They play Bob and Charlotte, two lost and lonely souls in a strange land. Striking up an acquaintance of convenience, they bond strongly, if temporarily, and their relationship stays platonic. A less gifted writer would probably have felt the need to sex up the story. Instead, Coppola crafts a compelling tale, filled with understated moments of insightfulness and humor. You'll think. You'll laugh. You'll be marvelously entertained. And you'll be touched.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;As the film opens, Bob Harris (Murray), a washed-up movie star from the 70s, has just arrived in Japan to do a series of whiskey commercials. For a few days of work, he'll earn two million dollars. Wiping his bleary eyes on the way from the airport, he sees his own picture in an ad amongst the bright neon glitter of central Tokyo at night.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;It's in the small, quiet moments that the movie soars. Perfectly capturing a traveler's inability to sleep, the movie has Bob tossing and turning in his hotel bed. As he tries his best to shut out the world around him and fall asleep, the fax in his room starts noisily banging out something for him to review. It's a sketch of a bookshelf from his wife who wants his thoughts on some trivial part of a remodeling project with which she is keeping herself busy.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Although the Japanese are extremely friendly to him, the next day doesn't go much better. The director of his commercial (played with gusto by Yutaka Tadokoro) keeps shouting long instructions to him in Japanese, which the smiling translator infuriatingly boils down to a few words of English. Eschewing all use of subtitles, Coppola forces us to feel just as lost as Bob. And even when the Japanese do speak to him in English (&amp;quot;Do you know the Lat Pack?&amp;quot;), he is sometimes just as confused as when their words are translated for him. An unappreciated and unordered prostitute wants him to &amp;quot;lip&amp;quot; her nylons. What he wants is for her to get out of his room immediately.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;In a bar where Bob jokes that he's &amp;quot;organizing a prison break,&amp;quot; he meets Charlotte (Johansson). She's a bored wife, tagging along with her photographer husband, played nicely in a cameo by Giovanni Ribisi. With a degree in philosophy from Yale, Charlotte has tried writing and photography but hasn't yet found anything that she's good at. She has been married for two years, and Bob for twenty-five, which he figures makes him a teenager when it comes to marriage after he subtracts off eight years for the one-third of the time that he has been asleep. After Charlotte's husband leaves her at the hotel for several days while he's on assignment, Bob and Charlotte start innocently hanging out together.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Throughout the picture, Coppola trusts the viewers' intelligence, assuming that we don't need or want everything spelled out for us. When Charlotte and Bob go clubbing with friends of hers, Charlotte suddenly ends up in a pink wig. How she got it and why she wore it is never explained. Similarly, a key exchange in the movie happens in a whisper that we're not expected to hear so that we can add our own interpretations.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;After appearing to have painted herself into something of a corner, Coppola manages to find a near perfect ending, which rings completely true. The movie remains faithful to its mission, being keenly observant and sticking to its understated approach. It's a little gem.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;LOST IN TRANSLATION runs 1:45. It is rated R for &amp;quot;some sexual content&amp;quot; and would be acceptable for teenagers.&lt;/p&gt;'
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dt-publish => '9 years ago'
genre =>
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name => 'Romance'
logo => 'logo.jpg'
movie =>
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cover => 'cover.jpg'
title => 'Lost in Translation'
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reviewer =>
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login => 'SteveRhodes'
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user-dir => 'user_files/'
short-body => 'LOST IN TRANSLATION, brilliantly written and directed by Sofia Coppola (THE VIRGIN SUICIDES), is a precious, bittersweet, comedic drama starring Bill Murray, doing his best work in years. Giving an equally strong performance is GHOST WORLD's Scarlett Johansson. They play Bob and Charlotte, two lost and lonely souls in a strange land. Striking up an acquaintance of convenience, they bond strongly, if temporarily, and their relationship stays platonic. A less gifted writer would probably have felt the need to sex up the story. Instead, Coppola crafts a compelling tale, filled with understated moments of insightfulness and humor. You'll think...'
teaser => 'LOST IN TRANSLATION, brilliantly written and directed by Sofia Coppola.'
title => 'Lost in Translation'
type-id => 7
9 =>
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__domel__body => '&lt;p&gt; KIDS is a film by first time director Larry Clark about a group of kids from about 10 to 15 years in age. They are a culturally diverse group of boys and girls who share a common trait, they represent a good parent's worst nightmare and they have zero moral values. Let me warn you upfront that as a parent, watching this show was about as enjoyable as having boiling oil poured over my body. Non-parents may be able to view the movie more dispassionately and give it higher marks. On the other hand, the people who should probably see KIDS are parents, especially poor to mediocre ones. Having thus been forewarned, let me continue with the review.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;KIDS tells the story of Telly (Leo Fitzpatrick) and Jennie (Chloe Sevigny), and their friends Ruby (Rosario Dawson), Harold (Harold Hunter), Darcy (Yakira Peguero), Casper (Justin Pierce), and many others. Telly spends all of his waking hours plotting ways to seduce very young girls into having sex for the first time. When he is not busying doing this, he and his friends are drinking malt liquor, doing drugs, stealing things, trashing houses, lying constantly, and demonstrating all of the traits associated with what was known as hoodlum behavior in a more genteel age.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Although the script by Harmony Korine does not show any of the kids as having positive attributes, it does portray the girls as sort of willing victims. Given that statistics show that teenage mothers have typically had liaisons with men in their early 20s, this depiction of girl as victim may not be inaccurate. In this movie, the kids were painted in degrees of evil, but the worst were the boys. A set of frightening images all around. The most graphic horror movies are nothing compared to KIDS.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Although the filming does not have the hand held camera instability of a documentary, overall, the script and especially the low quality of the acting makes you think you are watching a poor documentary of an extremely important subject. I read the director had the kids ad lib a lot. The picture feels as if they cast them all in a single day on the street and told the kids to just act natural. I suspect it was more organized than that, but it feels pretty amateurish. The depressing and filthy sets add to its documentary feel.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;The boys and the girls in the movie are obsessed with sex. They talk about it constantly, and do it when not busy with drinking, getting stoned and passing out, or other such activities. They all act as if they had fried their brains with drinking and drugs years ago and thereby reduced their IQ levels to under 80. Low mumbling and foul language is the way they communicate. You may wish many of the scenes were subtitled.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;Most of the movie is about Jennie and her quest for Telly after she finds he got her HIV positive with her only sexual encounter ever. The movie totally ignores the possibility of teen pregnancy and of getting thrown in jail, yet has a girl get AIDS with a single incident. The relative likelihood of the problems were totally out of proportion.&lt;/p&gt;<br /> &lt;p&gt;&lt;/p&gt;<br /> &lt;p&gt;KIDS runs 1:30, and I saw every painful minute of it, but wish I hadn't. It is unrated because the MPAA board was going to give it an NC-17 and since the producer wanted kids to be able to see KIDS, he released it as unrated instead. There is no way I would let a kid see this show. It is perhaps useful material for adults but could be misinterpreted by kids. On the other hand, most of the people in the audience I was at seemed to be about 18. I wondered what they thought of it. Beside all of the horror mentioned above, it has extreme violence which is treated as nothing by the kids in the movie. So we may have killed someone; so what. One of the kids, I think Casper, sums the kids' philosophy when he says &amp;quot;when you are young, not much matters&amp;quot;. I can not actually recommend this show that makes Kafka look like an optimist, but if you do go, you may gain some insights, depressing as the film may be. I award KIDS ** for risk taking and chilling realism. Were I not a parent, perhaps I might have been able to view it more charitably and give another half star or so.&lt;/p&gt;'
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dt-publish => '9 years ago'
genre =>
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name => 'Drama'
logo => 'logo.jpg'
movie =>
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cover => 'cover.jpg'
title => 'Kids'
rating => 60
reviewer =>
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avatar => 'default.jpg'
login => 'SteveRhodes'
review-count => 676
user-dir => 'user_files/'
short-body => ' KIDS is a film by first time director Larry Clark about a group of kids from about 10 to 15 years in age. They are a culturally diverse group of boys and girls who share a common trait, they represent a good parent's worst nightmare and they have zero moral values. Let me warn you upfront that as a parent, watching this show was about as enjoyable as having boiling oil poured over my body. Non-parents may be able to view the movie more dispassionately and give it higher marks. On the other hand, the people who should probably see KIDS are parents, especially poor to mediocre ones. Having thus been forewarned, let me continue with the ...'
teaser => 'KIDS is a film by first time director Larry Clark about a group of kids from about 10 to 15 years in age.'
title => 'Kids'
type-id => 7
rss-link => 'reviews/updates/?'
user-reviews =>
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0 =>
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alias => 'one_of_the_best'
body => 'one of the best. you are provide many more information'
dt-publish => '3 years ago'
object-title => 'Frida'
reviewer =>
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avatar => 'default.jpg'
login => 'limolink'
staff-review-alias => 'frida'
title => 'one of the best'
1 =>
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alias => 'great_review'
body => 'Great Review. Rally Great Article. Enjoyed the Read'
dt-publish => '7 years ago'
object-title => 'jonkajtys'
reviewer =>
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avatar => 'default.jpg'
login => 'TheLodgeShop'
staff-review-alias => 'interview_with_jonkajtys'
title => 'Great Review'
2 =>
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alias => 'the_road_'
body => 'the road . When it comes to movies that start as novel then movie Ive got a tendancy to see the ...'
dt-publish => '8 years ago'
object-title => 'The Road'
reviewer =>
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avatar => '1baff70e2669e8376347efd3a874a341.jpg'
login => 'ThePeoplesMovies'
staff-review-alias => 'the_road'
title => 'the road '
3 =>
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alias => 'odd_in_presentation_and_pace.'
body => 'Odd in presentation and pace. While some elements of the film are done in an avant garde manner, the...'
dt-publish => '9 years ago'
object-title => 'Fritz, Francis an...'
reviewer =>
__attr__id => 1930
avatar => 'default.jpg'
login => 'cannesmann'
staff-review-alias => 'fritz_francis_and_frederick'
title => 'Odd in presentation and pace.'
4 =>
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alias => 'but_i_must_say...'
body => 'but I must say... ...The Happening? harsh! I couldn't get through 30 minutes of that movie online ...'
dt-publish => '9 years ago'
object-title => 'The Box'
reviewer =>
__attr__id => 1447
avatar => 'FriendlyMisanthrope_1256257531.jpg'
login => 'FriendlyMisanthrope'
staff-review-alias => 'the_box'
title => 'but I must say...'
rss => 'http://www.filmnet.com/rss/reviews/updates/'
schoolFiles => 'http://i.filmnet.com/school_files/'
search =>
form-action => 'reviews'
userFiles => 'http://i.filmnet.com/user_files/'
videoFiles => 'http://i.filmnet.com/video_files/'

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  51. [1.79 ms] SELECT `users`.* FROM `users` WHERE (user_id='193')
  52. [2.79 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '13')
  53. [230.58 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 193 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  54. [0.24 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '865')
  55. [0.23 ms] SELECT `users`.* FROM `users` WHERE (user_id='193')
  56. [0.17 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '10')
  57. [166.91 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 193 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  58. [13.58 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '864')
  59. [0.22 ms] SELECT `users`.* FROM `users` WHERE (user_id='193')
  60. [0.11 ms] SELECT `rg`.* FROM `review_genres` AS `rg` WHERE (genre_id = '4')
  61. [123.85 ms] SELECT DISTINCT `r`.*, `vr`.`video_id`, `cr`.`channel_id`, `ur`.`user_id`, `mr`.`movie_id` FROM `reviews` AS `r` LEFT JOIN `video__reviews` AS `vr` ON vr.review_id = r.review_id LEFT JOIN `channel__reviews` AS `cr` ON cr.review_id = r.review_id LEFT JOIN `user__reviews` AS `ur` ON ur.review_id = r.review_id LEFT JOIN `movie__reviews` AS `mr` ON mr.review_id = r.review_id WHERE (1 AND r.`reviewer_id` = 193 AND r.is_published_review = 1 AND r.is_deleted_review = 0) ORDER BY `r`.`dt_published_review` DESC
  62. [0.24 ms] SELECT `m`.* FROM `movies` AS `m` WHERE (movie_id = '863')

File Information

146 Files Included
Total Size: 1495.1K
Basepath: /mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/../../../

Application Files

/mnt/fs.9/disk1/local/www/filmnet/application/Bootstrap.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/channels/models/Channels.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Assistant.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/default/models/Filters.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/controllers/ReviewsController.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Movies.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/ReviewGenres.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/reviews/models/Reviews.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/users/models/Users.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/modules/videos/models/Videos.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/settings/config.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/acl.php
/mnt/fs.9/disk1/local/www/filmnet/application/frontend/system/routes.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AjaxCheck.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/AutoLogin.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Controller/Plugin/InmailMessageCount.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/Paginator/Adapter/DbSelect.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Serializer.php
/mnt/fs.9/disk1/local/www/filmnet/library/App/View/Xslt.php
/mnt/fs.9/disk1/local/www/filmnet/www/index.php

Zend Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Assert/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Resource/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Acl/Role/Registry/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Auth/Storage/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/ExtendedInterface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Backend/Memcached.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Cache/Core.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Config.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/FlashMessenger.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Helper/ViewRenderer.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/HelperBroker/PriorityStack.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Action/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Dispatcher/Standard.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Front.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/Broker.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Plugin/ErrorHandler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Request/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Response/Http.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Rewrite.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Module.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Controller/Router/Route/Regex.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Adapter/Pdo/Mysql.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Profiler/Query.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Select.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Statement/Pdo.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Db/Table/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Inflector.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/PregReplace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/StringToLower.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToDash.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/CamelCaseToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/Separator/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/SeparatorToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Filter/Word/UnderscoreToSeparator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Form.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Json/Expr.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/Autoloader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Loader/PluginLoader/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Locale/Data/Translation.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Filter/Priority.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Formatter/Simple.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Log/Writer/Stream.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/Adapter/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Paginator/ScrollingStyle/Jumping.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/Namespace.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Session/SaveHandler/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Translate/Adapter/Gettext.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Uri.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Validate/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/Version.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadMeta.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/HeadTitle.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Abstract.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Container/Standalone.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Helper/Placeholder/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/Zend/View/Interface.php

ZFDebug Library Files

/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Database.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Exception.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/File.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Html.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Interface.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Memory.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Registry.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Text.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Time.php
/mnt/fs.9/disk1/local/www/filmnet/library/ZFDebug/Controller/Plugin/Debug/Plugin/Variables.php

Memory Usage

Controller: 10268.36K

Custom Timers

Controller: 2854.97 ms

Overall Timers

reviews
reviews
index
Avg: 3885.79 ms / 1 requests
Min: 3885.79 ms
Max: 3885.79 ms

Reset timers by sending ZFDEBUG_RESET as a GET/POST parameter

Registered Instances

Zend_View_Helper_Placeholder_Registry => Zend_View_Helper_Placeholder_Registry Object()
acl => Zend_Acl Object()
baseDir => 'http://www.filmnet.com/'
cache => Zend_Cache_Core Object()
config => Zend_Config Object()
db => Zend_Db_Adapter_Pdo_Mysql Object()
translator => Zend_Translate Object()
copyright 1.8.0/5.2.10-2ubuntu6variables Variableshtml HTMLdatabase 62 in 2366.77 msfile 146 Filesmemory 20262K of 1024Mtime 3885.79 msregistry Registry (7)«